They served together in the war as part of a shadowy unit called the Magic Men.Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Changing times mean that variety is not what it once was, yet Max is reluctant to leave this world to help Edgar investigate. But when the dead girl turns out to be known to him, Max changes his mind.Another death, another magic trick: Edgar and Max become convinced that the answer to the murders lies in their army days. When Edgar receives a letter warning of another ‘trick’, the Wolf Trap, he knows that they are all in danger…

    "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories. The Innocence of Father Brown was the first collection of them, and it's a great lot of fun.

    Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    The daughter of a wealthy and influential Charleston family has been missing on Mt Everest for three years. Presumed dead, her remains had been irretrievable until an earthquake caused her body to move down the mountain.The family want only one person to identify her remains: Tempe Brennan.Though reluctant to take the case, Tempe soon realises that the girl did not die of natural causes. It seems the victim was murdered and all her fellow climbers fall under suspicion.But which one is the killer? And if Tempe gets too close to the truth, will they kill again?Also gives readers the first chance to read the opening chapters of Kathy’s highly anticipated new Temperance Brennan novel, Speaking in Bones, out in July.

    Upload. Ruin a reputation. In this page-turning short story from international bestselling author Jeffery Deaver, senior detective Jon Avery inherits a deeply troubling case. At an off-campus party, university professor Rose Taylor is drugged, undressed, and photographed on a burner phone. In seconds her humiliation is uploaded, and millions of JPEGs are zipping like immortal wasps through the internet. But why would someone target her? She has no vengeful exes or rival academics, no stalkers or unhinged students. Jon Avery, the sharpest, most experienced investigator in the sheriff’s office, is determined to find out who’s behind this horrific invasion of privacy. But soon he runs into a wall of silence at Preston College—an academic mecca whose reputation one doesn’t dare tarnish. The message is clear: if he pursues the case, he’ll pay for it.

    For devotees of Sherlock Holmes: ingenious, well-crafted stories by the author of The Scarlet Pimpernel.

    Mary returned to Death Wears a Beauty Mask nearly forty years later and the result is spectacular.Featuring the same chills and heart-pounding drama we’ve come to expect from a Mary Higgins Clark title, and including an exclusive author’s introduction, Death Wears a Beauty Mask and Other Stories is a spine-tingling read and glimpse into the evolution of the remarkable career of the “Queen of Suspense.”

    From a previously unpublished 1917 script featuring Ernest Bramah’s blind detective Max Carrados, to early 1950s crime stories written for London’s Evening Standard by Cyril Hare, Freeman Wills Crofts and A.A. Milne, it spans five decades of writing by masters of the Golden Age.Most anticipated of all are the contributions by women writers: the first detective story by Georgette Heyer, unseen since 1923; an unpublished story by Christianna Brand, creator of Nanny McPhee; and a dark tale by Agatha Christie published only in an Australian journal in 1922 during her ‘Grand Tour’ of the British Empire.With other stories by Detection Club stalwarts Anthony Berkeley, H.C. Bailey, J.J. Connington, John Rhode and Nicholas Blake, plus Vincent Cornier, Leo Bruce, Roy Vickers and Arthur Upfield, this essential collection harks back to a time before forensic science – when murder was a complex business.

    A tough-talking former cop, private investigator Kinsey Millhone has set up a modest detective agency in a quiet corner of Santa Teresa, California. She's a twice-divorced loner with few personal possessions and fewer personal attachments but with a soft spot for underdogs and lost causes.A IS FOR ACCUSED. That's why she draws desperate clients like Nikki Fife. Eight years ago, she was convicted of killing her philandering husband. Now she's out on parole and needs Kinsey's help to find the real killer. But after all this time, clearing Nikki's bad name won't be easy.A IS FOR ALIBI. If there's one thing that makes Kinsey Millhone feel alive, it's playing on the edge. When her investigation turns up a second corpse, more suspects, and a new reason to kill, Kinsey discovers that the edge is closer--and sharper--than she imagined.Librarian's note: there are 25 titles in this extraordinary series: "A" Is for Alibi (1982); "B" Is for Burglar (1985); "C" Is for Corpse (1986); "D" Is for Deadbeat (1987); "E" Is for Evidence (1988); "F" Is for Fugitive (1989); "G" Is for Gumshoe (1990); "H" Is for Homicide (1991); "I" Is for Innocent (1992); "J" Is for Judgment (1993); "K" Is for Killer (1994); "L" is for Lawless (1995); "M" Is for Malice (1996); "N" Is for Noose (1998); "O" Is for Outlaw (1999); "P" Is for Peril (2001); "Q" Is for Quarry (2002); "R" Is for Ricochet (2004); "S" Is for Silence (2005); "T" Is for Trespass (2007); "U" Is for Undertow (2009); "V" Is for Vengeance (2011); "W" Is for Wasted (2013); "X" (2015), and lastly, “Y” Is for Yesterday (2017). Work on "Z" had not begun at the time of the author's death in late 2017.

    King reveals an unforgettable new twist in the adventure that led supersleuth Sherlock Holmes to discover his first (and finest) apprentice, Mary Russell. Sherlock Holmes is fending off a particularly dark mood as he roams the Sussex Downs, in search of wild bees. The Great War may be raging across the Channel, but on the Downs, the great detective nears terminal melancholia—only to be saved by an encounter with headstrong, yellow-haired young Mary Russell, who soon becomes the Master’s apprentice not only in beekeeping but in detection. Holmes instantly spots her remarkable ability, but his sharp eyes also see troubling problems. Why is this wealthy orphan who lives with her aunt so shabbily dressed? Why is she so prone to illness and accident? Is she herself the center of a mystery? These are questions that the great detective must answer quickly lest his protégée, and his own new lease on life, meet a sudden, tragic end.The tale of their meeting has been told from Russell’s point of view, but even those who have never met the famed Russell-Holmes pair will read this tale with delight—and, as its climax builds, with breathless excitement.

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    Anson House, Greyminster, Staircase No. 3. How can Flavia de Luce resist such an urgent plea? After all, examining a dead body sounds like a perfectly splendid way to spend a Sunday. So Flavia hops upon her trusted bicycle, Gladys, whose rubber tires hiss happily along the rainy road, and arrives at her father’s mist-shrouded old school. There, a terrified boy leads her to the loo where, sitting in a bathtub, is what appears to be a statue. But, no: To Flavia’s surprise, the thing is in fact a naked dead man. Save his face, he seems to have been carved out of copper. Never one to shy away from the macabre, Flavia gets to work—only to find that when an investigation begins with a metallic cadaver, ever more curious twists are to be expected.

      Sebastian Rudd, rogue lawyer, defends people other lawyers won't go near. It's controversial and dangerous work, which is why Sebastian needs his bodyguard/assistant/sidekick: Partner. So if Sebastian is just about the most unpopular lawyer in town, why is Partner so loyal to him? How did they meet? And what's the real story of this man of few words who's as good with a gun as he is with the law? The surprising answers are all in PARTNERS, John Grisham's first exclusively digital short story.

    Initially sceptical, Hannay nonetheless harbours the man—but one day returns home to find him murdered... An obvious suspect, Hannay flees to his native Scotland, pursued by both the police and a cunning, ruthless enemy. His life and the security of Britain are in grave peril, and everything rests on the solution to a baffling enigma: what are the 'thirty nine steps?'