Once a celebrated and award-winning photojournalist, he is reeling from debt, a broken marriage, and crippling depression. The source of Stuart's grief is his most famous photo, a snapshot of brutality in the dangerous Congo. A haunting image that indicts him as a passive witness to gross injustice.Stuart is given a one last chance to redeem his career: A make-or-break assignment covering the AIDS crisis in a small African country. It is here that Stuart meets Adanna, a young orphan fighting for survival in a community ravaged by tragedy and disease. But in the face of overwhelming odds, Adanna finds hope in a special dream, where she is visited by an illuminated man and given a precious gift.Now, in a dark place that's a world away from home, Stuart will once again confront the harsh reality of a suffering people in a forgotten land. And as a chance encounter becomes divine providence, two very different people will find their lives forever changed.

    Instead, she embarks on an illicit affair with her art teacher, Keyvan, and they tentatively imagine a future together.But the sudden death of her uncle, an outspoken journalist, raises many unanswered questions and when Layla’s cousin, who is visiting from America, is arrested by the morality police, the komiteh, Layla’s plans for the future begin to unravel. “I was totally captivated by this novel. Layla is torn between her heart and the restrictions of her culture. She obeys her heart though not without a price. This wonderfully poetic story keeps you hooked right to the very end.”  -  Stephanie Hale, author and broadcaster   “a bittersweet tale of betrayed trust and ruptured innocence… the feel for colour and language is vibrant” -  Guardian first novel choice   “Vividly written, fresh and eloquent, a girl’s poignant tale of love and menace in contemporary Iran.” -  Fay Weldon   “I loved this book. It gives you real insight into the world of educated middle-class Iranians in the early 21st century. We are so used to the Iranians we meet in the UK that we do not realise how hard it is to live under their political regime at home. A joy to read.” -  www.openingthebook.com   Louise Soraya Black Born in England in 1977 to an English mother and Iranian father. Her father worked for UNICEF so she spent 17 years living overseas, in countries including Iran, Pakistan, Bangladesh and Indonesia. In spite of all this travel, she had strong roots: the family spent their summers in England and winter holidays in Iran.She began an English degree at University College London, but after a year switched to Law. She spent 8 years in corporate law but was unfulfilled so began writing in her spare time. She felt it was important to write about Iran because Iran is portrayed in the media as a bleak and oppressive place.  She wanted to show Iran as a beautiful country, where the food is delicious, and Iranians are warm and hospitable. And while the media tends to paint a portrait of Iranian women as submissive and voiceless, this was not at all her experience so she created resilient and brave female characters in her novel.She had just about given up hope of finding a publisher for this novel, when she found out that Pomegranate Sky had won the Virginia Prize, a new literary prize for unpublished women writers. She was astonished and overjoyed, particularly when the novel received excellent reviews. After the birth of her son, she didn't return to law and instead, decided to focus on her writing. She has just completed her second novel.

    You must promise to tell my story the way I have shared it with you.'"Tanzania, 1956. A Maasai woman gives birth to a child with albinism. The child is seen as a curse upon her tribe, and so begins Pó's tumultuous story. As Pó navigates the world, she must claim her life in the face of violence and ostracism.Further south, in Portuguese-controlled Mozambique, Ezequiel struggles for acceptance too. Adopted by missionaries, he is not recognized by his Portuguese father's community, or by his Makonde mother's tribe. When civil war erupts, he must choose who to fight for and who to leave behind.Pó and Zeca come together in a time of momentous change. Love connects these two outsiders, forcing them to confront the shattering impact of colonialism and war. Children of the Moon is a stunning and unforgettable exploration of the love of two people at once bound and separated by forces beyond their control.

    Malik has been secretly in love with Rose Mbikwa, a woman who leads the weekly bird walks sponsored by the East African Ornithological Society. Just as Malik is getting up the nerve to invite Rose to the Nairobi Hunt Club Ball (the premier social occasion of the Kenyan calendar), Harry Khan, a nemesis from his school days, arrives in town.Khan has also become enraptured with Rose and announces his intent to invite her to the Ball. Rather than force Rose to choose between the two men, a clever solution is proposed. Whoever can identify the most species of birds in one week’s time gets the privilege of asking Ms. Mbikwa to the ball.

    They encounter a dangerous local madman who predicts that the oldest boy will be killed by one of his brothers. This prophecy unleashes a tragic chain of events of almost mythic proportions.

    But he has found a way to break the cycle—Bilodo has taken to stealing people's mail, steaming open the envelopes, and reading the letters inside. And so it is he comes across Ségolène's letters. She is corresponding with Gaston, a master poet, and their letters are each composed of only three lines. They are writing each other haikus. The simplicity and elegance of their poems move Bilado and he begins to fall in love with her. But one day, out on his round, he witnesses a terrible and tragic accident. Just as Gaston is walking up to the post-box to mail his next haiku to Ségolène, he is hit by a car and dies on the side of the road. And so Bilodo makes an extraordinary decision—he will impersonate Gaston and continue to write to Ségolène under this guise. But how long can the deception continue for? Denis Thériault weaves a passionate and elegant tale, comic and tragic with a love story at its heart.

    His skin seared from years in the African desert, he claimed to have been a guest of the King of Timbuctoo.Thought of an American claiming anything let alone the greatest prize in exploration was abhorrent in the extreme. Closing ranks against their unwelcome American guest, the British Establishment lampooned his tale, and began a campaign of discrediting him, one that continues even today.An astonishing tale based on true-life endurance, Tahir Shah s epic novel Timbuctoo brilliantly recreates the obsessions of the time, as a backdrop for one of the greatest love stories ever told.Timbuctoo will be released on July 5, 2012. This is a limited edition hardback, very very high spec, and designed along the lines of the travel books of two centuries ago. It weighs 2 kilos (almost 4.5 lbs), has fabulous marbled endpapers, a silk bookmark, a pouch at the rear with inserts, and six huge fold-out maps. The paper is wood-free, and the cover embossed with raised gold type.In addition, each copy contains the clues needed to begin a treasure hunt that could result in locating one of four golden treasures of Timbuctoo. The book is a thing of extraordinary beauty, and the kind of book that will last two hundred years or more.

    Madame President is the inspiring, often heartbreaking story of Sirleaf’s evolution from an ordinary Liberian mother of four boys to international banking executive, from a victim of domestic violence to a political icon, from a post-war president to a Nobel Peace Prize winner. Pulitzer Prize–winning journalist and bestselling author Helene Cooper deftly weaves Sirleaf’s personal story into the larger narrative of the coming of age of Liberian women. The highs and lows of Sirleaf’s life are filled with indelible images; from imprisonment in a jail cell for standing up to Liberia’s military government to addressing the United States Congress, from reeling under the onslaught of the Ebola pandemic to signing a deal with Hillary Clinton when she was still Secretary of State that enshrined American support for Liberia’s future. Sirleaf’s personality shines throughout this riveting biography. Ultimately, Madame President is the story of Liberia’s greatest daughter, and the universal lessons we can all learn from this “Oracle” of African women.

    Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, The Summer Book, to her famous Moomin stories: solitude and community, art and life, love and hate. Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody’s talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children’s book illustrator, appears to be Katri’s opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna’s life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions.

    The title (saudade means ‘melancholy’ in Portuguese) speaks to the longing for homeland that haunts its characters, and especially the young girl who is the book’s protagonist and narrator. Suneeta Peres da Costa’s novella captures with intense lyricism the difficult relationship between the daughter and her mother, and the ways in which their intimate world opens up questions about domestic violence, the legacies of Portuguese slavery, and the end of empire. The young woman’s intellectual awakening unfolds into a growing awareness of the lies of colonialism, and the violent political ruptures that ultimately lead to her father’s death, and their exile.

    She lives a quiet life caring for her alcoholic mother, working in the local chip shop, watching the regular customers come and go. She wears the same clothes each day (overalls, too small), has the same dinner each night (fish and chips, microwaved at home after her shift ends), and binge-watches old DVDs of the same show (Dallas, best show on TV) from the comfort of her bed.  But underneath Majella’s seemingly ordinary life are the facts that she doesn’t know where her father is and that every person in her town has been changed by the lingering divide between Protestants and Catholics. When Majella’s predictable existence is upended by the death of her granny, she comes to realize there may be more to life than the gossips of Aghybogey, the pub, and the chip shop. In fact, there just may be a whole big world outside her small town.  Told in a highly original voice, with a captivating heroine readers will love and root for, Big Girl, Small Town will appeal to fans of Sally Rooney, Ottessa Moshfegh, and accessible literary fiction with an edge.

    Mokhtar Alkhanshali is twenty-four and working as a doorman when he discovers the astonishing history of coffee and Yemen’s central place in it. He leaves San Francisco and travels deep into his ancestral homeland to tour terraced farms high in the country’s rugged mountains and meet beleagured but determined farmers. But when war engulfs the country and Saudi bombs rain down, Mokhtar has to find a way out of Yemen without sacrificing his dreams or abandoning his people.

    Out of the heart of China into the mountains of Central Asia, across northern Afghanistan and the plains of Iran and into Kurdish Turkey, Colin Thubron covers some seven thousand miles in eight months. Making his way by local bus, truck, car, donkey cart and camel, he travels from the tomb of the Yellow Emperor, the mythic progenitor of the Chinese people, to the ancient port of Antioch—in perhaps the most difficult and ambitious journey he has undertaken in forty years of travel.The Silk Road is a huge network of arteries splitting and converging across the breadth of Asia. To travel it is to trace the passage not only of trade and armies but also of ideas, religions and inventions. But alongside this rich and astonishing past, Shadow of the Silk Road is also about Asia today: a continent of upheaval.One of the trademarks of Colin Thubron's travel writing is the beauty of his prose; another is his gift for talking to people and getting them to talk to him. Shadow of the Silk Road encounters Islamic countries in many forms. It is about changes in China, transformed since the Cultural Revolution. It is about false nationalisms and the world's discontented margins, where the true boundaries are not political borders but the frontiers of tribe, ethnicity, language and religion. It is a magnificent and important account of an ancient world in modern ferment.

    These poems have been selected on the basis of the poignancy of their message and their relevance to contemporary life.This is timeless wisdom translated for modern readers. It is a guide for meditation and a light switch that you can turn on to make your daily connection with spirit. Use these words as tools to better your life each day, to draw continued guidance, inspiration and spiritual wealth.

    Her story reveals the shocking lie created to cover up the forbidden relationship and the hurried overseas adoption of the illegitimate baby, born during one of history’s most inhumane and destructive regimes. Killing Karoline follows the journey of the baby girl who is raised in a leafy, middle-class corner of the South of England by a white couple. Plagued by questions surrounding her own identity and unable to ‘fit in’ Sara-Jayne begins to turn on herself. She eventually returns to South Africa, after 26 years, to face her demons. There she is forced to face issues of identity, race, rejection and belonging beyond that which she could ever have imagined. She must also face her birth family, who in turn must confront what happens when the baby you kill off at a mere six weeks old returns from the dead.