As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide—for he is now a monster in appearance as well as in soul. A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and insists that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life—and, finally, in love.He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she has only twenty-seven sculptures left to complete—and her time on earth will be finished.

    It has been twenty years since the death of Rebecca, the hauntingly beautiful first wife of Maxim de Winter, and twenty years since Manderley, the de Winter family's estate, was destroyed by fire. But Rebecca's tale is just beginning.Colonel Julyan, an old family friend, receives an anonymous package concerning Rebecca. An inquisitive young scholar named Terence Gray appears and stirs up the quiet seaside hamlet with questions about the past and the close ties he soon forges with the Colonel and his eligible daughter, Ellie. Amid bitter gossip and murky intrigue, the trio begins a search for the real Rebecca and the truth behind her mysterious death.

    Raw with grief and reeling from the knowledge that her reserved mother hid something so momentous, Olivia leaves San Francisco and crosses the pond to unravel the mystery of a lifetime.One glance at the breathtaking Rosemere Priory and Olivia understands why the manor, magnificent even in disrepair, was the subject of her mother’s exquisite paintings. What she doesn’t understand is why her mother never mentioned it to her. As Olivia begins digging into her mother’s past, she discovers that the peeling wallpaper, debris-laden halls, and ceiling-high Elizabethan windows covered in lush green vines hide unimaginable secrets.Although personal problems and her life back home beckon, Olivia finds herself falling for the charming English village and its residents. But before she can decide what Rosemere’s and her own future hold, Olivia must first untangle the secrets of her past.

    But not only did the fire destroy all her possessions, it took with it all her memories—Melody Browne can remember nothing before her ninth birthday. Now in her early thirties, Melody lives in a council flat in the middle of London with her seventeen-year-old son. She hasn't seen her parents since she left home at fifteen, but Melody doesn't mind, she's better off on her own. She's made a good life for herself and her son and she likes it that way. Until one night something extraordinary happens. Whilst attending a hypnotist show with her first date in years she faints—and when she comes round she starts to remember. At first her memories mean nothing to her but then slowly, day by day, she begins to piece together the real story of her childhood. Her journey takes her to the seaside town of Broadstairs, to oddly familiar houses in London backstreets and to meetings with strangers who love her like their own. But with every mystery she solves another one materialises, with every question she answers another appears. And Melody begins to wonder if she'll ever know the truth about her past.

    Summer 1763.Anne Jaccob is coming of age, the daughter of a wealthy merchant. When she is taken advantage of by her tutor — a great friend of her father’s — and is set up to marry a squeamish snob named Simeon Onions, she begins to realize just how powerless she is in Georgian society. Anne is watchful, cunning, and bored.Her saviour appears in the form of Fub, the butcher’s boy. Their romance is both a great spur and an excitement. Anne knows she is doomed to a loveless marriage to Onions and she is determined to escape with Fub and be his mistress. But will Fub ultimately be her salvation or damnation? And how far will she go to get what she wants?Dark and sweeping, The Butcher’s Hook is a richly textured debut featuring one of the most memorable characters in fiction.

    All of the first-class carriages except the one carrying Dickens are smashed to bits in the valley below. When Dickens descends into that valley to confront the dead and dying, his life will be changed forever. And at the core of that ensuing five-year nightmare is…Drood… the name that Dickens whispers to his friend Wilkie Collins. A laudanum addict and lesser novelist, Collins flouts Victorian sensibilities by living with one mistress while having a child with another, but he may be the only man on Earth with whom Dickens can share the secret of…Drood. Increasingly obsessed with crypts, cemeteries, and the precise length of time it would take for a corpse to dissolve in a lime pit, Dickens ceases writing for four years and wanders the worst slums and catacombs of London at night while staging public readings during the day, gruesome readings that leave his audiences horrified. Finally he begins writing what would have been the world’s first great mystery masterpiece, The Mystery of Edwin Drood, only to be interrupted forever by…Drood.Based on actual biographical events, Drood explores the still-unresolved mysteries of one of our greatest writer’s dark final days in a profoundly original tale that confirms Lincoln Child’s assessment of New York Times bestselling author Dan Simmons as “a giant among novelists.”

    Celice and Joseph, in their mid-50s and married for more than 30 years, are returning to the seacoast where they met as students. Instead, they are battered to death by a thief with a chunk of granite. Their corpses lie undiscovered and rotting for a week, prey to sand crabs, flies, and gulls. Yet there remains something touching about the scene, with Joseph's hand curving lightly around his wife's leg, "quietly resting; flesh on flesh; dead, but not departed yet.""Their bodies had expired, but anyone could tell--just look at them--that Joseph and Celice were still devoted. For while his hand was touching her, curved round her shin, the couple seemed to have achieved that peace the world denies, a period of grace, defying even murder. Anyone who found them there, so wickedly disfigured, would nevertheless be bound to see that something of their love had survived the death of cells. The corpses were surrendered to the weather and the earth, but they were still a man and wife, quietly resting; flesh on flesh; dead, but not departed yet."From that moment forward, Being Dead becomes less about murder and more about death. Alternating chapters move back in time from the murder in hourly and two-hourly increments. As the narrative moves backward, we see Celice and Joseph make the small decisions about their day that will lead them inexorably towards their own deaths. In other chapters the narrative moves forward. Celice and Joseph are on vacation and nobody misses them until they do not return. Thus, it is six days before their bodies are found. Crace describes in minute detail their gradual return to the land with the help of crabs, birds, and the numerous insects that attack the body and gently and not so gently prepare it for the dust-to-dust phase of death.

    Since the death of his wife, Betsy, twelve years earlier, Harper has narrowed his world to working at the local railroad and raising his daughter, Shelly, the best way he knows how. Still wracked with sorrow over the loss of his life-long love and plagued by his role in a brutal, long-ago crime, he wants only to make amends for his past mistakes.Then one fall day, a train derails in Two Rivers, and amid the wreckage Harper finds an unexpected chance at atonement. One of the survivors, a pregnant fifteen-year-old girl with mismatched eyes and skin the color of blackberries, needs a place to stay. Though filled with misgivings, Harper offers to take Maggie in. But it isn't long before he begins to suspect that Maggie's appearance in Two Rivers is not the simple case of happenstance it first appeared to be.

    When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found: accident, suicide or murder? The village priest, John Reve, is privy to many secrets in his role as confessor. But will he be able to unravel what happened to the victim, Thomas Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can’t?Moving back in time towards the moment of Thomas Newman’s death, the story is related by Reve – an extraordinary creation, a patient shepherd to his wayward flock, and a man with secrets of his own to keep. Through his eyes, and his indelible voice, Harvey creates a medieval world entirely tangible in its immediacy.

    The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

    If a novelist's first duty is to tell the truth, then the author has done his duty with unflinching courage. Intimacy gives us the thoughts and memories of a middle-aged writer on the night before he walks out on his wife and two young sons for of a younger woman. A very modern man, without political convictions or religious beliefs, he vaguely hopes to find fulfillment in sexual love. No one is spared Kureishi's cold, penetrating gaze or lacerating pen. "She thinks she's feminist, but she's just bad-tempered," the unnamed narrator says of his abandoned wife. A male friend advises him, "Marriage is a battle, a terrible journey, a season in hell, and a reason for living." At the heart of Intimacy is this terrible paradox: "You don't stop loving someone just because you hate them." Male readers will wince with recognition at the narrator's hatred of entrapment and domesticity, and his implacable urge towards freedom, escape, even loneliness. Female readers may find it a truly horrific revelation. Kureishi is only telling it like it is, in staccato sentences of pinpoint accuracy. By far the author's best yet: a brilliant, devastating work. --Christopher Hart, Amazon.co.uk

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    When the eyes begin to fill with tears and the patience is long exhausted, there will appear a glimpse of something not quite seen... In this moment, an image will begin to form... in the space between what is real and what is only imagined. Can you read your future in a piece of lace? All of the Whitney women can. But the last time Towner read, it killed her sister and nearly robbed Towner of her own sanity. Vowing never to read lace again, her resolve is tested when faced with the mysterious, unsolvable disappearance of her beloved Great Aunt Eva, Salem s original Lace Reader. Told from opposing and often unreliable perspectives, the story engages the reader s own beliefs. Should we listen to Towner, who may be losing her mind for the second time? Or should we believe John Rafferty, a no nonsense New York detective, who ran away from the city to a simpler place only to find himself inextricably involved in a psychic tug of war with all three generations of Whitney women? Does either have the whole story? Or does the truth lie somewhere in the swirling pattern of the lace?(back cover)

    007, is sent to France to play in a high-stakes baccarat game in an effort to take down Le Chiffre, a financier for the villainous SMERSH. Things get more complicated when he is partnered with Vesper Lynd, a beautiful and smart MI6 employee with a dark secret. Bond is one of the most iconic characters in 20th-century literature. In addition to the 12 novels and 9 short stories written by Ian Fleming, there have been over 40 novels and short stories written about the spy by other authors, and over 25 blockbuster films starring such actors as Sean Connery and Daniel Craig.Here's the first.

    In this hidden city haunted by a host of vividly drawn characters, Rilke comes face to face with the dark desires and illicit urges that lurk behind even the most respectable facades.