Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family's country estate, where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, of course, it does. More than three decades later, Lorna is determined to be married within the grand, ivy-covered walls of Pencraw Hall, known as Black Rabbit Hall among the locals. But as she's drawn deeper into the overgrown grounds, half-buried memories of her mother begin to surface and Lorna soon finds herself ensnared within the manor's labyrinthine history, overcome with an insatiable need for answers about her own past and that of the once-happy family whose memory still haunts the estate. Stunning and atmospheric, this debut novel is a thrilling spiral into the hearts of two women separated by decades but inescapably linked by the dark and tangled secrets of Black Rabbit Hall.

    Then, in a matter of seconds, Brooke’s life is shattered when she’s carjacked. Helpless and terrified, all Brooke can do is watch as Etta, still strapped in her seat, disappears into the Los Angeles night.Miles away, Etta is found by Molly, a homeless teen who is all too used to darkness. Thrown away by her parents, and with a future as stable as the wooden crate she calls home, Molly survives day to day by her wits. As unpredictable as her life is, she’s stunned to find Etta, abandoned and alone. Shielding the little girl from more than the elements, Molly must put herself in harm’s way to protect a child as lost as she is. Out of one terrible moment, Brooke’s and Molly’s desperate paths converge and an unlikely friendship across generations and circumstances is formed. With it, Brooke and Molly will come to discover that what’s lost—and what’s found—can change in a heartbeat.

    Palmer, the author of The New Husband.Grace never dreamt she’d visit her teenaged daughter Penny in the locked ward of a decaying state psychiatric hospital, charged with the murder of a stranger. There was not much question of her daughter’s guilt. Police had her fingerprints on the murder weapon and the victim’s blood on her body and clothes. But they didn’t have a motive.Grace blames herself, because that’s what mothers do—they look at their choices and wonder, what if? But hindsight offers little more than the chance for regret.None of this was conceivable the day Penny came into her life. Then, it seemed like a miracle. Penny was found abandoned, with a mysterious past, and it felt like fate brought Penny to her, and her husband Arthur. But as she grew, Penny's actions grew more disturbing, and different "personalities" emerged.Arthur and Grace took Penny to different psychiatrists, many of whom believed she was putting on a show to help manage her trauma. But Grace didn’t buy it. The personas were too real, too consistent. It had to be a severe multiple personality disorder. One determined psychiatrist, Dr. Mitch McHugh, helped discover someone new inside Penny—a young girl named Abigail. Is this the nameless girl who was abandoned in the park years ago? Mitch thinks Abigail is the key to Penny’s past and to the murder. But as Grace and Mitch dig deeper, they uncover dark and shocking secrets that put all their lives in grave danger.

    The art history professor crafts jewelry as unique and weathered as the surf-tumbled sea glass she collects, while raising her daughter in a safe and loving environment—something Molly never had. But when Cassie is plagued by horrific visions and debilitating nightmares, Molly is forced to return to the one place she swore she’d never move back to—home to Pacific Grove.A riveting exploration of love, secrets, and motherhood, All the Breaking Waves is the poignant story of a woman who discovers she must confront her past, let go of her guilt, and summon everything in her power to save her daughter.

    Two and a half centuries later, the House of Washington still sits on the throne.As Princess Beatrice gets closer to becoming America's first queen regnant, the duty she has embraced her entire life suddenly feels stifling.Nobody cares about the spare except when she's breaking the rules, so Princess Samantha doesn't care much about anything, either . . . except the one boy who is distinctly off-limits to her.And then there's Samantha's twin, Prince Jefferson. If he'd been born a generation earlier, he would have stood first in line for the throne, but the new laws of succession make him third. Most of America adores their devastatingly handsome prince . . . but two very different girls are vying to capture his heart.

    They’re the ones you shouldn’t fall in love with. The ones with the curse. The ones who can get you killed.Lorna Ryder is a Devonairre Street girl, and for years, paying lip service to the curse has been the small price of living in a neighborhood full of memories of her father, one of the thousands killed five years earlier in the 2001 Times Square Bombing. Then her best friend’s boyfriend is killed, and suddenly a city paralyzed by dread of another terrorist attack is obsessed with Devonairre Street and the price of falling in love.Set in an America where recent history has followed a different path.

    It’s been thirty years since May DuBerry, Willy’s young wife and Lacey’s mother, abandoned them both leaving Willy to raise Lacey alone. Lacey Cherrymill is smart, stubborn and focused. She’s also a single mother to a young daughter recently diagnosed with a devastating illness. The last thing she needs to think about right now is the betrayal that rocked her childhood. Reluctantly, she has returned to her rural beginnings, a former dairy farm in the Maryland countryside, and to Willy, a man steeped in his own disappointments and all the guilt that goes with them. Together they will pool their wobbly emotional resources to take care of Tasha, all the while trying to skirt the issue of May’s mysterious disappearance. But try as she might, Lacey can’t leave it alone. Just where is May DuBerry Cherrymill and why did she leave them, and how is it that they have never talked about the wreckage she left behind?

    It travels 17,500 miles an hour, making one full orbit every ninety minutes. It’s also the only home that fifteen-year-old Leo and two other teens have ever known.Born and raised on Moon 2, Leo and the twins, Orion and Libra, are finally old enough and strong enough to endure the dangerous trip to Earth. They’ve been “parented” by teams of astronauts since birth and have run countless drills to ready themselves for every conceivable difficulty they might face on the flight.But has anything really prepared them for life on terra firma? Because while the planet may be home to billions of people, living there is more treacherous than Leo and his friends could ever have imagined, and their very survival will mean defying impossible odds.

    Paired as roommates, the two become fast friends. Daniella, raised in Georgetown by a Jewish father and a Methodist mother, has always felt caught between two worlds. But at Belmont, her bond with Eve allows her to finally experience a sense of belonging. That is, until the girls’ expanding awareness of the South’s systematic injustice forces them to question everything they thought they knew about the world and their places in it. Eve veers toward radicalism—a choice pragmatic Daniella cannot fathom. After a tragedy, Eve returns to Daniella for help in beginning anew, hoping to shed her past. But the past isn’t so easily buried, as Daniella and Eve discover when their daughters are endangered by secrets meant to stay hidden. Spanning more than thirty years of American history, from the twilight of Kennedy’s Camelot to the beginning of Bill Clinton’s presidency, We Are All Good People Here is “a captivating…meaningful, resonant story” (Emily Giffin, author of All We Ever Wanted) about two flawed but well-meaning women clinging to a lifelong friendship that is tested by the rushing waters of history and their own good intentions.

    At twenty-two years old, Missy gets on stage every night and plays the song about her absent mother that made the band famous. As the only girl in the band, she's determined to party just as hard as everyone else, loving and leaving a guy in every town. But then she meets a tomboy drummer who is hard to forget, and a forgotten flap of cocaine strands her at the border.Fortysomething Carola is just surfacing from a sex scandal at the yoga center where she has been living when she sees her daughter, Missy, for the first time in ten years--on the cover of a music magazine.Ruth is eighty-three and planning her return to the Turkish seaside village where she spent her childhood. But when her granddaughter, Missy, winds up crashing at her house, she decides it's time that the strong and stubborn women in her family find a way to understand one another again.In this sharply observed novel, Zoe Whittall captures three very different women who each struggle to build an authentic life. Definitions of family, romance, gender, and love will radically change as they seek out lives that are nothing less than spectacular.

    As outside forces conspire to steal the palace out from under them, Agnes struggles to save her family and finds bravery, love, and loyalty in the most unexpected places. The Moonlight Palace is a coming-of-age tale rich with historical detail and unforgettable characters set against the backdrop of dazzling 1920s Singapore.

    James muddles through a topsy-turvy relationship with his son, Rufus, which is further complicated when Rufus marries Claudia Christie.Claudia’s mother—Agnes Miller Christie—is a beautiful African American woman who survives a chance encounter on a Georgia road that propels her into a new life in the Bronx. Soon after, her husband, Eddie Christie, is called to duty on an air craft carrier in Vietnam, where Tom Stoppard’s play “Rosencrantz and Guildenstern Are Dead” becomes Eddie’s life anchor, as he grapples with mounting racial tensions on the ship and counts the days until he will see Agnes again.These unforgettable characters’ lives intersect with a cast of lovers and friends—the unapologetic black lesbian who finds her groove in 1970s Berlin; a moving man stranded in Portsmouth, New Hampshire, during a Thanksgiving storm; two half-brothers who meet as adults in a crayon factory; and a Coney Island waitress whose Prince Charming is too good to be true.With piercing humor, exacting dialogue, and a beautiful sense of place, Regina Porter’s debut is both an intimate family portrait and a sweeping exploration of what it means to be American today.

    She is thirteen years old the first time she dies.Lauren Pailing is a teenager in the eighties, becomes a Londoner in the nineties. And each time she dies, new lives begin for the people who loved her – while Lauren enters a brand new life, too.But in each of Lauren’s lives, a man called Peter Stanning disappears. And, in each of her lives, Lauren sets out to find him.And so it is that every ending is also a beginning. And so it is that, with each new beginning, Peter Stanning inches closer to finally being found…

    Her family is part of a community of doomsday preppers, a neighborhood that prioritizes survivalist training over class trips or senior prom. They’re even arranging Becca’s marriage with Roy Kang, the only eligible boy in their community. Roy is a nice guy, but he’s so enthusiastic about prepping that Becca doesn’t have the heart to tell him she’s planning to leave as soon as she can earn a full ride to a college far, far away.Then a devastating accident rocks Becca’s family and pushes the entire community, including Becca’s usually cynical little sister, deeper into the doomsday ideology. With her getaway plans thrown into jeopardy, the only person Becca can turn to is Roy, who reveals that he’s not nearly as clueless as he’s been pretending to be.When Roy proposes they run away together, Becca will have to risk everything—including her heart—for a chance to hope for the best instead of planning for the worst.

    The gravy train hasn’t stopped in the hollers of western Virginia for more than thirty years when Stony Shelor starts his junior year at Jubal Early High. Class divides and racism are still the hardened norms as the Eisenhower years draw to a close. Violence lies coiled under the calm surface, ready to strike at any time. On the high school front, the cool boys are taking their wardrobe and music cues from hip TV private dick Peter Gunn, and Dobie Gillis is teaching them how to hit on pretty girls. There’s no help for Stony on the horizon, though. Mary Lou Martin is the girl of his dreams, and she hardly knows Stony exists. In addition, Stony can’t seem to stay out of juvenile court and just may end up in reform school. A long, difficult year stretches out in front of him when a new boy arrives in town. Likeable bullshit artist Jack Newcomb dresses like Peter Gunn, uses moves like Dobie Gillis, and plays pretty good jazz clarinet. Jack draws Stony into his fantasy of being a private detective, and the two boys start hanging around the county sheriff’s office. Accepted as sources of amusement and free labor, the aspiring gumshoes land their first case after the district attorney’s house is burglarized. Later, the boys hatch an ingenious scheme to help the deputies raid an illegal speakeasy and brothel. All the intrigue feels like fun and games to Jack and Stony until a gunfight with a hillbilly boy almost gets them killed. The stakes rise even higher when the boys find themselves facing off against the Ku Klux Klan.