Along the way he provides an engaging and witty commentary while introducing the lay reader to both classic and cutting-edge concepts in physics, including:What Superman's strength can tell us about the Newtonian physics of force, mass, and accelerationHow Iceman's and Storm's powers illustrate the principles of thermal dynamicsThe physics behind the death of Spider-Man's girlfriend Gwen StacyWhy physics professors gone bad are the most dangerous evil geniuses!

    In this breathtaking volume by "the King of Comics, " Jimmy Olsen's highly popular adventures from the early 1970s are beautifully reprinted. Showcasing his creative genius, Kirby used these monumental stories of Superman and Jimmy Olsen to introduce his Fourth World mythological epic. Featuring the first appearance of Darkseid, these groundbreaking tales forever revolutionized the art of storytelling across all genres.

    Using such cutting edge science as genetic manipulation, biotechnology, quantum physics, string theory, biophysics, and the Human Genome Project you'll learn how the powers of Wolverine, Professor X, Jean Grey, Rogue, Storm, Cyclops and many more X-Men and their adversaries could work in the real world. The Science of the X-Men goes beyond the characters and includes an analysis of their equipment and some of the alien races that have crossed paths with the X-Men. You'll discover how Professor X's amazing computer, Cerebro, can find mutants, the technical specs on the X-Men's specially modified airplane, the Lockheed SR-71, and the amazing robotics and holograms that make up the X-Men's amazing adaptive obstacle course known as the Danger Room.

    Creator Lynn Johnston's commentary adds a behind-the-scenes element, as she describes some of her thoughts about the strip over the years.Author's web site: http://fbofw.com/

    Westerns and detective stories were the big sellers of the day. The spider-man character was a shot in the dark feature in a poor-selling comic book Amazing Fantasy that was about to get the axe. Today an original copy of that comic would cost in the range of $40,000.With a library containing over 4,700 proprietary characters and eleven movies featuring Marvel characters already underway for the next two years, the Marvel Universe has become as epic as its storylines.This oversized collector's style guide, Marvel: The Characters and Their Universe, covers the history of the national obsession, the marvel influence on media, and the best loved characters including the Incredible Hulk and X-Men, and ends with a look at new worlds to conquer. Full of stunning 4-color photographs, movie stills, original comic art, and animation drawings, this is a vibrant and colorful tribute to the incredible cultural phenomenon.

    The year is 1933, and New York City is not-so-secretly run by corrupt politicians, crooked cops, big businesses... and suave gangland bosses like New York's worst, the Goblin. But when a fateful spider-bite gives the young rabble-rouser Peter Parker the power to fight the mobster who killed his Uncle Ben, will even that be enough? It's a tangled web of Great Depression pulp, with familiar faces like you've never seen them before! By "Hardboiled" David Hine, Fabrice "The Spider" Sapolsky, and Carmine "Carbine" Di Giandomenico! Collects Spider-Man Noir #1-4.

    Over the past eight decades, Batman has remained at the forefront of popular culture, which is in no small part because of this comic book series that is synonymous with the Dark Knight! Celebrate Detective Comics with DC, as we revisit classic stories from comics from the 1930s onward, featuring some of Batman's greatest allies and villains and work from some of the greatest creators ever to grace the graphic-literature medium!With a new cover by DC publisher and chief creative officer Jim Lee. Curated by guest editor Paul Levitz, it features reprints of the Dark Knight’s most memorable adventures, from his first appearance to the debuts of Robin, Batwoman, Bat-Mite and Batgirl, as well as villains including Two-Face, the Riddler, Clayface, Man-Bat and more. This hardcover also spotlights crime-fighters including Slam Bradley, Air Wave, the Boy Commandos, the Martian Manhunter and the 1970s Manhunter, Paul Kirk!And, published for the first time anywhere: a new tale of a traumatic early moment in Bruce Wayne’s life written by Paul Levitz with art by Denys Cowan and Bill Sienkiewicz, and an extraordinary look at a long-ago work in progress—the original layouts for the Batman tale from DETECTIVE COMICS #200, as illustrated by Lew Sayre Schwartz (and signed “Bob Kane”). As if that’s not enough, this volume includes essays on Batman from contributors including Cory Doctorow, Neil Gaiman, Glen David Gold, Dennis O’Neil, former San Diego police chief Shelley Zimmerman and pulp historian Anthony Tollin. This is sure to be the celebration of the year!

    But at the height of his career, his groundbreaking comic strip, Li'l Abner, reached ninety million readers. The strip ran for forty-three years, spawned two movies and a Broadway musical, and originated such expressions as "hogwash" and "double-whammy." Capp himself was a familiar personality on TV and radio; as a satirist, he was frequently compared to Mark Twain.Though Li'l Abner brought millions joy, the man behind the strip was a complicated and often unpleasant person. A childhood accident cost him a leg-leading him to art as a means of distinguishing himself. His apprenticeship with Ham Fisher, creator of Joe Palooka, started a twenty-year feud that ended in Fisher's suicide. Capp enjoyed outsized publicity for a cartoonist, but his status abetted sexual misconduct and protected him from the severest repercussions. Late in life, his politics became extremely conservative; he counted Richard Nixon as a friend, and his gift for satire was redirected at targets like John Lennon, Joan Baez, and anti-war protesters on campuses across the country.With unprecedented access to Capp's archives and a wealth of new material, Michael Schumacher and Denis Kitchen have written a probing biography. Capp's story is one of incredible highs and lows, of popularity and villainy, of success and failure-told here with authority and heart.

    But what they find, the state that their future selves are in and the state of Xavier's dream, is far from the future they dreamed of. And how will the X-Men of the present deal with their past coming crashing forward?Collecting: All-New X-Men 1-5

    Volumes 1-6 of Kurt Busiek's Astro City are collected in this volume that also includes a sketchbook showing the development of Astro City a cover gallery of cover paintings.

    In the next installment of her graphic travelogue series, Displacement, Knisley volunteers to watch over her ailing grandparents on a cruise. (The book s watercolors evoke the ocean that surrounds them.) In a book that is part graphic memoir, part travelogue, and part family history, Knisley not only tries to connect with her grandparents, but to reconcile their younger and older selves. She is aided in her quest by her grandfather s WWII memoir, which is excerpted. Readers will identify with Knisley s frustration, her fears, her compassion, and her attempts to come to terms with mortality, as she copes with the stress of travel complicated by her grandparents frailty."

    This new graphic novel gathers some of their stories in one volume for the first time, in which these heroes face both the evil of those who would stand against them and their own inner conflicts.

    Against overwhelming adversity, these remarkable women raised their voices and changed history.With her one-of-a-kind wit and dazzling drawings, celebrated graphic novelist Pénélope Bagieu profiles the lives of these feisty female role models, some world-famous, some little known. From Nellie Bly to Mae Jemison or Josephine Baker to Naziq al-Abid, the stories in this comic biography are sure to inspire the next generation of rebel ladies.

    Reluctantly adjusting to his role, Jack reinvents the look of Starman, ditching the traditional red and green in favor of black leather and aviator goggles. But Jack has inherited more than a heroic identity from his brother . . . he's also gained a foe: the beautiful but mentally unbalanced Nash, daughter of the villain known as the Mist. Jack also must come to grips with the Shade, the morally ambiguous former villain who decides to become Jack's mentor.

    With her father off fighting for the Hungarian army and the German troops quickly approaching, Katin and her mother are forced to flee to the countryside after faking their deaths. Leaving behind all of their belongings and loved ones, andunable to tell anyone of their whereabouts, they disguise themselves as a Russian servant and illegitimate child, while literally staying a few steps ahead of the German soldiers.We Are on Our Own is a woman's attempt to rebuild her earliest childhood trauma in order to come to an understanding of her lifelong questioning of faith. Katin's faith is shaken as she wonders how God could create and tolerate such a wretched world, a world of fear and hiding, bargaining and theft, betrayal and abuse. The complex and horrific experiences on the run are difficult for a child to understand, and as a child, Katin saw them with the simple longing, sadness, andcuriosity she felt when her dog ran away or a stranger made her mother cry. Katin's ensuing lifelong struggle with faith is depicted throughout the book in beautiful full-color sequences.We Are on Our Own is the first full-length graphic novel by Katin, at the age of sixty-three.