Partly because horror continues to evolve radically--every time the genre is deemed dead, it seems to come up with another twist--it has been one of the most often-dissected genres. Here, author Kendall Phillips selects ten of the most popular and influential horror films--including Dracula, Night of the Living Dead, Halloween, The Silence of the Lambs, and Scream, each of which has become a film landmark and spawned countless imitators, and all having implications that transcend their cinematic influence and achievement. By tracing the production history, contemporary audience response, and lasting cultural influence of each picture, Phillips offers a unique new approach to thinking about the popular attraction to horror films, and the ways in which they reflect both cultural and individual fears. Though stylistically and thematically very different, all of these movies have scared millions of eager moviegoers. This book tries to figure out why.

    With a worldly generosity, LaGuardia knowingly and sensitively explores a famous man haunted by same-sexuality. His writing fearlessly penetrates the dark areas of the human psyche. (Many unpublished photographs).

    Add a famous Hollywood star or two to the mix and the nation is hooked. The Hollywood Book of Scandals provides the full account of 32 big, provocative scandals--complete with all the sexy, scintillating, and often shocking details. Written by veteran show business chronicler James Robert Parish, this book dishes the full dirt on:Bob Crane's mysterious deathElizabeth Taylor's seduction of Eddie FisherRobert Mitchum's arrest for drug possessionJudy Garland's public meltdownErrol Flynn's trial for statutory rapeWinona Ryder's shoplifting trialMore than 100 black-and-white celebrity photos offer readers a close-up look at the leading players in these sordid dramas.

    Miss Crawford rose from being a telephone operator in Kansas City to glamour, glitter, romance and ultimate stardom.

    . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times"People are right to be shocked." –The New YorkerFrom the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject.All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.

    If you liked mash you should have this book!!

    Even events off-set can conspire to stop the mightiest movies in their tracks. Witness the collapse of Francis Ford Coppola's "Megalopolis" in the aftermath of 9/11, or the demise of "Something's Got to Give" following the mysterious death of Marilyn Monroe (leaving the most famous sequence in the history of unmade movies). In exhaustive detail, this book untangles the misfortune, quarrels, and twists of fate that doomed some of the greatest movies you'll never see. With doyens of directing from Kubrick to the Coen Brothers and stars from Salvador Dali to the Sex Pistols, the eye-opening entries in "The Greatest Movies You'll Never See" unravel just why unmade masterpieces are stuck in "development hell" and assess the chances of them ever being completed and released. Each ill-fated work--from Charlie Chaplin's pet project on Napoleon to David Fincher's foray into sex and mutation--is examined in an in-depth essay. Selected entries boast script extracts, test footage frames, and concept art. Sidebars shine a spotlight on related movies, stars, and sources. Acclaimed designers and illustrators have executed spectacular original poster artwork--loyal to the vision of each original director--to accompany each of the unmade films.

    As recently as the 17th century, a farm-hand encountered them upon a Welsh hillside and was almost 'danced to death', and a century later, babies were still being stolen and replaced with 'changelings'. Even the finest brains are not immune to metahominid influence. When Sherlock Holmes' brilliant creator, Sir Arthur Conan Doyle fell victim, they made him believe that photographs of cut-out paper figures were images of real fairies. In short, the metahominids - traditionally called fairies - used Conan Doyle's fame and reputation to prove they do not exist.Within their traditional haunts of hill fort, woodland and barrow, these creatures are dangerous enough; but now, like urban foxes, they are abandoning the countryside to infest our city spaces. They prey upon us within our own territory - and modern life offers us no protection. Our unwillingness to believe in these 'other men' leaves us wide open to attack. They ramp up the trance music in our clubs, leaving us unable to resist dancing to certain tracks, and woe betide the young mother who suddenly realises her baby isn’t hers… no one will believe her. Thus they move amongst us, still destroying lives as they always have done, yet now, suddenly, in greater numbers than ever before…As this centuries old, covert war heats up, it falls to a shambling figure known only as 'D', and his pitifully underfunded department, to keep us safe - and ignorant of the nightmares that lurk, hidden in the every day world that we call 'reality'. A contemporary British fantasy, The Last Changeling reveals the hidden story behind present day real people, historical figures, and true events.

    Now, with paranormal events escalating against her whole family, Joni must get rid of the entity before it destroys them.

     New York is Brie’s life. But when her mother suddenly dies, the 18-year-old doesn’t have a choice. She moves in with her family at a ranch in Texas to start over. Turns out that the ranch owner is one of the most gorgeous men she’s ever laid eyes on. But she has to forget about him. She’s too young and inexperienced for him, not to mention his son’s nanny. Little does she know that her aunt’s got it all planned out. Ranch owner Lance is every woman’s dream with his tousled hair and blue eyes. But underneath the muscles and sun-kissed skin, this wounded cowboy hides his scars. He’s focused on his work and his little son. He has no time for love. But everything changes when he sees Brie that first day, all curves, beauty and warmth. Is this wrong? Is this right? Despite their age difference and working relationship, Lance and Brie can’t deny the attraction. Will Brie be able to move past her loss and start her first relationship? Can Lance let his walls down and give into his feelings? Can they be a family and enjoy a simple life of love and joy together? The Rancher’s Virgin is a 58-page stand-alone story in a series of cowboy romance books, featuring cowboys and virgins. Other parts of the series (more coming soon!): The Cowboy’s Virgin The books each have an HEA and include stargazing, hot cowboys and steamy love scenes. Definitely intended for 18+ readers.

    She could feel evil lurking around her, but she couldn’t do anything about it. Too bad she wasn’t cut out to be a hunter like her father. If only she was stronger, she could’ve avenged her mother. She is willing to do everything…even seducing an incubus, if it’s the only way to satisfy her thirst for revenge. With a demon hunter’s blood running through her veins, Rainelle could only hope.

    200 b/w illustrations. Two 16-page 4-color inserts.

    And she herself tells the deeply moving story of her twenty-five-year love affair with Tracy. Here is a vivid portrait of the most elegant, independent, and tempestuous star to grace the screen. Over a half million copies sold.

    Biskind began as a radical journalist and film critic, excavating the likes of Rocky and Thunderbolt and Lightfoot for their hidden political subtexts in small lefty rags. Now he can legitimately describe himself - as he does in his autobiographical introduction to this book - as a "recovering celebrity journalist."" The ghosts of McCarthyism and the blacklist haunt Gods and Monsters as do the casualties of the counterculture and the New Hollywood. At the heart of the book are the likes of Martin Scorsese, Robert Redford, Terrence Malick, Sue Mengers, and uber-producer Don Simpson, all of whom Biskind portrays in great Dickensian detail, charting how they have had a simultaneously strangulating and liberating effect on the industry.

    The public not only found Laurel's serene simpleton and Hardy's pompous buffoon hilarious, but they also thought of them as friends. Laurel and Hardy may have been nitwits, but they were loveable nitwits.Another Nice Mess: The Laurel and Hardy Story explores the lives and careers of Laurel and Hardy. The book examines how the comedians teamed up and it explains why, nearly half a century after their deaths, their films continue to enchant people all over the world.Raymond Valinoti, Jr.. is a resident of Berkeley Heights, NJ. He has a Master's in Library Science from Rutgers University and is a freelance researcher. His articles on film have been published in the magazines Midnight Marquee and Films of the Golden Age. He also writes film reviews for an online news publication, The Alternative Press.