Through thoughtful and fanciful questions Ashford explores what we risk when we ask for love and what special rewards may be waiting for us in return. Subdued watercolor illustrations perfectly capture the book's gentle tone and important message. The perfect book for any occasion when a gift of love is needed.

    Spirit possession is an integral part of shamanism as well as many neo-pagan forms of worship that draw down deities or invite spirit possession. However, spirit possession is not for the unprepared. In Drawing Down the Spirits, Kenaz Filan and Raven Kaldera, both initiated and experienced in shamanic and Vodou traditions, present the practical guidance needed to participate in ritual possession. Addressing the benefits and the dangers that await the naive, Filan and Kaldera show that there is no such thing as a guaranteed “safe” possession because spirits have their own agenda--and they are much more powerful than we are. The authors provide a variety of techniques to prepare for possession and abort possession and to promote the safety of the possessed as well as the spirits and witnesses present. With a wide-ranging look at the historic forms of ritual possession found throughout the world--including Uganda, Nepal, Korea, Bali, Greece, Turkey, Scandinavia, and France--the authors also include numerous firsthand accounts collected from witnesses of modern spirit possession.

    Each chapter is like a prose poem, shedding increasing light on the challenge of finding "home" without the illusion of permanence, a quest based not on ownership but on affinity and familiarity with an area and its people. Cynthia Huntington expands her theme through images of the landscape, the shack, the new marriage.The shack, named "Euphoria," is built as a house set on stilts above the sand, to take the wind under it. Only a partial shelter, it is inhabited for only one season a year, yet it endures. The outer cape has the feel of a place for migrants and drifters -- for birds and other wildlife, and for people such as artists, fishermen, and coast guardsmen. A place where "year-round" often means several addresses. Similarly, her narrative describes improvised, fragile beginnings: a new marriage, learning to be at home in the world, becoming intimate with the natural world, without the necessity of settling down. The Salt House shares a world that is less natural history or memoir than it is neighborhood exploration -- the process of learning a place and becoming native to it.

    In this new and innovative series, Aperture works with the worlds top photographers, many of whom also teach, to publish their core thinking on photography making their experience, insight, and knowledge accessible to a wider audience, including students. Each title in the series will provide an essential primer on the photographers area of expertise and creative process. The key points of their practice are presented in the photographers own words, and will answer the questions they are asked most frequently. The commentary will accompany a selection of fifty photographs, iconic images by each featured photographer, as well as key images by others that have influenced their thinking and work.

    Captain Frankie is waiting for you to book your ticket, safely stow your bags, and open your eyes to the beautiful places created for all of us to visit in My First Travel Books. This is Anna Othitis’s second trip with Captain Frankie and the crew. Originally from Zimbabwe, Africa, her home port is now Wanaque, New Jersey, and she has flown across the world in her travels.

    Perfect for fans of Kitty Neale, Maggie Ford and Katie Flynn. PRAISE FOR THE ADAMS FAMILY SERIES! "Mary Jane Staples makes you care about her characters, which explains why her books have enjoyed so much popularity" -- Take a Break"Forget Eastenders, this it the London of old, when people knew each other's names and communities really pulled together." -- Woman's Realm"Mary Jane Staples completely capture the feel of the period and the essence of the people...has warmth, humour and charm. An ideal book for you holiday reading." Finesse "I get so engrossed in the stories I feel like one of the family." - ***** Reader review. "The story of the Adams family is just wonderful, I can't put this book down. You feel part of the family as you read all about them." -- ***** Reader review.*********************************ON THE EVE OF WAR, CAN SHE AND HER FAMILY PULL THROUGH?The Adams family were poor, cheerful and, above all, respectable.There was Mrs Adams, a widow having lost her husband in the Boer War; Boots, the bright one; Tommy, the quiet one; Sammy, a wheeler dealer in the making; and Lizzy. Lizzy was a real pearl - one of the prettiest girls in Walworth.When Lizzy falls in love it is 1914. War is coming and everyone is going to be affected. Will the Adams family - gutsy, tough and cheeky - pull through? Down Lambeth Way is the first in Mary Jane Staples's Adams Family series. Their story continues in Our Emily.

    Numerous examples are provided to reinforce the concepts and relevant case studies illustrate the concepts and mechanisms described.

    Those gardens may be as far away from everyday reality as Gilgamesh’s garden of the gods or as near as our own backyard, but in their very conception and the marks they bear of human care and cultivation, gardens stand as restorative, nourishing, necessary havens.With Gardens, Robert Pogue Harrison graces readers with a thoughtful, wide-ranging examination of the many ways gardens evoke the human condition. Moving from from the gardens of ancient philosophers to the gardens of homeless people in contemporary New York, he shows how, again and again, the garden has served as a check against the destruction and losses of history. The ancients, explains Harrison, viewed gardens as both a model and a location for the laborious self-cultivation and self-improvement that are essential to serenity and enlightenment, an association that has continued throughout the ages. The Bible and Qur’an; Plato’s Academy and Epicurus’s Garden School; Zen rock and Islamic carpet gardens; Boccaccio, Rihaku, Capek, Cao Xueqin, Italo Calvino, Ariosto, Michel Tournier, and Hannah Arendt—all come into play as this work explores the ways in which the concept and reality of the garden has informed human thinking about mortality, order, and power.Alive with the echoes and arguments of Western thought, Gardens is a fitting continuation of the intellectual journeys of Harrison’s earlier classics, Forests and The Dominion of the Dead. Voltaire famously urged us to cultivate our gardens; with this compelling volume, Robert Pogue Harrison reminds us of the nature of that responsibility—and its enduring importance to humanity.

    Author Helen Joseph-Armstrong incorporates three draping techniques—manipulating dart excess, adding fullness, and contour draping—in design projects featured throughout the text. Projects begin with a draping plan and fashion drawing to identify its creative elements, and determine the draping technique required. The author describes the drape of the basic dress and its relationship to every garment in a clothing collection, emphasizing the drape of foundation garments as a base to building more complex design.

    With extensive references to original works, this account examines updated data and answers important financial questions on topics that include economic reform, foreign trade, and agricultural and industrial growth. Especially designed for less-advanced students, this resource is an ideal introduction to the Indian economy.

    This book will help in quick review before examinations.

    Whereas the first volume brought together a fascinating mix of star illustrators and brand new faces that together formed the face of illustration around the world, Illustration Now! 2 is even more exciting, featuring illustrators from 25 countries, with styles ranging from cutting edge to traditional. Also included is a dialog between design specialist Steven Heller and German illustrator Christoph Niemann about illustration's role in the world today. This book is perfect not only for creative professionals and illustration students, but also artists and anyone with an appreciation for visual language.

    While the bricks with which Chinquee constructs her fictions - failed or failing relationships, childhood friendships, and the intricacies of family life - are not uncommon, the architecture she creates with them is rare indeed: stories now full of light, now somber, now opening the reader's eyes to an utterly new space.

    partly by selling enough of my household furniture to satisfy a moiety of their claim, ...