Hard to imagine that no one counts,that only things endure.Unlike the seasons, our shirts don't shed,Whatever we see does not see us,however hard we look,The rain in its silver earrings against the oak trunks,The rain in its second skin.--from "Scar Tissue II"In his new collection, the Pulitzer Prize-winning poet Charles Wright investigates the tenuous relationship between description and actuality--"thing is not an image"--but also reaffirms the project of attempting to describe, to capture the natural world and the beings in it, although he reminds us that landscape is not his subject matter but his technique: that language was always his subject--language and "the ghost of god." And in the dolomites, the clouds, stars, wind, and water that populate these poems, "something un-ordinary persists."Scar Tissue is a groundbreaking work from a poet who "illuminates and exalts the entire astonishing spectrum of existence" (Booklist).

    American Blood is a timely and fiercely moral statement on violence and loss.

    It had come time to leave Los Angeles. Thus begins the pre-apocalyptic, cross-country race with death to bury the murdered past in Joseph Mattson's EMPTY THE SUN, an urgent, beautifully reckless novel of transgressive loss and hunted redemption culminating in a shotgun fight with God. Includes an open-road, open-whiskey soundtrack by enigmatic and stunning Drag City recording artist Six Organs of Admittance.

    Wessex was the "partly-real, partly-dream" county that formed the backdrop for most of Hardy's writings—named after an Anglo-Saxon kingdom and modeled on the real counties of Berkshire, Devon, Dorset, Hampshire, Somerset, and Wiltshire. The poems deal with classic Hardy themes of disappointment in love and life, and the struggle to live a meaningful life in an indifferent world. Although Hardy's poetry was not as well received as his fiction, he continued to publish collections until his death, and thanks in part to the influence of Philip Larkin, he is increasingly realized as a poet of great stature.

    An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action.From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

    No other version has so vividly expressed the horror, cruelty, beauty, and outrageous imaginative flight of Dante's original vision.

    A collection of stories, poems,letters (all to Harry Secombe), fairy tales and a section headed 'Politics And Other Nonsense'.

    

    In addition to the best of Sir John's poetry, this acclaimed selection includes prose that reveals him as architectural critic, social historian conservationist, short story writer, railway enthusiast, country lover, humorist, eccentric and christian.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    

    Wicked, told from the perspective of Elphaba Thropp, the Wicked Witch of the West, gives the wildly entertaining prehistory of the Emerald City of Oz before the arrival of Dorothy, the Scarecrow, the Cowardly Lion, and the Tin Woodsman. The saga continues in Son of a Witch, the whimsical coming-of-age story of Liir, the Wicked Witch's secret son. Beautifully designed and illustrated, this volume makes the perfect gift for lovers of modern fantasy literature.Wicked/Son of a Witch is part of Barnes & Noble’s series of quality leatherbound volumes. Each title in the series presents a classic work in an attractively designed edition bound in durable bonded leather. These books make elegant additions to any home library.

    Matriarch Em shows women as strong as men. They fight for justice with fast guns, smooth tongues, and hammer fists, against harsh nature - desert, hurricane - and villains. A nose for gold and weakness for ladies bring trouble.

    Oroonoko’s noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn’s visit to Surinam, Oroonoko (1688) reflects the author’s romantic view of Native Americans as simple, superior peoples 'in the first state of innocence, before men knew how to sin’. The novel also reveals Behn’s ambiguous attitude to African slavery – while she favoured it as a means to strengthen England’s power, her powerful and moving work conveys its injustice and brutality.This new edition of Oroonoko is based on the first printed edition of 1688, and includes a chronology, bibliography and notes. In her introduction, Janet Todd examines Aphra Behn’s views of slavery, colonization and politics, and her position as a professional woman writer in the Restoration.Prose:The Fair JiltOroonokoLove-Letters to a GentlemanPlays:The RoverThe Widow RanterPoems:Love ArmedEpilogue to Sir Patient FancyThe DisappointmentTo Mr. Creech (under the name of Daphnis) on his excellent translation of LucretiusA letter to Mr. Creech at Oxford, written in the last great frostSong: On her loving two equallyTo the fair Clarinda, who made love to me, imagined more than womanOn Desire: A PindaricA Pindaric poem to the Reverend Doctor Burnet

    This modern section has been overhauled to reflect the diversity of American writing since 1945. A section on 19th-century women's writing is included.