They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

    Abbi has lived almost her entire life in the shadow of the terrorist attacks of September 11. On that fateful day, she was captured in what became an iconic photograph: in the picture, Abbi (aka "Baby Hope") wears a birthday crown and grasps a red balloon; just behind her, the South Tower of the World Trade Center is collapsing.Now, fifteen years later, Abbi is desperate for anonymity and decides to spend the summer before her seventeenth birthday incognito as a counselor at Knights Day Camp two towns away. She's psyched for eight weeks in the company of four-year-olds, none of whom have ever heard of Baby Hope.Too bad Noah Stern, whose own world was irrevocably shattered on that terrible day, has a similar summer plan. Noah believes his meeting Baby Hope is fate. Abbi is sure it's a disaster. Soon, though, the two team up to ask difficult questions about the history behind the Baby Hope photo. But is either of them ready to hear the answers?

    Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually.As Evie tries to understand why this is happening, she finds herself at La Brea Dance Studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything--including entering a ballroom dance competition with a girl he's only just met.Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it's that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?

    She must intervene when a distant cousin wields dangerous magic to change the lives of two unsuspecting young people... one of whom might just be a witch herself.Frances Allington has used her wiles and witchcraft to claw her way out of poverty and into a spectacular marriage with one of New York's wealthiest new tycoons. She is determined to secure the Allingtons' position amongst the city's elite Four Hundred families by any means necessary -- including a scheme to make a glorious aristocratic match for her headstrong and reluctant step-daughter, Annis, using the same strange power with which she ensnared Annis's father.To save Annis from this dark magic, Harriet reveals to her Frances' misuse of their shared birthright and kindles in Annis her own nascent powers. Together, Harriet and Annis must resist her stepmother's agenda, lest she -- and the dashing young lord she suspects she could come to love -- lose their freedom, and possibly their lives.

    . . or bind them together tighter than ever before.From the outside, the Davenports look like any other family living a completely ordinary life—until that devastating day when five-year-old Jonah is killed, and the family is torn apart. As the fury of guilt engulfs them, the Davenports slowly start to unravel, one by one.Losing her son forces Rachel to withdraw into a frayed, fuzzy reality. Her husband, Sam, tries to remain stoic, but he’s consumed by regret with the choices he’s made. Eden mourns her brother, while desperately fighting to regain a sense of normalcy. And Aunt Ruth, Rachel’s sister, works too hard to care for the family, even as her own personal issues haunt her.Told from multiple points of view—including Jonah’s—the family struggles to cope with an unthinkable loss. But as they face their own dark secrets about that terrible day, they have a choice: to be swallowed up in sadness forever, or begin the raw, arduous ascent back to living.

    As Suzanne rushes her to the hospital, she never imagines how the encounter will change her—a change she both fears and desperately needs.Suzanne has the perfect house, a successful husband, and a thriving family. But beneath the veneer of an ideal life, her daughter is rebelling, her son is withdrawing, her husband is oblivious to it all, and Suzanne is increasingly unsure of her place in the world. After her discovery of the ethereal sixteen-year-old who has never experienced civilization, Suzanne is compelled to invite Iris into her family’s life and all its apparent privileges.But Iris has an independence, a love of solitude, and a discomfort with materialism that contrasts with everything the Blakemores stand for—qualities that awaken in Suzanne first a fascination, then a longing. Now Suzanne can’t help but wonder: Is she destined to save Iris, or is Iris the one who will save her?

    From an award-winning and internationally acclaimed European writer, a chilling and suspenseful story set in the wake of a violent revolution, about a young girl rescued from an orphanage by an otherworldly grandmother she's never met.

    Now, in her newest novel, international bestseller Hazel Gaynor reimagines their story.1917… It was inexplicable, impossible, but it had to be true—didn’t it? When two young cousins, Frances Griffiths and Elsie Wright from Cottingley, England, claim to have photographed fairies at the bottom of the garden, their parents are astonished. But when one of the great novelists of the time, Sir Arthur Conan Doyle, becomes convinced of the photographs’ authenticity, the girls become a national sensation, their discovery offering hope to those longing for something to believe in amid a world ravaged by war. Frances and Elsie will hide their secret for many decades. But Frances longs for the truth to be told.One hundred years later… When Olivia Kavanagh finds an old manuscript in her late grandfather’s bookshop she becomes fascinated by the story it tells of two young girls who mystified the world. But it is the discovery of an old photograph that leads her to realize how the fairy girls’ lives intertwine with hers, connecting past to present, and blurring her understanding of what is real and what is imagined. As she begins to understand why a nation once believed in fairies, can Olivia find a way to believe in herself?

    Victor Benucci and Madeline Falco have a story to tell.It begins with the death of Vic’s father.It ends with the murder of Mad’s uncle.The Hackensack Police Department would very much like to hear it.But in order to tell their story, Vic and Mad must focus on all the chapters in between. This is a story about: 1. A coded mission to scatter ashes across New Jersey.2. The momentous nature of the Palisades in winter.3. One dormant submarine.4. Two songs about flowers.5. Being cool in the traditional sense.6. Sunsets & ice cream & orchards & graveyards.7. Simultaneous extreme opposites.8. A narrow escape from a war-torn country.9. A story collector.10. How to listen to someone who does not talk.11. Falling in love with a painting.12. Falling in love with a song.13. Falling in love.

    The adventures of an extraordinary and unforgettable woman as she attempts to rescue her family’s struggling shoe business and find love at the same time, Very Valentine sweeps the reader from the streets of Manhattan to the picturesque hills of la bella Italia.

    The moment she turns fifteen, Speth must pay for every word she speaks, for every nod, for every scream and even every gesture of affection. She’s been raised to know the consequences of falling into debt, and can’t begin to imagine the pain of having her eyes shocked for speaking words that she’s unable to afford.But when Speth’s friend Beecher commits suicide rather than work off his family’s crippling debt, she can’t express her shock and dismay without breaking her Last Day contract and sending her family into Collection. Rather than read her speech—rather than say anything at all—she closes her mouth and vows never to speak again, sparking a movement that threatens to destroy her, her family and the entire city around them.

    But when Claire's symptoms overpower her while she's driving into work, her two children in tow, she must pull over. Moments later she wakes up on the floor of a gas station bathroom-her car, and her precious girls have vanished.The police have no leads and the weight of guilt presses down on Claire as each hour passes with no trace of her girls. All she has to hold on to are her strained marriage, a potentially unreliable witness who emerges days later, and the desperate but unquenchable belief that her daughters are out there somewhere.Little Lovely Things is the story of a family shattered by an unthinkable tragedy. Played out in multiple narrative voices, the novel explores how the lives of those affected fatefully intersect, and highlights the potential catastrophe of the small decisions we make every day.

    They're best friends, lovers—unshakable. But then their son gets sick and the doctors put the question of his survival into their hands. For the first time, Max and Pip can't agree. They each want a different future for their son. What if they could have both? A gripping and propulsive exploration of love, marriage, parenthood, and the road not taken, After the End brings one unforgettable family from unimaginable loss to a surprising, satisfying, and redemptive ending and the life they are fated to find. With the emotional power of Jodi Picoult's My Sister's Keeper, Mackintosh helps us to see that sometimes the end is just another beginning.

    Now, Roisin has discovered a secret—one Erin has kept for over a decade—and she’s determined to make Erin pay for her lies.Erin wants nothing to do with Roisin. She has a new life in London and no intention of going back home. Yet when her father is mysteriously and critically injured, Erin has no choice but to return and face Roisin—and her past. Erin knows if the secret of what she gave up got out, the consequences could be devastating.When Roisin suddenly disappears, suspicion soon lands on Erin. She would do anything to protect her family, but just how far is she willing to go when time is running out…?

     When 11 year-old Sally Horner steals a notebook from the local Woolworth's, she has no way of knowing that 52 year-old Frank LaSalle, fresh out of prison, is watching her, preparing to make his move. Accosting her outside the store, Frank convinces Sally that he’s an FBI agent who can have her arrested in a minute—unless she does as he says. This chilling novel traces the next two harrowing years as Frank mentally and physically assaults Sally while the two of them travel westward from Camden to San Jose, forever altering not only her life, but the lives of her family, friends, and those she meets along the way.