Since the early 1980s, this group of belles gone bad has been the toast of Jackson, Mississippi, with their glorious annual appearance in the St. Patrick's Day parade. In The Sweet Potato Queens' Book of Love, their royal ringleader, Jill Conner Browne, introduces the Queens to the world with this sly, hilarious manifesto about love, life, men, and the importance of being prepared. Chapters include:The True Magic Words Guaranteed to Get Any Man to Do Your BiddingThe Five Men You Must Have in Your Life at All TimesMen Who May Need Killing, Quite FranklyWhat to Eat When Tragedy Strikes, or Just for EntertainmentAnd, of course:The Best Advice Ever Given in the Entire History of the WorldFrom tales of the infamous Sweet Potato Queens' Promise to the joys of Chocolate Stuff and Fat Mama's Knock You Naked Margaritas, this irreverent, shamelessly funny book is the gen-u-wine article.

    The first half of this posthumously published novel describes George's evolution from small-town southern boy to struggling New York novelist and attempts to answer the brooding protagonist's question, "What is it that a young man wants?" The second half is devoted to his tempestuous affair with a sophisticated married woman. Ultimately, George, repulsed by the frivolous lifestyle of his wealthy mistress and her circle, retreats to Europe. But, once again, his idealism is shattered as Hitler rises to power in Germany. Disillusioned, George dreams of returning to the South of his childhood but realizes that "you can't go home again."

    He teaches in Gainesville, Florida, where he was born in 1952. His work has appeared in "The New Yorker," " Esquire," "Harper's, "and many other periodicals. Simons Everson Manigault ("You say it 'Simmons.' I'm a rare one-"m" Simons") lives with his mother, an eccentric professor (known as the Duchess), on an isolated and undeveloped strip of South Carolina coast. Convinced that her son can be a writer of genius, the Duchess has immersed Simons in the literary classics since birth ("Like some kids swat mobiles, I was to thumb pages") and has given him free rein to gather materials in such spots as the Baby Grand, a local black nightclub. ("It was an assignment. I'm supposed to write. I'm supposed to get good at it.") Although possessed of a vocabulary and sophistication beyond his years, Simons feels the normal adolescent bewilderment about the behavior of his parents. His conventional father, the Progenitor, has recently left the family in a dispute over Simon's upbringing and has moved to nearby Hilton Head, where he would like to see his son raised among the orthodox surroundings of condominiums, country clubs, and private schools. At the book's center is Taurus, an enigmatic father-surrogate who tutors the boy in the art of watching the world without presumption. "Edisto" is, as Walker Percy observed, "a truly remarkable first novel, both as a narrative and in its extraordinary use of language. It reminds one of "The Catcher in the Rye," but it's better--sharper, funnier, and more poignant." "When asked for a list of the best American writers of the younger generation, I invariably put the name of Padgett Powell at the top."--Saul Bellow "[This] is distinctly a tour de force . . . I found myself increasingly charmed by the book's wit and impressed by its originality. Some turn of phrase, some flash of humor, some freshly observed detail, some accurately rendered perception of a child's pain or a child's amazement transfigures nearly every page. Powell's ear is acute: one of the pleasures of the book is his ability to catch the nuances of Southern speech, whether it is the malicious conversation of the Doctor's academic colleagues at a cocktail party or the genial banter of country folks at the fishing pier."--"The New York Review of Books" "A remarkable book . . . there is not a line that simply slides by; each, in one way or another, turns things to a fresh and unexpected angle. There are splendid things said."--Richard Eder, "Los Angeles Times Book Review" "Simons Manigault is brother to all literary adolescents--Mailer's D.J., Salinger's Holden Caufield, Joyce's Stephen Dedalus . . . "Edisto" is a sparkling read, so full of an energetic intelligence, inventiveness, love of language, and love of people . . . Padgett Powell is an extravagantly talented writer."--Ron Loewinsohn, "The New York Times Book Review" ""Edisto" is a startling book, full of new sights, sounds, and ways if feeling. Mr. Powell weaves wonderful tapestries from ordinary speech; his people, black and white, whether speaking to each other or past each other, tells us things that we never heard before. The book is subtle, daring, and brilliant."--Donald Barthelme "Sly, pungent, lyric, funny, and unlikely to be forgotten."--R. Z. Sheppard, "Time" "Powell creates a language that captures rhythms and reflections that are at once original and true."--Peter S. Prescott, "Newsweek"

    He came of age during the Haight-Ashbury period and has been called “the last of the Beats.” His early books became required reading for the hip generation, and on its publication Trout Fishing in America became an international bestseller. An indescribable romp, the novel is best summed up in one word: mayonnaise. This new edition includes an introduction by the poet Billy Collins, who first encountered Brautigan’s work as a student in California.

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    "Bailey White's sketches evoke a sort of real-life Lake Wobegon."--The New York Times.

    On a scorching day in August 1954, thirteen-year-old Jubie Watts leaves Charlotte, North Carolina, with her family for a Florida vacation. Crammed into the Packard along with Jubie are her three siblings, her mother, and the family's black maid, Mary Luther. For as long as Jubie can remember, Mary has been there cooking, cleaning, compensating for her father's rages and her mother's benign neglect, and loving Jubie unconditionally. Bright and curious, Jubie takes note of the anti-integration signs they pass and of the racial tension that builds as they journey further south. But she could never have predicted the shocking turn their trip will take. Now, in the wake of tragedy, Jubie must confront her parents failings and limitations, decide where her own convictions lie, and make the tumultuous leap to independence.Infused with the intensity of a changing time, here is a story of hope, heartbreak, and the love and courage that can transform us from child to adult, wounded to indomitable.

    She's got two mothers, "one deaf-blind and the other four baby steps from flat crazy." She's got two men: a husband who's easing out the back door; and a best friend, who's laying siege to her heart in her front yard. And she has two families: the Fretts, who stole her and raised her right; and the Crabtrees, who won't forget how they were done wrong. Now, in Between, Georgia, a feud that began the night Nonny was born is escalating and threatening to expose family secrets.Ironically, it might be just what the town needs... if only Nonny weren't stuck in between.

    But in the treacherous waters of corporate America there are no sure things--and suddenly Scat has to save not only his idea but his yet-to-be-realized career. With the help of the scarily beautiful and brainy 6, he sets out on a mission to reclaim the fame and fortune that, time and again, eludes him. This brilliantly scathing debut is a hilarious send-up of celebrity, sexual politics, corporate America, and the fleeting status that comes with getting to the table first--before the other guy has you for lunch.

    The town of Sewardville, Kentucky teeters on the edge of a violent abyss, overrun with methamphetamine and prescription drug abuse. The Slone family controls everything. Patriarch Walt Slone is the town’s mayor and head of one of the largest crime syndicates in the eastern United States. His son metes out justice from behind his sheriff’s badge, while his daughter handles all the numbers for the family business. Business for the Slones is good, too – at least until Walt orders his son-in-law Boone to kill his own brother. That becomes the first link in a chain of events that threatens not just the livelihood of all involved, but their lives as well. While the Slones move to strengthen their empire, Boone moves to break free and take his little daughter with him. Will he escape from one of America’s most heartbroken regions, or will his dark past bury him forever in the place they call Sewerville?

    Then there is the appalling, yet utterly lovable, Lewis Miner, class of '89---a.k.a Teabag---who did not pan out. Home Land is his confession in all its bitter, lovelorn glory.

    The man accused of shooting a black girl, a storekeeper named Paris Trout, has no great feeling of guilt, nor fear that the system will fail to work his way. Trout becomes an embarrassment to the polite white society that prefers to hold itself high above such primitive prejudice. But the trial does not allow any hiding from the stark reality of social and racial tensions. Dexter, a former newspaper columnist, is also the author of "Deadwood" and "God's Pocket". Paris Trout won the 1988 National Book Award.

    There she meets farm wife Irenie Lambey, who is immediately drawn to the lady agent’s self-possession. Already, cracks are emerging in Irenie’s fragile marriage to Brodis, an ex-logger turned fundamentalist preacher: She has taken to night ramblings through the woods to escape her husband’s bed, storing strange keepsakes in a mountain cavern. To Brodis, these are all the signs that Irenie—tiptoeing through the dark in her billowing white nightshirt—is practicing black magic.When Irenie slips back into bed with a kind of supernatural stealth, Brodis senses that a certain evil has entered his life, linked to the lady agent, or perhaps to other, more sinister forces.Working in the stylistic terrain of Amy Greene and Bonnie Jo Campbell, this mesmerizing and award-winning debut by Julia Franks is the story of a woman intrigued by the possibility of change, escape, and reproductive choice—stalked by a Bible-haunted man who fears his government and stakes his integrity upon an older way of life. As Brodis chases his demons, he brings about a final act of violence that shakes the entire valley. In this spellbinding Southern story, Franks bares the myths and mysteries that modernity can’t quite dispel.

    It is the story of Chauncey Gardiner - Chance, an enigmatic but distinguished man who emerges from nowhere to become an heir to the throne of a Wall Street tycoon, a presidential policy adviser, and a media icon. Truly "a man without qualities," Chance's straightforward responses to popular concerns are heralded as visionary. But though everyone is quoting him, no one is sure what he's really saying. And filling in the blanks in his background proves impossible. Being There is a brilliantly satiric look at the unreality of American media culture that is, if anything, more trenchant now than ever.

    That’s all I ask.” Joe fails to sell a single set of the Encyclopedia Britannica in six months. Then fails to sell a single Electrolux and must eat 126 pieces of homemade pie, served up by his would-be customers who feel sorry for him. Holed up in his trailer, Joe finds an outlet for his frustrations in a series of ingenious sexual fantasies, and at last strikes gold. His brainstorm, Lightning Rods, Inc., will take Joe to the very top — and to the very heart of corporate insanity — with an outrageous solution to the spectre of sexual harassment in the modern office.An uproarious, hard-boiled modern fable of corporate life, sex, and race in America, Helen DeWitt’s Lightning Rods brims with the satiric energy of Nathanael West and the philosophic import of an Aristophanic comedy of ideas. Her wild yarn is second cousin to the spirit of Mel Brooks and the hilarious reality-blurring of Being John Malkovich. Dewitt continues to take the novel into new realms of storytelling — as the timeliness of Lightning Rods crosses over into timelessness.