British agent Michael York is sent to Berlin to solve the mystery of his predecessor’s death. A member of the Berlin String Quartet, four talented musicians, had offered the British Intelligence officer valuable information. But another member had betrayed him, and turned him in to the Gestapo. Each of the musicians has access to vital information and can easily be the one who betrayed York’s predecessor. York finds the quartet difficult to assess. Amanda Hamilton is lead violinist and a former Brit. Her husband is a German citizen, Manfred Richter, a high ranking Nazi. She could be the Gestapo informant, loyal to her husband even with his indiscretions. An amateur photographer, she has chronicled ten years of life in Germany, and is a favorite of Hitler. Erika Jaeger, second violinist, works in the logistics department of the War Ministry. Viola player Gerhard works as a draftsmen for the Armaments Department, with access to secret weapons. The last of the quartet, Albert Kaiser, has access to valuable information through highly-placed relatives. With the aid of a British master spy, Max, York works painstakingly to solve the riddle and gather information for the Allies. He must tiptoe through the streets of Berlin, always cautious, always aware, knowing that a child could betray him as easily as a grandmother. He approaches each member of the quartet, watching and waiting, probing their weaknesses and avoiding their strengths. As the months pass, he observes and assesses, learns their secrets, and evaluates their loyalties. Michael York must decide who is on his side, who is dangerous, and who is in danger. As the Gestapo slowly begins to close in on York, his friendship with Amanda blooms to romance and they plan their escape from Germany. Nothing can prepare him for the revelations that follow. John Anthony Miller is a world traveller. He is the author of To Parts Unknown, published in the fall of 2014.  Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Now a private detective and, after bereavement and pain, he doubts himself and is no longer sure if he has the will or the energy to make a success of his new career. His first case comes by chance as a mother’s grief sends him into a town’s red light district to find out how her daughter died. Mac soon finds himself working with a team of local police detectives who are hot on the trail of a cold-blooded serial killer. Mac has to dig deep and rediscover all his talents in order to solve the case of The Body in the Boot. ALSO AVAILABLE - THE DEAD SQUIRREL - The second Mac Maguire mystery. THE WEEPING WOMEN - The third Mac Maguire mystery

    Bold enough to love her. When good girl Margo Connelly becomes Lamar "Striker" Jennings's latest assignment, she knows she's in trouble. And not just because he's been hired to protect her from an underworld criminal. The reformed bad boy's appeal is breaching all her defenses, and as the threats against her increase, Margo isn't sure which is more dangerous: the gangster targeting her, or the far too alluring protector tempting her to let loose. Though Striker's now living on the right side of the law, he's convinced his troubled past keeps Margo out of his league. But physical chemistry explodes into full-blown passion when they go on the run together. Surrendering to desire could be a deadly distraction—or finally prove that he's the only man qualified to keep her safe, and win her love.

    "The only clue we have to our brother's whereabouts is this place that doesn't really exist."Ten years ago, Blythe Randall broke James Pryce's heart. Now she needs his help. Her enigmatic appeal lures the elite hacker into his most tantalizing, and most personal, assignment yet.A Harvard dropout employed by Manhattan-based RedRook Security, James makes a living finding people who don't want to be found, pursuing their digital tracks around the globe, flushing out criminals, and exacting creative high-tech revenge on behalf of his clients. But this time he's following his target (billionaire multimedia artist Billy Randall) into an exotic and treacherous world: a virtual one.Capping off an erratic, increasingly violent series of stunts meant to plague his family's media empire, black sheep Billy sends a video of his own suicide to his older siblings, aristocratic twins Blythe and Blake. In it, Billy jacks out, reanimating onscreen as an avatar in a decadent online world called NOD. The performance is pure Billy: he has always been obsessed with the Bleed: the moment when real and virtual selves intersect, where actions in one life breed consequences in another.Blythe uses her influence to install James at GAME, a downtown media collective and one of Billy's recent haunts. Posing as a documentarian, James gains access to a small band of artists and programmers, contemporaries, and in some cases enemies, of Billy Randall, whose top secret project represents the holy grail of virtual reality. Meanwhile, James learns that as part of his most recent scheme, Billy himself has designed a lavish alternate reality game, an escalating, high-stakes virtual landscape of strange flesh.In order to find him, James must play along.

    AND HE’S ABOUT TO BE UNLEASHED. Frederich Abel knows he’s not normal, but being adopted age seven by an elite soldier isn’t why. It lies deeper inside - a morbid, unhinged savagery. Invisible. Deadly.Luckily, his father helped him control it with a mixture of weapons, combat and survival training. Now, his father is dead, and the shadow has emerged stronger than ever. He flees in panic, ending up in cold, grimy Berlin.He’s on edge, until Ida’s scream through the rain pulls him into action. He’s forced to kill, unaware that the perpetrator had dangerous friends - powerful enough to tame world governments. It's time to decide; flee again, or face the darkness - both inside and out. ‘An Assassin Is Born’ is the intriguing origin story of Frederich Abel and the first book in the ‘Wrath Of Abel’ crime-action book series.

    Based on the author’s experiences in the Middle East, Assassins lives this unending conflict from the viewpoints of an American commando, a French woman doctor, an Afghani warlord, a Russian major, and a British woman journalist. Drop by parachute into the deadly mountains of Afghanistan, fight door to door in the bloody cities of Iraq and the lethal deserts of Syria, Sinai and Africa, know the terror of battle inside a Russian tank, feel the power of passion and love when at any moment you both can die – it’s all there, all real, in Assassins. Did the Saudi government finance 9/11? Did the Bush administration let Osama bin Laden escape Afghanistan and then lie about Weapons of Mass Destruction in Iraq? Did President Obama’s decision to leave Iraq in 2011 lead to the rise of ISIS and its worldwide fanaticism? It’s all there, all real, in Assassins.

    A loner. No real friends or family. Trained to deal with any situation with cold efficiency, devoid of emotion. But Logan isn’t the man he used to be, or the asset he once was. Five months ago his life changed forever when he was captured, tortured and left for dead by Youssef Selim, one of the world’s most violent terrorists. When Selim mysteriously reappears in Paris, linked to the kidnapping of America’s Attorney General, Logan smells his chance for revenge. Pursuing his man relentlessly, oblivious to the growing trail of destruction that he leaves in his wake, Logan delves increasingly deep into the web of lies and deceit surrounding the kidnapping. Finally, he comes to learn just what it means to Dance with the Enemy. If you like Lee Child, Vince Flynn, Brad Thor, Tom Wood, Scott Mariani, CJ Box, JB Turner, Mark Greaney, Mark Dawson, Stephen Leather, then you will be gripped by this exciting new thriller series.

    Having been a press officer for a US Senator for a number of years, I’ve had a front row seat to the inter workings of Capital Hill. To my mind, Powell has masterfully combined the timeliness of today’s political intrigue with a gripping detective story/who-done-it. By bringing the mind-boggling swirling mess that is Washington politics down to the level of one family’s pain he held me glued to the page."What I found particularly remarkable was how easily I found myself sympathizing with the ‘villain’, and how well-crafted and human was Powell’s plea that we need to finally bring common sense back to our government and its approaches to critical problems facing the country and the world."A deceptively easy read — given its thunderous message.  Term Limits should be require reading for every new politician heading to Washington."Murder – week after week, month after month, across the country. Pushed beyond his limits, one man takes on the establishment, the gun lobby, and corruption at the highest levels. To break the power of entrenched elites, he leads the nation on a grisly hunt. He’s hunting them. And they’re hunting him. One side will have to blink. In the meantime, people are dying. Term Limits is a thriller from the front pages of our newspapers. It couldn’t be more topical.

    Homicide Detective Marko Zorn Washington, D.C. homicide detective Marko Zorn is investigating the murder of an actress—an old love—when he is assigned to protect the visiting prime minister of Montenegro, the beautiful Nina Voychek. Political enemies are planning her assassination—this, he knows—but now it’s apparent that he, too, is a target. As he foils the initial attempts on his life, he pulls out all stops—deploying his sometimes nefarious resources—to hunt whoever is targeting him and prevent an international tragedy on American soil. Decoded messages, Supermax prisoner interviews, mafia lawyers, and an ancient Black Mountain curse swirl among the icons of D.C. Marko and his young partner, Lucy, face down what may be multiple assassins with diverging agendas. Or are they facing one assassin—the deadliest and most elusive on the international stage?Perfect for fans of David Baldacci and Daniel Silva While the novels in the Marko Zorn Thriller Series stand on their own and can be read in any order, the publication sequence is:The Reflecting PoolHead Shot

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    "Delta-Two, I've got tanks through the wire! They're everywhere!"World War III explodes in seconds when a resurgent Russian Empire launches a deadly armored thrust into the heart of Germany. With a powerful blizzard providing cover, Russian tanks thunder down the autobahns while undercover Spetsnaz teams strike at vulnerable command points.Standing against them are the woefully undermanned American forces. What they lack in numbers they make up for in superior weapons and training. But before the sun rises they are on the run across a smoking battlefield crowded with corpses.Any slim hope for victory rests with one unlikely hero. Army Staff Sergeant George O'Neill, a communications specialist, may be able to reestablish links that have been severed by hostile forces, but that will take time. While he works, it's up to hundreds of individual American soldiers to hold back the enemy flood.There's one thing that's certain. The thin line between victory and defeat is also the red line between life and death.

     Before he slid into the MRI machine, Jake Bronson was just an ordinary guy with terminal cancer. But when an earthquake hits during the procedure, Jake staggers from the wreckage a profoundly changed man, now endowed with uncanny mental abilities. An ocean away, Luciano Battista wants a piece of Jake's talent. Posing as a pioneering scientist, the terrorist leader has been conducting cerebral-implant experiments in a sinister quest to create a breed of super jihadist agents...and Jake's altered brain may be the key to his success. But Jake refuses to play the pawn in an unholy war--and when an innocent woman and autistic child are taken hostage to force his cooperation, he embarks on a jihad of his own. Jake and his band of loyal friends are thrust into a deadly chase that leads from the canals of Venice through Monte Carlo and finally to an ancient cavern in the Hindu Kush mountains of Afghanistan--where Jake discovers that his newfound talents carry a hidden price that threatens the entire human race.

    Salvation appears in Stella—a woman as damaged, and resourceful, as he. But when a coded distress call from his former CO leads him to a shadowy NSA operative, Tom is recruited for a “black op” to bring back the now-rogue man who saved his life.As he searches for Cahill, Tom quickly uncovers a much larger web of treason and betrayal that calls his entire world into question—and forces him into the ultimate no-win scenario.

    The Great War rages overseas, and the whole of Europe, Africa, and western Asia is falling to the Central Powers. To win a war that must be won, Teddy Roosevelt, once again the American president, turns to his top secret Black Chamber organization--and its cunning and deadly spy, Luz O'Malley Aróstegui. On a transatlantic airship voyage, Luz poses as an anti-American Mexican revolutionary to get close--very close--to a German agent code-named Imperial Sword. She'll need every skill at her disposal to get him to trust her and lead her deep into enemy territory. In the mountains of Saxony, concealed from allied eyes, the German Reich's plans for keeping the U.S. from entering the conflict are revealed: the deployment of a new diabolical weapon upon the shores of America...

    Emma Walsh has finally worked up the courage to confront her husband James about his drinking—his alcoholic rages, his blackouts, and the fear his behavior has created for her and their two kids. But James never shows up to meet her as planned, and all her righteous words go unsaid. And unsaid they remain, because the next time Emma sees James, his body lies crumpled amidst the wreckage of his flashy car, which has been smashed to its final resting place halfway through the back wall of their suburban house’s roomy garage. In the aftermath of the fatal crash, Emma and her teenage children begin to embrace life without James’s looming, volcanic presence. Buoyed by the support of her two closest friends, she struggles to deal with her grief, complicated by the knowledge that her husband’s legacy as an upstanding business owner and family man shines only because so many people, for so long, were so willing to keep his secrets—secrets that twist into new and unexpected shapes as the mysterious details of his last day of life begin to come to light. A sinister and suspenseful domestic thriller, lauded as “stylish” by Publishers Weekly and “delicious” by Booklist, Wish You Were Gone will keep you guessing “until not just the last page, but the last paragraph” (Chandler Baker, New York Times bestselling author).