Samuel Rafidjian? And what is the role of the hulking live-sex performer known as the Indian?To confront the puzzle of several sphinxes, most of them female, private detective Remo Bellini plunges into the underworld of São Paulo. Little by little, the mysteries unravel in a surprising fashion, until the solving of the final enigma leaves Bellini perplexed, with a bitter taste in his mouth.Translated from Brazilian Portuguese into English by Clifford E. Landers.

    The indigenous girl stands in the heavy rain, as if waiting for something. Paulo gives her a lift to her family’s roadside camp.With sudden shifts in the characters’ lives, this novel takes in the whole story: telling of love, loss and family, it spans the worlds of São Paulo’s rich kids and dispossessed Guarani Indians along Brazil’s highways. One man escapes into an immigrant squatter’s life in London, while another’s performance activism leads to unexpected fame on Youtube.Written from the gut, it is a raw and passionate classic in the making, about our need for a home.

    While each is unique in form, as a group they are representative of his style, and touch on the central themes that surface in War and Peace and Anna Karenina. Stories as different as The Snowstorm, Lucerne, The Diary of a Madman and The Devil are grounded in autobiographical experience. They deal with journeys of self-discovery and the moral and religious thought that characterizes Tolstoy's works of criticism and philosophy. Strider and Father Sergy, as well as reflecting Tolstoy's own experiences, also reveal profound psychological insights. These stories range over much of the nineteenth-century Russian world, from the nobility to the peasantry, the military to the clergy, from merchants and cobblers to a horse and a tree. Together they present a fascinating picture of Tolstoy's skill and artistry.The snowstorm --Lucerne --Three deaths --Polikushka --Strider : the story of a horse --God sees the truth, but waits --The notes of a madman --Where love is, God is --The devil --Father Sergy --After the ball.

    There she becomes Hilda Hurricane, an erotic force of nature no man can resist. The exception is reporter-narrator Roberto Drummond, who attempts to unravel the mystery of why the girl in the gold bikini would forego a comfortable life to join the world's oldest profession. While some in Belo Horizonte cheer Hilda's liberated lifestyle, others seek to have her moved outside the city limits, and a would-be saint cannot seem to finish the exorcism he began outside the Hotel Marvelous. Set against the social and political upheaval of the 1960s, Hilda's story seduces even as Drummond becomes aware of more ominous forces approaching Belo Horizonte.Hilda Hurricane was both a critical and a commercial success in Brazil, with more than 200,000 copies sold. (The DVD of the television adaptation has sold more than a million copies.) Admirers of Kurt Vonnegut will revel in Drummond's similarly sharp satire and playful digressions, particularly about left-wing politics, which blur the boundary between fiction and autobiography. Yet the real genius of the author's interventions may be that they never slow the story long enough to lose sight of this mysterious beauty swept up in the turmoil of the times.

    The devil will do all he asks on Earth and seeks to grant him a moment in life so glorious that he will wish it to last forever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe’s great work, the embittered thinker and Mephistopheles enter into their agreement, and soon Faust is living a rejuvenated life and winning the love of the beautiful Gretchen. But in this compelling tragedy of arrogance, unfulfilled desire, and self-delusion, Faust heads inexorably toward an infernal destruction.The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.

    The authors not only reconstruct the epic story of the nation but follow the shifting byways of food, art, and popular culture; the plights of minorities; and the ups and downs of economic cycles. Drawing on a range of original scholarship in history, anthropology, political science, and economics, Schwarcz and Starling reveal a long process of unfinished social, political, and economic progress and struggle, a story in which the troubled legacy of the mixing of races and postcolonial political dysfunction persist to this day.

    Ricardo Reis says: "Alberto Caeiro da Silva was born in Lisbon on April 16, 1889, and died of tuberculosis in the same city on (. . .), 1915. He spent nearly all his life in a village in Ribatejo, and only returned to the city of his birth in his final months. In Ribatejo he wrote nearly all his poems . . ." Fernando Pessoa was educated in English in Durban, as the stepson of a Portuguese diplomat, and was completely bilingual. During his lifetime he was to publish only one collection of his poems in Portuguese, although many appeared in literary journals, under a number of alter egos, or heteronyms, chief amongst them Alberto Caeiro, Alvaro de Campos and Ricardo Reis. At his death in 1935, Pessoa left more than 20,000 manuscripts - poetry and prose - in a large trunk, the contents of which are still being transcribed and deciphered to this day. He is the greatest modern poet in the Portuguese language, but always considered himself a poet in the English tradition."

    First published in France in 1862, it is Victor Hugo's greatest achievement--the ultimate tale of redemption. Former prisoner Jean Valjean struggles to live virtuously after an unexpected act of forgiveness by a kindly bishop changes his life. His righteous actions change people's lives in surprising ways and culminate in romance between two young people. Now available as part of the Word Cloud Classics series, Les Miserables is a must-have addition to the libraries of all classic literature lovers.

    Her budding, devout, dewy-lipped daughter Amélia is soon lusted after by the young priest. What ensues is a secret love affair amidst a host of compelling minor characters: Canon Dias, a priest, glutton, and Sao Joaneira's lover; Dona Maria da Assuncao, a wealthy widow with a roomful of religious relics, agog at any hint of sex; Joao Eduardo, repressed atheist, free-thinker, and suitor to Amelia. Eca's incisive critique flies like a shattering mirror, jabbing everything from the hypocrisy of a rich and powerful Church, to the provincialism of Portuguese society of the time.Haunting, The Crime of Father Amaro is the ghost of a forgotten religion of tolerance, wisdom, and equality. Margaret Jull Costa has rendered an exquisite translation and provides an informative introduction to a story that truly spans all ages." "The Crime of Father Amaro inspired a series of magnificent paintings by the Portuguese artist Paula Rego, one of which graces the cover of this edition. The novel was also made into a controversial film, El Crimen del Padre Amaro by Mexican director Carlos Carrera in 2002."--BOOK JACKET.

    Most difficult of all are his struggles to express what has happened to him, for a man more accustomed to numbers than words. He calls it "the clearcut unhoped-for," and it's a vision that will drive him to madness and, eventually, death. Written in a fragmented style that echoes the character's increasingly fragile hold on reality, With My Dog-Eyes is intensely vivid, summoning up Amos's childhood and young adulthood—when, like Richard Feynman, he used to bring his math books to brothels to study—and his life at the university, with its "meetings, asskissers, pointless rivalries, gratuitous resentments, jealous talk, meglomanias." Hilst, whose father was diagnosed with paranoid schizophrenia, has created a lacerating, and yet oddly hopeful, portrayal of a descent into hell--Amos never makes sense of the new way he sees things, but he does find an avenue of escape, retreating to his mother's house and, farther, towards the animal world. A deeply metaphysical, formally radical one-of-a-kind book from a great Brazilian writer.

    But fifteen years later, Duke, the leader and undisputed genius of their group, has been murdered, and the three remaining members of their circle reunite to piece together what became of their lives and how they fell so short of their expectations.Now in their thirties, Aurora, Antero, and Emiliano have succumbed to the pressures of adulthood, the exigencies of carving out a life in a country that is fraying at the seams. Reunited after years of long-held grudges and painful crushes, the three try to resurrect the spirit of the all-night parties and early morning trysts, the protests and pornography of their youths. Lurking over them, as they puzzle out their fates, is the question of whether or not there is a future for them to believe in, or if the end has already arrived.Twenty After Midnight is a portrait of the first generation of the digital age, a group that was promised everything but handed a fractured world. Daniel Galera has written a pre-apocalyptic tale of millennial longings.

    The resulting volume is both an education in the history of fantastic literature and a rollercoaster ride of wonder and terror, vampires, ghosts, and the rebellious creatures of our own psyches. Selections include:E.T.A. Hoffmann--"The Sandman"G&#233rard de Nerval--"the Enchanted Hand"Nikolai Gogol--"The Nose"Edgar Allan Poe--"The Tell-Tale Heart"Hans Christian Andersen--"The Shadow"Ambrose Bierce--"Chickamauga"Robert Louis Stevenson--"The Bottle Imp"Henry James--"The Friends of the Friends"H.G. Wells--"The Country of the Blind"Comprising stories of the supernatural and narratives of the everyday uncanny, Fantastic Tales is a gallery of enchantments, deliciously entertaining yet more disturbing than our most persistent nightmares.CONTENTSIntroduction by Italo CalvinoI. The Visionary Fantastic of the Nineteenth CenturyThe Story of the Demoniac Pacheco by Jan PotockiAutumn Sorcery by Joseph von EichendorffThe Sandman by E. T. A. HoffmannWandering Willie’s Tale by Sir Walter ScottThe Elixir of Life by Honoré de BalzacThe Eye with No Lid by Phliarte ChaslesThe Enchanted Hand by Gérard de NervalYoung Goodman Brown by Nathaniel HawthorneThe Nose by Nikolai Vasilyevich GogolThe Beautiful Vampire by Théophile GautierThe Venus of Ille by Prosper MériméeThe Ghost and the Bonesetter by Joseph Sheridan Le FanuII. The Everday Fantastic of the Nineteenth CenturyThe Tell-Tale Heart by Edgar Allan PoeThe Shadow by Hans Christian AndersenThe Signal-Man by Charles DickensThe Dream by Ivan Sergeyevich TurgenevA Shameless Rascal by Nikolai Semyonovich LeskovThe Very Image by Auguste Villiers de l’Isle-AdamNight: A Nightmare by Guy de MaupassantA Lasting Love by Vernon LeeChickamauga by Ambrose BierceThe Holes in the Mask by Jean LorrainThe Bottle Imp by Robert Louis StevensonThe Friends of the Friends by Henry JamesThe Bridge-Builders by Rudyard KiplingThe Country of the Blind by H. G. Wells

      Teo Avelar is a loner. He lives with his paraplegic mother and her dog in Rio de Janeiro, he doesn't have many friends, and the only time he feels honest human emotion is in the presence of his medical school cadaver—that is, until he meets Clarice. She's almost his exact opposite: exotic, spontaneous, unafraid to speak her mind. An aspiring screenwriter, she's working on a screenplay called Perfect Days about three friends who go on a road trip across Brazil in search of romance. Teo is obsessed. He begins to stalk her, first following her to her university, then to her home, and when she ultimately rejects him, he kidnaps her and they embark upon their very own twisted odyssey across Brazil, tracing the same route outlined in her screenplay. Through it all, Teo is certain that time is all he needs to prove to Clarice that they are made for each other, that time is all he needs to make her fall in love with him. But as the journey progresses, he digs himself deeper and deeper into a pit that he can't get out of, stopping at nothing to ensure that no one gets in the way of their life together. Both tense and lurid, and brimming with suspense from the very first page, Perfect Days is a psychological thriller in the vein of Patricia Highsmith's The Talented Mr. Ripley—a chilling journey in the passenger seat with a psychopath, and the English language debut of one of Brazil's most deliciously dark young writers.

    Includes: The Castle; The Trial; Metamorphosis and Other StoriesAlternate edition of ISBN-13: 9781840227260

    Writers such as Machado de Assis and Jorge Amado have both explored the use of the unstated and the forced compromise between extremes that have grown to be so crucial to the modernist movement. No Brazilian author, however, has mastered the compromise quite like João Guimarães Rosa, a man who was once described as not only leading, but preceding the reader "to a place where there is discord and cacophony under which there is a strange harmony…the third bank of the river…the land every soul craves for." In his collection of short stories, Primeiras Estórias (1962), Rosa pays particularly close attention to ambiguity as a main theme in Brazilian backland writing. First translated to English in 1968 under the title First Stories, Primeiras Estórias, and in particular, "The Third Bank of the River," is in many ways the defining work of the Brazilian short story.