And even fewer who are as well respected as Bill White.Bill White, who's now in his mid 70s, was an All-Star first baseman for many years with the New York Giants, St.Louis Cardinals and Philadelphia Phillies before launching a stellar broadcasting career with the New York Yankees for 18 years. He left the broadcast booth to become the President of the National League for five years. A true pioneer as an African-American athlete, sportscaster, and top baseball executive, White has written his long-awaited autobiography in which he will be candid, open, and as always, most forthcoming about his life in baseball. Along the way, White shares never-before-told stories about his long working relationship with Phil Rizzutto, insights on George Steinbrenner, Barry Bonds, Reggie Jackson, Thurman Munson, Bob Gibson, Bart Giamatti, Fay Vincent, and scores of other top baseball names and Hall of Famers. Best of all, White built his career on being outspoken, and the years fortunately have not mellowed him. UPPITY is a baseball memoir that baseball fans everywhere will be buzzing about.

    With "The Gashouse Gang," John Heidenry delivers the definitive account of one the greatest and most colorful baseball teams of all times, the 1934 St. Louis Cardinals, filled with larger-than-life baseball personalities like Branch Rickey, Leo Durocher, Pepper Martin, Casey Stengel, Frankie Frisch, and—especially—the eccentric good ol' boy and great pitcher Dizzy Dean and his brother Paul. The year 1934 marked the lowest point of the Great Depression, when the U.S. went off the gold standard, banks collapsed by the score, and millions of Americans were out of work. Epic baseball feats offered welcome relief from the hardships of daily life. The Gashouse Gang, the brilliant culmination of a dream by its general manager, Branch Rickey, the first to envision a farm system that would acquire and "educate" young players in the art of baseball, was adored by the nation, which saw itself—scruffy, proud, and unbeatable—in the Gang. Based on original research and told in entertaining narrative style, "The Gashouse Gang" brings to life a bygone era and a cast full of vivid personalities, and unearths a treasure trove of baseball lore that will delight any fan of the great American pastime.

    Buried beneath these parallel conflicts--one for the soul of baseball, the other for the soul of the city--was the subtext of race. Deftly intertwined by journalist Jonathan Mahler, these braided Big Apple narratives reverberate to reveal a year that also saw the opening of Studio 54, the acquisition of the New York Post by Rupert Murdoch, a murderer dubbed the "Son of Sam," the infamous blackout, and the evolution of punk rock. As Koch defeated Cuomo, and as Reggie Jackson rescued a team racked with dissension, 1977 became a year of survival--and also of hope.

    He then went on to win all three games of baseball's first World Series. Fifty-nine in '84 tells the dramatic story not only of that amazing feat of grit but also of big-league baseball two decades after the Civil War—a brutal, bloody sport played barehanded, the profession of uneducated, hard-drinking men who thought little of cheating outrageously or maiming an opponent to win. It is the tale, too, of the woman Radbourn loved, Carrie Stanhope, the alluring proprietress of a boarding-house with shady overtones, a married lady who was said to have personally known every man in the National League. Wonderfully entertaining, Fifty-nine in '84 is an indelible portrait of a legendary player and a fascinating, little-known era of the national pastime.

    The author puts Cobb into the context of his times, describing the very different game on the field then, and successfully probes Cobb's complex personality.

    Wrigley, the great chewing-gum mogul and owner of the Chicago Cubs, who feared the effect of WWII on the major leagues, many of whose players weren't waiting to be drafted before joining up.Women answered the recruiters' call from all over the U.S. and Canada.They were drawn by the lure of bankable money and an escape from dead-end jobs and small towns.- Mary "Bonnie" Baker - the well-groomed stylish player from Regina, Saskatchewan who embodied the virtues of the All-American girl- Alma "Gabby" Ziegler - the great morale booster and captain of the Grand Rapids Chicks- Dorothy "Kammie" Kamenshek - rated the best all-round player in the League- Dorothy Schroeder - she lied about her age to join in the league's first year and played every year until the league ended 12 years laterThey were all superb athletes, but they also had to be perfect ladies.Chaperones directed their every move. Feminine uniforms included a knee-length skirt, and Charm School to teach them everything they needed to know about how to dress and act like a lady.Through all this, the All-American was a magnificent success.In its heyday, stadiums packed in fans and players were shipped off to spring training in Cuba and Florida. The All-American League teams played their first game in 1943 and their last game in 1954.

    This is the definitive biography of a black showman-athlete. The author interviewed more than 200 veteran fellow players of the Negro and Major Leagues.

    Interracial contests took place during the off-season, when major leaguers and Negro Leaguers alike fattened their wallets by playing exhibitions in cities and towns across America. These barnstorming tours reached new heights, however, when Satchel Paige and other African- American stars took on white teams headlined by the irrepressible Dizzy Dean. Lippy and funny, a born showman, the native Arkansan saw no reason why he shouldn't pitch against Negro Leaguers. Paige, who feared no one and chased a buck harder than any player alive, instantly recognized the box-office appeal of competing against Dizzy Dean's "All-Stars." Paige and Dean both featured soaring leg kicks and loved to mimic each other's style to amuse fans. Skin color aside, the dirt-poor Southern pitchers had much in common. Historian Timothy M. Gay has unearthed long-forgotten exhibitions where Paige and Dean dueled, and he tells the story of their pioneering escapades in this engaging book. Long before they ever heard of Robinson or Larry Doby, baseball fans from Brooklyn to Enid, Oklahoma, watched black and white players battle on the same diamond. With such Hall of Fame teammates as Josh Gibson, Turkey Stearnes, Mule Suttles, Oscar Charleston, Cool Papa Bell, and Bullet Joe Rogan, Paige often had the upper hand against Diz. After arm troubles sidelined Dean, a new pitching phenom, Bob Feller--Rapid Robert--assembled his own teams to face Paige and other blackballers. By the time Paige became Feller's teammate on the Cleveland Indians in 1948, a rookie at age forty-two, Satch and Feller had barnstormed against each other for more than a decade.These often obscure contests helped hasten the end of Jim Crow baseball, paving the way for the game's integration. Satchel Paige, Dizzy Dean, and Bob Feller never set out to make social history--but that's precisely what happened. Tim Gay has brought this era to vivid and colorful life in a book that every baseball fan will embrace.

    Over six feet tall, clean cut, and college educated, he didn't pitch on the Sabbath and rarely spoke an ill word about anyone. He also had one of the most devastating arms in all of baseball. New York Giants manager John McGraw, by contrast, was ferocious. The pugnacious tough guy was already a star infielder who, with the Baltimore Orioles, helped develop a new, scrappy style of baseball, with plays like the hit-and-run, the Baltimore chop, and the squeeze play. When McGraw joined the Giants in 1902, the Giants were coming off their worst season ever. Yet within three years, Mathewson clinched New York City's first World Series for McGraw's team by throwing three straight shutouts in only six days, an incredible feat that is invariably called the greatest World Series performance ever. Because of their wonderful odd-couple association, baseball had its first superstar, the Giants ascended into legend, and baseball as a national pastime bloomed.

    and Lou Gehrig, who each achieved the coveted and sometimes confounding record of most consecutive games played When Cal Ripken Jr. began his career with the Baltimore Orioles at age twenty-one, he had no idea he’d beat the historic record of 2,130 games played in a row set by Lou Gehrig, the fabled “Iron Horse” of the New York Yankees. When Ripken beat that record by 502 games, the baseball world was floored. Few feats in sports history have generated more acclaim. But the record that Ripken now owns, quite possibly forever, spawns an array of questions. Was his streak or Gehrig’s the more difficult achievement? Who owned the record before Gehrig? When did someone first think it was a good idea to play in so many games without taking a day off?   Through probing research, meticulous analysis, and colorful parallel storytelling, The Streak delves into this impressive but controversial milestone, unraveling Gehrig’s at times unwitting pursuit of that goal and Ripken’s fierce determination to play the game his way, which resulted in his seizing of the record decades later. Along the way Eisenberg dives deep into the history of the record and offers a portrait of the pastime in different eras, going back more than a century.   The question looms: Was it harder for Ripken or Gehrig to play every day for so long? The length of seasons, the number of teams in the major leagues, the inclusion of non-white players, travel, technology, and even media are all part of the equation. Larger than all of this, however, is a book that captures the deeply American appreciation—as seen in the sport itself, its players, and its fans—for that workaday mentality and that desire to be there for the game they love, the job they are paid to do.

    In twenty-four seasons pitcher Roger Clemens put together one of the greatest careers baseball has ever seen. Seven Cy Young Awards, two World Series championships, and 354 victories made him a lock for the Hall of Fame. But on December 13, 2007, the Mitchell Report laid waste to all that. Accusations that Clemens relied on steroids and human growth hormone provided and administered by his former trainer, Brian McNamee, have put Clemens in the crosshairs of a Justice Department investigation.Why did this happen? How did it happen? Who made the decisions that altered some lives and ruined others? How did a devastating culture of drugs, lies, sex, and cheating fester and grow throughout Major League Baseball's clubhouses? The answers are in these extraordinary pages.American Icon: The Fall of Roger Clemens and the Rise of Steroids in America’s Pastime is about much more than the downfall of a superstar. While the fascinating portrait of Clemens is certainly at the center of the action, the book takes us outside the white lines and inside the lives and dealings of sports executives, trainers, congressmen, lawyers, drug dealers, groupies, a porn star, and even a murderer—all of whom have ties to this saga. Four superb investigative journalists have spent years uncovering the truth, and at the heart of their investigation is a behind-the-scenes portrait of the maneuvering and strategies in the legal war between Clemens and his accuser, McNamee.This compelling story is the strongest examination yet of the rise of illegal drugs in America’s favorite sport, the gym-rat culture in Texas that has played such an important role in spreading those drugs, and the way Congress has dealt with the entire issue. Andy Pettitte, Jose Canseco, Alex Rodriguez, and Chuck Knoblauch are just a few of the other players whose moving and sometimes disturbing stories are illuminated here as well. The New York Daily News Sports Investigative Team has written the definitive book on corruption and the steroids era in Major League Baseball. In doing so, they have managed to dig beneath the disillusion and disappointment to give us a stirring look at heroes who all too often live unheroic shadow lives.

    In that year—the same in which the US Supreme Court unanimously ruled, in the case of Brown vs. Board of Education, that segregation of the races be outlawed in America's public schools—Larry Doby's Indians won an American League record 111 games, dethroned the five-straight World Series champion Yankees, and went on to play Willie Mays's Giants in the first World Series that featured players of color on both teams.   Seven years after Jackie Robinson had broken the baseball color line, 1954 was a triumphant watershed season for black players—and, in a larger sense, for baseball and the country as a whole. While Doby was the dominant player in the American League, Mays emerged as the preeminent player in the National League, with a flair and boyish innocence that all fans, black and white, quickly came to embrace. Mays was almost instantly beloved in 1954, much of that due to how seemingly easy it was for him to live up to the effusive buildup from his Giants manager, Leo Durocher, a man more widely known for his ferocious "nice guys finish last" attitude.   Award-winning, New York Times bestselling author Bill Madden delivers the first major book to fully examine the 1954 baseball season, drawn largely from exclusive recent interviews with the major players themselves, including Mays and Doby as well as New York baseball legends from that era: Yogi Berra and Whitey Ford of the Yankees, Monte Irvin of the Giants, and Carl Erskine of the Dodgers. 1954 transports readers across the baseball landscape of the time—from the spring training camps in Florida and Arizona to baseball cities including New York, Baltimore, Chicago, and Cleveland—as future superstars such as Hank Aaron, Ernie Banks, and others entered the leagues and continued to integrate the sport. Weaving together the narrative of one of baseball's greatest seasons with the racially charged events of that year, 1954 demonstrates how our national pastime—with the notable exception of the Yankees, who represented "white supremacy" in the game—was actually ahead of the curve in terms of the acceptance of black Americans, while the nation at large continued to struggle with tolerance.

    It was Jackie Robinson's first Series, a postwar spectacle featuring Frank Sinatra, Ernest Hemingway and President Harry Truman in supporting roles. It was also the first televised World Series - sportswriters called it "Electric October."But for all the star power on display, the outcome hinged on role players: Bill Bevens, a journeyman who knocked on the door of pitching immortality; Al Gionfriddo and Cookie Lavagetto, bench players at the center of the Series' iconic moments; Snuffy Stirnweiss, a wartime batting champion who never got any respect; and managers Bucky Harris and Burt Shotton, each an unlikely choice to run his team. Six men found themselves plucked from obscurity to shine on the sport's greatest stage. But their fame was fleeting; three would never play another big-league game, and all six would be forgotten.Kevin Cook brings the '47 Series back to life, introducing us to men whose past offered no hint they were destined for extraordinary things. For some, the Series was a memory to hold onto. For others, it would haunt them to the end of their days. And for us, Cook offers new insights--some heartbreaking, some uplifting--into what fame and glory truly mean.

    Facing down batter after batter, he breaks down his though process and recounts in vivid and candid detail his analysis of the players who stepped into the batter's box against him, his control of both the ball and the elements of the day, and his moments of synchronicity with teammate Tim McCarver, all the while capturing the fascinating relationship and unspoken dialogue that carries on between pitcher and catcher over the course of nine critical innings.From the dugout to the locker room, Gibson offers a behind-the-scenes look at the lives of the players, the team's chemistry, and clubhouse culture. He recounts the story of Curt Flood, Gibson's best friend and the Cardinal center fielder, who would go on to become one of the pioneers of free agency; shares colorful anecdotes of his interactions with some of baseball's most unforgettable names, from Denny McLain and Roger Maris to Sandy Koufax and Harry Caray; and relives the confluence of events, both on and off the field, that led to one of his---and baseball's---most memorable games ever.This deep, unfiltered insider look at one particular afternoon of baseball allows for a better understanding of how pros play the game and all the variables that a pitcher contends with as he navigates his way through a formidable lineup. Gibson's extraordinary and engrossing tale is retold from the unique viewpoint of an extremely perceptive pitcher who happens to be one of baseball's all-time greats.

    In 1968, two remarkable pitchers would dominate the game as well as the broadsheets. One was black, the other white. Bob Gibson, together with the St. Louis Cardinals, embodied an entire generation's hope for integration at a heated moment in American history. Denny McLain, his adversary, was a crass self-promoter who eschewed the team charter and his Detroit Tigers teammates to zip cross-country in his own plane. For one season, the nation watched as these two men and their teams swept their respective league championships to meet at the World Series. Gibson set a major league record that year with a 1.12 ERA. McLain won more than 30 games in 1968, a feat not achieved since 1934 and untouched since. Together, the two have come to stand as iconic symbols, giving the fans “The Year of the Pitcher” and changing the game. Evoking a nostalgic season and its incredible characters, this is the story of one of the great rivalries in sports and an indelible portrait of the national pastime during a turbulent year—and the two men who electrified fans from all walks of life.