To keep the bank from repossessing her truck and putting her and her daughter on the street, Loretta Brennan takes a treacherous route to Wyoming with a winter storm approaching. She worries if she can make the deadline and navigate the icy roads since her driving partner husband died in an accident the year before. At a truck stop, Loretta meets handsome hitchhiker Sam Emerson, who helps her out of a bind. She feels compelled to return the favor and offers him a ride to Cheyenne. Blizzards, a series of trucker murders, and a sinister truck haunt them along their route. They grow close despite Loretta's fear that Sam may be aligned with the killer. Is Sam a good man down on his luck or is she falling in love with a murderer?

    Three women become friends when working in their local picture house. When life is so tough for everyone, a trip to the pictures is the perfect way to escape, to dream of romance and hope for the good things peace will bring.It is 1943 on England's war-weary south coast where the conflict seems never-ending. After the heartache of the previous year, Connie Baxter now appears to have everything a girl could want. There is Ace, a man who loves her. She enjoys an enviable lifestyle despite the deprivations of war. She has friends and a job she adores as an usherette at the Criterion cinema. But appearances can be deceptive and Connie is struggling in more ways than one.Then, to compound Connie's problem, her nemesis, Cousin Marlene, returns home. Secrets come to light, revealing jealousies that could shatter Connie's world once more, and Connie realizes that Ace isn't the man she thought he was.In the darkest days of war, the glamour of movies and their stars can lift the bleakest of moods, while friends make the good times better and the bad times bearable.

    While there, Phoebe is drawn to a stranger, the enigmatic Nathaniel Samuels who heralds dramatic changes in the lives of all three women. When offered the position of companion to Nathaniel's reclusive wife, Phoebe leaves her life in London's East End for Dinwood Court in Herefordshire — a house that may well be haunted and which holds the darkest of truths. In a gloriously gothic debut, Essie Fox weaves a spellbinding tale of guilt and deception, regret and lost love.

    Now grown, her search takes her to Pleasant Valley, Wisconsin, in 1908. When clues lead her to a mental asylum, Thea uses her experience as a post-mortem photographer to gain access and assist groundskeeper Simeon Coyle in photographing the patients and uncovering the secrets within. However, she never expected her personal quest would reawaken the legend of Misty Wayfair, a murdered woman who allegedly haunts the area and whose appearance portends death.A century later, Heidi Lane receives a troubling letter from her mother--who is battling dementia--compelling her to travel to Pleasant Valley for answers to her own questions of identity. When she catches sight of a ghostly woman who haunts the asylum ruins in the woods, the long-standing story of Misty Wayfair returns--and with it, Heidi's fear for her own life.As two women across time seek answers about their identities and heritage, can they overcome the threat of the mysterious curse that has them inextricably intertwined?

    Not best pleased to be called out late at night for nothing more than a child’s tantrum, he is nevertheless curiously drawn to the child’s beautiful mother, the visiting Princess Elizabeth of Rheinwald. Elizabeth is more than a match for his acerbic wit, but when another woman claiming to be the princess is discovered murdered in a nearby town, he wonders if Elizabeth is not who she seems, and determines to discover her secrets. During a magical Christmas, Blackhaven welcomes a new birth and catches a murderer – and Dr. Lampton encounters the wonder and pain of an impossible new love. Read for Free with Kindle Unlimited!

    During and after dinner he had nothing to excite him save the receipt of a letter which somewhat annoyed him, and that his wife consumed rather more wine than he considered to be good for her health. Immediately after retiring to his room he was seized with symptoms of irritant poisoning, and despite every effort made on his behalf, he succumbed to its effects. An inquest was held, which vexed the minds of the Coroner’s jury to a degree without precedent in Coroners’ Inquest Law, and an open verdict was returned. However, the matter will not rest there, for after questions in Parliament, a second inquest has been called under suspicion that Mr Charles Petrie was murdered. * * * Who poisoned Charles Petrie? Dr James Collymore, a man familiar with poisons, a man harbouring a dark secret that, if exposed, would ruin his career; Florrie, the maid who supplied Charles with his bedtime drink; Bert Kemp, a disgruntled groom, who used poisons in his work, who four months previously had predicted Charles’ dying day; Mrs Jennet Quinn, a lady’s companion with a deep knowledge of poisons, and a deep fear of dismissal; or Grace Petrie, Charles’ wife of four months, a woman with a scandalous past, a woman shunned by polite society. With crowds flocking to the courtroom and the shadow of suspicion falling upon Grace in the shape of the hangman’s noose, could dashing young advocate, Daniel Morgan, save her?

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    But when Lord Stephen St. Leger requests her help in investigating an alleged psychic’s claims, she can’t deny the ominous feeling she has within the walls of his ancient estate—or the intimately familiar connection she has with Stephen himself. The last time he’d called Blackhope Hall home, Stephen had watched as his elder brother claimed both the family title and the woman he loved. Now, in the wake of his brother’s murder, Stephen has reluctantly returned to find his family ensconced in scandal. Who is responsible for his brother’s untimely death? And what is it about investigator Olivia Moreland that so thoroughly draws him in, reigniting a passion he hasn’t felt in years?

    In his fourth novel, The Unburied, Palliser turns to the late Victorian era to give us an equally authoritative reconstruction of the past and a tightly compressed narrative filled with treachery, drama, and interconnected mysteries.The novel opens with a brief preface in which Philip Barthram, editor of the manuscript we're about to read, travels to Geneva for an enigmatic encounter with an old, dying woman. At the end of this encounter -- which makes numerous references to events and people we know nothing about -- the narrative shifts abruptly, taking us into "The Courtine Account," a memoir written by Cambridge historian Edward Courtine. The memoir recounts Courtine's 1881 visit to the cathedral town of Thurchester, site of the mysteries that will gradually dominate the novel.Ostensibly, Courtine has come to Thurchester to visit his former college roommate, Austin Fickling. Courtine and Austin parted bitterly 20 years before and hope to effect a belated reconciliation. Courtine also hopes to unearth a manuscript -- rumored to reside in the Thurchester library -- that will shed new light on his academic specialty, the reign of King Alfred, medieval ruler of Wessex. As he attempts to follow both his personal and professional agendas, Edward finds himself embroiled in a pair of unresolved mysteries. One concerns the 200-year-old murders of William Burgoyne and Launcelot Freeth, whose violent deaths continue to generate controversy and speculation. The other concerns the brutal killing of a local banker, a killing that takes place -- or appears to take place -- just minutes after Courtine and Austin have visited the banker's home. As the novel progresses, the details of the two crimes echo each other with an eerie frequency. With unobtrusive skill, Palliser leads us through a cumulatively fascinating labyrinth composed of fact, rumor, legend, and supposition. Within this labyrinth, objective "truth" proves to be an illusive, perhaps unattainable goal. But Courtine, a historian who believes in the power of the imagination, continues to pursue that goal. In the course of his pursuit, which is never wholly successful, he finds himself forced to reassess the central elements of his life: his embattled relationship with Austin Fickling, the painful failure of his marriage, two decades before, and the unperceived weaknesses of his own character.Admirers of Charles Dickens, Wilkie Collins, John Fowles, and Umberto Eco should take this novel to their hearts. The Unburied is exciting, audacious, mysterious, moving, and intellectually challenging, all at once. Like The Quincunx, it speaks clearly and directly to the modern sensibility and leaves a lingering aftertaste behind.--Bill SheehanBill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has recently been published by Subterranean Press (www.subterraneanpress.com).

    first class writing....not-to-be-missed author", author of FLIRTING WITH DEATH Patricia Grasso "A memorable heroine and a sexily honorable hero make for a delightful romance." author of THE DUKE'S DAUGHTERS series, Megan Frampton Lady Ashby has a pressing problem Widowed at a young age, Isabel Ashby, yearns to marry again—this time to a young, handsome, titled husband—and live a nice, quiet life with two or three cherubic children. Having limited choices among the gentlemen of her acquaintance, Isabel decides to orchestrate a compromising position for herself to entrap the Earl of Caenby into marriage. But it all goes dreadfully wrong when she ends up unwittingly catching Major Sidney Chamberlayne instead. Major Chamberlyane has a stoic solution Sidney Chamberlyane is a second son, a military man of honor who is far more comfortable on the back of a horse than in a ballroom flirting with ladies of the ton. But when Sidney is caught in a passionate kiss with the delectable Lady Ashby, he can do nothing less than marry her. With their marriage off to a stormy start, both Isabel and Sidney wade through the murky waters of mistrust. But as they begin to recognize the changes in their feelings, will the winds of scandal and gossip drag them down into dangerous depths, or will truth and love guide them home?

    To escape a home she doesn't belong in anymore, she assumes the name of a former classmate and accepts a teaching job at the Cherokee Female Seminary.Nothing prepares her for what she finds there. Her pupils are the daughters of the Cherokee elite—educated and more wealthy than she, and the school is cloaked in mystery. A student drowned in the river last year, and the girls whisper that she was killed by a jealous lover. Willie's room is the very room the dead girl slept in. The students say her spirit haunts it.Willie doesn't believe in ghosts, but when strange things start happening at the school, she isn't sure anymore. She's also not sure what to make of a boy from the nearby boys' school who has taken an interest in her—his past is cloaked in secrets. Soon, even she has to admit that the revenant may be trying to tell her something. . . .

    She believes she was hired to act as companion to a dying woman, but a highway robbery and a hostile welcome from the Chalcroft family cause her to wonder if she was actually hired to help someone spy for France.An unsolved murder adds intrigue to this already secretive family, and Sybil recognizes Mrs. Chalcroft’s handsome grandson as one of the infamous highwaymen who robbed her. Sybil must determine if this man's charming smile and earnest eyes speak the truth or if he is simply using her like others in the house. Everyone seems to have something to hide, and Sybil must decide who to trust while also coming to terms with the truth about her own past.

    He's asked by a neighboring little girl, P.C., to come to Wolffe Hall because something terrible is threatening her and her mother. She's come to Grayson because she's confused him with his fictional hero, Thomas Straithmore, who overcomes all obstacles and always triumphs over otherworldly evil. Thus, to her mind, Thomas is the only one to save them. She describes the house shaking with terrifying tremors and a huge black hole she calls the Abyss appearing in the entrance hall. She also knows the menace involves her great grandfather, known as The Great. He's obsessed with collecting and returning the famous Waterloo medals to the soldiers of the great battle of 1815, but he refuses to tell anyone why he's doing it. Grayson is soon embroiled in a mystery involving a wrongful death on the battlefield at Waterloo and a paranormal force that threatens the very lives of those living in Wolffe Hall.

    So when he is contacted by a medium "of some renown" and asked to investigate a murder, he jumps at the chance to get out of the city. The only thing is that the murder hasn't happened yet—the medium, one Hope Thraxton, has foreseen that her death will occur at the third séance of a meeting of the Society for Psychical Research at her manor house in the English countryside.Along for the ride is Conan Doyle's good friend Oscar Wilde, and together they work to narrow down the list of suspects, which includes a mysterious foreign Count, a levitating magician, and an irritable old woman with a "familiar." Meanwhile, Conan Doyle is enchanted by the plight of the capricious Hope Thraxton, who may or may not have a more complicated back-story than it first appears. As Conan Doyle and Wilde participate in séances and consider the possible motives of the assembled group, the clock ticks ever closer to Hope's murder, in The Revenant of Thraxton Hall by Vaughn Entwistle.

    AN ISOLATED, WINDSWEPT LAND HAUNTED BY WITCH TRIALS AND STEEPED IN THE ANCIENT SAGAS.Betrothed unexpectedly to Jón Eiríksson, Rósa is sent to join her new husband in the remote village of Stykkishólmur. Here, the villagers are wary of outsiders.But Rósa harbours her own suspicions. Her husband buried his first wife alone in the dead of night. He will not talk of it. Instead he gives her a small glass figurine. She does not know what it signifies.The villagers mistrust them both. Dark threats are whispered. There is an evil here - Rósa can feel it. Is it her husband, the villagers - or the land itself?Alone and far from home, Rósa sees the darkness coming. She fears she will be its next victim...