Dylan initially chalks it up to trauma, but that changes when he runs into a psychiatrist who claims he’s her patient. She says he has been undergoing a unique hypnotherapy treatment built on the idea that with every choice, he creates an infinite number of parallel universes.Now those parallel universes are unlocked—and Dylan’s doppelgänger has staked a claim to his world. Can Dylan use these alternate realities to get a second chance at the life that was stolen from him? Or will he lose himself…to himself?

    And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic.This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.

    In addition to being a practicing witch, she’s also an operative for Vigilant Lock, an off-the-books program created to battle occult threats—by any means necessary. Despite her dedication to fighting the monsters threatening society, Harmony has become deeply conflicted about her job. Her last investigation resulted in a pile of dead bodies, and she suspects the wrong people are being punished for it.While on a much-needed vacation, Harmony gets pulled back into action. This time, though, she’s gone from solo work to being part of a team. Their target: the Bogeyman, a vicious and elusive figure…and the creature that destroyed Harmony’s childhood.Surrounded by quirky, fascinating characters as dedicated to one another as they are to their new partner, Harmony must learn to trust her team—and a new romantic interest—on a dangerous and deadly mission that conjures up memories she’d much rather forget.

    A dollhouse, filled with life-sized toys. A doorway into other realms. And girls who keep disappearing...When Cassie’s best friend, Aisha, vanishes during a school hike, Cassie sets off with Aisha's boyfriend and their friend Lacey, determined to find her. Instead, the three teens fall into a carefully-laid trap—deep into the surreal nightmare and dark secrets of the Dollhouse.Now, Cassie must uncover the mysteries of the Dollhouse and her own connection to it-- before it's too late.With the horror and otherworldliness of Miss Peregrine's Home for Peculiar Children and the gothic romance of A Great and Terrible Beauty, Dollhouse is a tantalizing start to The Dark Carousel series.

    He wakes without a scratch. The building is in ruins. His team is gone. Outside, Chicago is dark. Cars lie abandoned. No planes cross the sky. He’s relieved to spot other people — until he sees they’re carrying machetes.Welcome to the afterlife.Claire McCoy stands over the body of Will Brody. As head of an FBI task force, she hasn’t had a decent night’s sleep in weeks. A terrorist has claimed eighteen lives and thrown the nation into panic. Against this horror, something reckless and beautiful happened. She fell in love… with Will Brody. But the line between life and death is narrower than any of us suspect — and all that matters to Will and Claire is getting back to each other.From the author of the million-copy bestselling Brilliance Trilogy comes a mind-bending thriller that explores our most haunting and fundamental question: What if death is just the beginning?

    Feeling helpless and alone, their sorrow is compounded by anger and frustration. The local and state police haven’t uncovered any leads. Josh and Luis, the friends who were with Tommy last, may not be telling the whole truth about that night in Borderland State Park, when they were supposedly hanging out at a landmark the local teens have renamed Devil’s Rock— rumored to be cursed. Living in an all-too-real nightmare, riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. She believes a ghostly shadow of Tommy materializes in her bedroom, while Kate and other local residents claim to see a shadow peering through their own windows in the dead of night. Then, random pages torn from Tommy’s journal begin to mysteriously appear—entries that reveal an introverted teenager obsessed with the phantasmagoric; the loss of his father, killed in a drunk-driving accident a decade earlier; a folktale involving the devil and the woods of Borderland; and a horrific incident that Tommy believed connected them all and changes everything. As the search grows more desperate, and the implications of what happened becomes more haunting and sinister, no one is prepared for the shocking truth about that night and Tommy’s disappearance at Devil’s Rock.

    She must never make him upset. But when Mattie discovers the mutilated body of a fox in the woods, she realizes that they're not alone after all.There's something in the woods that wasn't there before, something that makes strange cries in the night, something with sharp teeth and claws.When three strangers appear on the mountaintop looking for the creature in the woods, Mattie knows their presence will anger William. Terrible things happen when William is angry.

    New York audiobook narrator Peter Larson and his wife Hannah head to his hometown of Maple City to help Peter's ailing father and to put a recent tragedy behind them. Though the small, Midwestern town seems the idyllic place to start afresh, Peter and Hannah will soon learn that evil currents flow beneath its surface. They move into an old farmhouse on the outskirts of town—a house purchased by Peter's father at auction and kept secret until now—and start to settle into their new life. But as Peter sets up his recording studio in a small basement room, disturbing things begin to occur—mysterious voices haunt audio tracks, malevolent shadows creep about the house. And when an insidious presence emerges from the woodwork, Peter must face old demons in order to save his family and himself.

    Not out here. We never have. In Iain Reid’s second haunting, philosophical puzzle of a novel, set in the near-future, Junior and Henrietta live a comfortable, solitary life on their farm, far from the city lights, but in close quarters with each other. One day, a stranger from the city arrives with alarming news: Junior has been randomly selected to travel far away from the farm...very far away. The most unusual part? Arrangements have already been made so that when he leaves, Henrietta won't have a chance to miss him, because she won't be left alone—not even for a moment. Henrietta will have company. Familiar company. Told in Reid’s sharp and evocative style, Foe examines the nature of domestic relationships, self-determination, and what it means to be (or not to be) a person. An eerily entrancing page-turner, it churns with unease and suspense from the first words to its shocking finale.

    She has a good life as a music teacher now, and might rekindle her relationship with her one true love. However, the number 314 haunts her, and threatens to bring her back to the day that her brother disappeared. When a reporter shows up, just days before March 14th, Alma realizes that her past is coming back to haunt her. What happened on March 14th, at 3:14, 16 years ago? No one but The Skeleton Man can remember.

    The "world's most advanced smart speaker!" didn't interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house—who ordered industrial lye? Then there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room.It was funny and strange right up until Vera was killed, and Thiago's world became unbearable. Pundits and politicians all looking to turn his wife's death into a symbol for their own agendas. A barrage of texts from her well-meaning friends about letting go and moving on. Waking to the sound of Itza talking softly to someone in the living room...The only thing left to do was get far away from Chicago. Away from everything and everyone. A secluded cabin in Colorado seemed like the perfect place to hole up with his crushing grief. But soon Thiago realizes there is no escape—not from his guilt, not from his simmering rage, and not from the evil hunting him, feeding on his grief, determined to make its way into this world.A bold, original horror novel about grief, loneliness and the oppressive intimacy of technology, This Thing Between Us marks the arrival of a spectacular new talent.

    It’s been seventeen years, and though desperate to start a new life with her fiancé, Hannah is compelled to question the events of her last summer at Brackenhill.When a human bone is found near the estate, Hannah is convinced it belongs to her long-lost sister. She launches her own investigation into that magical summer that ended in a nightmare. As strange happenings plague the castle, Hannah uncovers disturbing details about the past and startling realizations about her own repressed childhood memories.Fueled by guilt over her sister’s vanishing, Hannah becomes obsessed with discovering what happened all those years ago, but by the time Hannah realizes some mysteries are best left buried, it’s too late to stop digging. Overwhelmed by what she has exposed, Hannah isn’t sure her new life can survive her old ghosts.

    She’s flying to Crete to reunite with friends she met there five years ago and relive an idyllic vacation. Basking in the warmth of the sun, the azure sea, and the aura of antiquity, she can once again pretend—for a little while—that she belongs. Her ex-boyfriend Marcus will be among them, but even he doesn’t know the secrets she keeps hidden behind a veil of lies. None of them really know her, and that’s only part of the problem.Then again, how well does she know them?When Jan awakens in utter darkness, chained to a wall, a manacle around her wrist, her echoing screams only give her a sense of how small her cell is. As she desperately tries to reconstruct what happened and determine who is holding her prisoner, dread covers despair like a hand clamped over her mouth. Because, like the Minotaur in the labyrinth in Greek myth, her captor will be coming back for her, and all the lies will catch up to her…

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.

    Now suspended in an eerie, unsettling twilight zone during the four days of the liner's illustrious maiden voyage, a number of the passengers - including millionaires Madeleine Astor and Benjamin Guggenheim, the maid Annie Hebbley and Mark Fletcher - are convinced that something sinister is going on . . . And then, as the world knows, disaster strikes.Years later and the world is at war. And a survivor of that fateful night, Annie, is working as a nurse on the sixth voyage of the Titanic's sister ship, the Britannic, now refitted as a hospital ship. Plagued by the demons of her doomed first and near fatal journey across the Atlantic, Annie comes across an unconscious soldier she recognises while doing her rounds. It is the young man Mark. And she is convinced that he did not - could not - have survived the sinking of the Titanic . . .