He has been married for thirty years to Kiki, an American woman who no longer resembles the sexy activist she once was. Their three children passionately pursue their own paths: Levi quests after authentic blackness, Zora believes that intellectuals can redeem everybody, and Jerome struggles to be a believer in a family of strict atheists. Faced with the oppressive enthusiasms of his children, Howard feels that the first two acts of his life are over and he has no clear plans for the finale. Or the encore.Then Jerome, Howard's older son, falls for Victoria, the stunning daughter of the right-wing icon Monty Kipps, and the two families find themselves thrown together in a beautiful corner of America, enacting a cultural and personal war against the background of real wars that they barely register. An infidelity, a death, and a legacy set in motion a chain of events that sees all parties forced to examine the unarticulated assumptions which underpin their lives. How do you choose the work on which to spend your life? Why do you love the people you love? Do you really believe what you claim to? And what is the beautiful thing, and how far will you go to get it?Set on both sides of the Atlantic, Zadie Smith's third novel is a brilliant analysis of family life, the institution of marriage, intersections of the personal and political, and an honest look at people's deceptions. It is also, as you might expect, very funny indeed.

    And then one day this closest of friendships grows into something more.But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between?This is almost a love story. But it's not as simple as that.

    Living on the edge of a common in East London, their shared world is ablaze with art and activism, romance and revelry - and the promise of everything to come. They are electric. They are the best of friends.Ten years on, they are not where they hoped to be. Amidst flailing careers and faltering marriages, each hungers for what the others have. And each wrestles with the same question: what does it take to lead a meaningful life?The most razor-sharp and heartbreaking novel of the year, EXPECTATION is a novel about finding your way: as a mother, a daughter, a wife, a rebel.

    After witnessing a profoundly traumatic event, a boy is left alone in a remote house on a hilltop with his increasingly deranged parent. When a stranger knocks on his door, the boy senses that his days of isolation are over—but by what authority does this man keep the meticulous records he carries? Is he the boy’s friend? His enemy? Or something altogether other?

    . . until now.But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before.

    Too soon, with winter coming, he calls it quits. Helped by Rudy—her government-questioning, wisdom-spouting, seasonal-affective-disordered boss—and a neighbor couple, Helen makes it to spring. Those neighbors, Karen and Lily, are awaiting the arrival of their first child, a boy, which means their time at the Women’s Land Trust must end.So Helen invites the new family to throw in with her—they’ll split the work and the food, build a house, and make a life that sustains them, if barely, for years. Then young Perley decides he wants to go to school. And Rudy sets up a fruit-tree nursery on the pipeline easement edging their land. The outside world is brought clamoring into their makeshift family.Set in a region known for its independent spirit, Stay and Fight shakes up what it means to be a family, to live well, to make peace with nature and make deals with the system. It is a protest novel that challenges our notions of effective action. It is a family novel that refuses to limit the term. And it is a marvel of storytelling that both breaks with tradition and celebrates it. Best of all, it is full of flawed, cantankerous, flesh-and-blood characters who remind us that conflict isn't the end of love, but the real beginning.Absorbingly spun, perfectly voiced, and disruptively political, Madeline ffitch's Stay and Fight forces us to reimagine an Appalachia—and an America—we think we know. And it takes us, laughing and fighting, into a new understanding of what it means to love and to be free.

    Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.

    A masterful, mesmerizing modern tale about worlds dangerously colliding, the monsters that are unleashed when reason recedes, and a beautiful testament to the power of love and humanity in chaotic times. Inspired by 2,000 years of storytelling yet rooted in the concerns of our present moment, this is a spectacular achievement--enchanting, both very funny and terrifying. It is narrated by our descendants 1000 years hence, looking back on "The War of the Worlds" that began with "the time of the strangenesses": a simple gardener begins to levitate; a baby is born with the unnerving ability to detect corruption in people; the ghosts of two long-dead philosophers begin arguing once more; and storms pummel New York so hard that a crack appears in the universe, letting in the destructive djinns of myth (as well as some graphic superheroes). Nothing less than the survival of our world is at stake. Only one, a djinn princess who centuries before had learned to love humankind, resolves to help us: in the face of dynastic intrigue, she raises an army composed of her semi-magical great-great--etc.--grandchildren--a motley crew of endearing characters who come together to save the world in a battle waged for 1,001 nights--or, to be precise, two years, eight months and twenty-eight nights.

    In this peeled-paint coal town deep in Appalachia, Kevin quickly falls in with a half-wild hollow kid named Buzzy Fink who schools him in the mysteries and magnificence of the woods. The events of this fateful summer will affect the entire town of Medgar, Kentucky. Medgar is beset by a massive mountaintop removal operation that is blowing up the hills and back filling the hollows. Kevin's grandfather and others in town attempt to rally the citizens against the "company" and its powerful owner to stop the plunder of their mountain heritage. When Buzzy witnesses a brutal hate crime, a sequence is set in play that tests Buzzy and Kevin to their absolute limits in an epic struggle for survival in the Kentucky mountains.

    She may follow the stifling rules of this odd place, but no one will forget that she came from elsewhere. When Billie Jean vanishes one cold October night in her bare feet and track suit with only her truck keys, those closest to her begin a frantic search. Her daughter, Pony, a girl struggling against being a teen in the middle of nowhere; her killer dog to whom she cannot tell a lie; her husband, The Heavy, a man haunted by his past; and the charismatic Supernatural, a teenage boy longing only to be average. Each holding a different piece of the puzzle, they must come together to understand the darkest secrets of their beloved, and lay bare the mysteries of the human heart.With her luminous prose, wry humour and dead-on cultural observations, Claudia Dey has created a storytelling tour de force about what it means to love, no matter the consequences.

    After a chance encounter she befriends the Gillespie family and soon becomes a fixture in all of their lives. But when tragedy strikes - leading to a notorious criminal trial - the promise and certainties of this world all too rapidly disorientate into mystery and deception.Featuring a memorable cast of characters, infused with atmosphere and period detail, and shot through with wicked humour, Gillespie and I is a tour de force from one of the emerging names of British fiction.

    She used to imagine she was the good kind, now she’s not sure. She’d like to ask Dad about it, but growing up in the saddest chapter of someone else’s story is difficult. She tries not to skate on the thin ice of his memories.Darren has done his best. He's studied his daughter like a seismologist on the lookout for waves and surrounded her with everything she might want - everything he can think of, at least - to be happy.What Clover wants is answers. This summer, she thinks she can find them in the second bedroom, which is full of her mother's belongings. Volume isn't important, what she is looking for is essence; the undiluted bits: a collection of things that will tell the full story of her mother, her father and who she is going to be.But what you find depends on what you're searching for.

    Flax Hill, Massachusetts, isn’t exactly a welcoming town, but it does have the virtue of being the last stop on the bus route she took from New York. Flax Hill is also the hometown of Arturo Whitman—craftsman, widower, and father of Snow. SNOW is mild-mannered, radiant and deeply cherished—exactly the sort of little girl Boy never was, and Boy is utterly beguiled by her. If Snow displays a certain inscrutability at times, that’s simply a characteristic she shares with her father, harmless until Boy gives birth to Snow’s sister, Bird. When BIRD is born Boy is forced to re-evaluate the image Arturo’s family have presented to her, and Boy, Snow and Bird are broken apart. Sparkling with wit and vibrancy, Boy, Snow, Bird is a deeply moving novel about three women and the strange connection between them. It confirms Helen Oyeyemi’s place as one of the most original and dynamic literary voices of her generation.

    The System doesn’t make mistakes, but something isn’t right about the circumstances surrounding Hunter’s death. Mielikki Neith, a trusted state inspector and a true believer in the System, is assigned to find out what went wrong. Immersing herself in neural recordings of the interrogation, what she finds isn’t Hunter but rather a panorama of characters within Hunter’s psyche: a lovelorn financier in Athens who has a mystical experience with a shark; a brilliant alchemist in ancient Carthage confronting the unexpected outcome of her invention; an expat Ethiopian painter in London designing a controversial new video game, and a sociopathic disembodied intelligence from the distant future. Embedded in the memories of these impossible lives lies a code which Neith must decipher to find out what Hunter is hiding. In the static between these stories, Neith begins to catch glimpses of the real Diana Hunter–and, alarmingly, of herself. The staggering consequences of what she finds will reverberate throughout the world.A dazzling, panoramic achievement, and Nick Harkaway’s most brilliant work to date, Gnomon is peerless and profound, captivating and irreverent, as it pierces through strata of reality and consciousness, and illuminates how to set a mind free. It is a truly accomplished novel from a mind possessing a matchless wit infused with a deep humanity.

    At almost thirty, she is adrift and alienated from life. Stuck in a mindless job and reluctant to pursue her passion for food, she suppresses her appetite and recedes to the corners of rooms. But when she meets Stevie, a spirited and effervescent artist, their intense friendship sparks a change in Roberta, a shift in her desire for more. Together, they invent the Supper Club, a transgressive and joyous collective of women who gather to celebrate, rather than admonish, their hungers. They gather after dark and feast until they are sick; they break into private buildings and leave carnage in their wake; they embrace their changing bodies; they stop apologizing. For these women, each extraordinary yet unfulfilled, the club is a way to explore, discover, and push the boundaries of the space they take up in the world. Yet as the club expands, growing both in size and rebellion, Roberta is forced to reconcile herself to the desire and vulnerabilities of the body--and the past she has worked so hard to repress. Devastatingly perceptive and savagely funny, Supper Club is an essential coming-of-age story for our times.