In this book much-loved poet, storyteller, theologian and speaker Pádraig Ó Tuama applies ideas of shelter and welcome to journeys of life, using poetry, story, biblical reflection and prose to open up gentle ways of living well in a troubled world.The fourth gospel tells of Jesus arriving in the room where the disciples are gathered, full of fear, on Easter Sunday. He does not chide or admonish; instead he says 'Peace be with you', which, in the Aramaic of his day, was simply a greeting. 'Hello,' he said, welcoming people locked in a room of fear to a place of deep encounter; encounter with themselves, with their fear, with each other and with the incarnate one in their midst.Interweaving everyday stories with analysis, gospel reflections with mindfulness and Celtic spirituality with poetry, this book explores the practice of welcoming as a spiritual discipline. In particular, Pádraig tells careful stories of welcoming parts of life that are often unwelcome.

    British Catholic writer and artist Caryll Houselander lovingly explores Mary’s intimately human side, depicting Our Lady as a musical instrument who makes divine love known to the world. This refreshed edition is rich and rewarding reading for all Christians who wonder what Mary was really like.While the Second Vatican Council led to a renewed interest in the theology and person of Mary, Caryll Houselander offered a simple yet profound reflection on the Mother of God almost fifteen years before the council began.Confronting the static, surreal “Madonna of the Christmas card,” Houselander provides instead an intuitive, warmly human, and approachable image of the Mother of God. Through the central image of a reed that is played for music, Houselander demonstrates how Mary chose to make herself an instrument for the divine plan, giving her inmost being to the proclamation of God’s greatness. In sharing her distinctive vision of Mary, Houselander offers the Mother of God as a model for all people seeking to be instruments of the Divine.The essays and poems in The Reed of God also reflect on the mysteries of Mary’s life and her impact on salvation history. In the book’s four parts, Houselander explores key events of Mary’s life, including her fiat, finding Jesus in the Temple, and the Assumption, as well as the themes of fruitful emptiness and the eternal search for union with God.

    In this book, one of the foremost Arab poets reinterprets a rich and ancient heritage.He examines the oral tradition of pre-Islamic Arabian poetry, as well as the relationship between Arabic poetry and the Qur’an, and between poetry and thought. Adonis also assesses the challenges of modernism and the impact of western culture on the Arab poetic tradition.Stimulating in their originality, eloquent in their treatment of a wide range of poetry and criticism, these reflections open up fresh perspectives on one of the world’s greatest – and least explored – literatures.Adonis is widely considered among the greatest living Arab poets. Born in Syria in 1930, he settled in Lebanon in the 1950s, where he became a central figure in the Arab world’s new poetic movement. In 1956 he helped establish the literary magazine Shi‘r, and in 1968 founded its successor, the equally prestigious Mawakif. Both played a seminal role in the revival of the Arabic literary tradition. Adonis is the author of several classic works that have led to a rigorous reassessment of the Arab cultural heritage.

    John Sutherland is perfectly suited to the task. He has researched, taught, and written on virtually every area of literature, and his infectious passion for books and reading has defined his own life. Now he guides young readers and the grown-ups in their lives on an entertaining journey 'through the wardrobe' to a greater awareness of how literature from across the world can transport us and help us to make sense of what it means to be human. Sutherland introduces great classics in his own irresistible way, enlivening his offerings with humor as well as learning: Beowulf, Shakespeare, Don Quixote, the Romantics, Dickens, Moby Dick, The Waste Land, Woolf, 1984, and dozens of others. He adds to these a less-expected, personal selection of authors and works, including literature usually considered well below 'serious attention' - from the rude jests of Anglo-Saxon runes to The Da Vinci Code. With masterful digressions into various themes - censorship, narrative tricks, self-publishing, taste, creativity, and madness - Sutherland demonstrates the full depth and intrigue of reading. For younger readers, he offers a proper introduction to literature, promising to interest as much as instruct. For more experienced readers, he promises just the same.