What she never expected was to find herself at the heart of a 200-year-old mystery that still has the power to put lives on the line. And with each new lead she pursues, death follows hard on her heels….

     She is terrified – but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done.Later that night, Poirot learns that three guests at a fashionable London Hotel have been murdered, and a cufflink has been placed in each one’s mouth. Could there be a connection with the frightened woman? While Poirot struggles to put together the bizarre pieces of the puzzle, the murderer prepares another hotel bedroom for a fourth victim...

    A series of brutal murders has occurred, and, as Ackroyd leads us down London's dark streets, the sense of time and place becomes overwhelmingly immediate and real. We experience the sights and sounds of the English music halls, smell the smells of London slums, hear the hooves of horses on the cobblestone streets, and attend the trial of Elizabeth Cree, a woman accused of poisoning her husband but who may be the one person who knows the truth about the murders.

    Despatched to a monastery at the age of seven, sent back at seventeen when his father and two older brothers are killed by the Plague, Oswald has no experience of running an estate. He finds the years of pestilence and neglect have changed the old place dramatically, not to mention the attitude of the surviving peasants.Yet some things never change. Oswald's mother remains the powerful matriarch of the family, and his sister Clemence simmers in the background, dangerous and unmarried.Before he can do anything, Oswald is confronted by the shocking death of a young woman, Alison Starvecrow. The ambitious village priest claims that Alison was killed by a band of demonic dog-headed men. Oswald is certain this is nonsense, but proving it by finding the real murderer is quite a different matter. Every step he takes seems to lead Oswald deeper into a dark maze of political intrigue, family secrets and violent strife.And then the body of another girl is found.Sarah Sykes brilliantly evokes the landscape and people of medieval Kent in this thrillingly suspenseful debut."

    She's gate-crashed a wedding... She's making money by secretly cleaning houses... And she's been asked to spy for Her Majesty the Queen.Everything seems to be going swimmingly until she finds a body in her bathtub... and someone is definitely trying to kill her.Length: 8 hrs and 9 mins

    Accepting a job at a debt collection agency seems a step toward a more tranquil life. But as she follows up on a routine loan to Romana Laszlo, a pregnant Hungarian refugee who's recently come off the train from London, Mirabelle's instincts for spotting deception are stirred when the woman is reported dead, along with her unborn child. After encountering a social-climbing doctor with a sudden influx of wealth and Romana's sister, who seems far from bereaved and doesn't sound Hungarian, Mirabelle decides to dig deeper into the suspicious circumstances surrounding the death. Aided by her feisty sidekick—a fellow office worker named Vesta Churchill ("no relation to Winston," as she explains)—Mirabelle unravels a web of evil that stretches from the Brighton beachfront to the darkest corners of Europe. Putting her own life at risk, she must navigate a lethal labyrinth of lies and danger to expose the truth.

    Her aunt Vera Hillyard, a rigidly respectable woman, was convicted and hanged for the crime, but the reason for her desperate deed died with her. Thirty years later, a probing journalist pushes Faith to look back to the day when her aunt took knife in hand and walked into a child's nursery. Through the eyes of a woman trying to understand an unspeakable, inexplicable family tragedy, Barbara Vine leads us through a shadow land of illicit lust, intimate sins, and unspoken passions—to a shattering and illuminating climax, as inevitable as it is unexpected. In this enthralling masterpiece, a great crime writer has achieved both a flawlessly crafted novel of psychological suspense and a deeply probing work of literary art.

    A. Milne was also the author of numerous dramas, essays, and novels for adults — among them, this droll and finely crafted whodunit.In it, Milne takes readers to the Red House, a comfortable residence in the placid English countryside that is the bachelor home of Mr. Mark Ablett. While visiting this cozy retreat, amateur detective Anthony Gillingham and his chum, Bill Beverley, investigate their genial host's disappearance and its connection with a mysterious shooting. Was the victim, whose body was found after a heated exchange with the host, shot in an act of self-defense? If so, why did the host flee, and if not, what drove him to murder?Between games of billiards and bowls, the taking of tea, and other genteel pursuits, Gillingham and Beverley explore the possibilities in a light-hearted series of capers involving secret passageways, underwater evidence, and other atmospheric devices.Sparkling with witty dialogue, deft plotting, and an intriguing cast of characters, this rare gem will charm mystery lovers, Anglophiles, and general readers alike.

    And then one night there came a knock at the door of a quiet lodging house in the Marylebone Road. . . . This novel, based on the Jack the Ripper murders, was made into a film by Alfred Hitchcock.

    But darkness brings death and Hercule Poirot has to untangle family strife, love and suspicious visitors tangle in order to clarify the murderer and prevent disaster.

    When Rutledge is assigned to investigate a murder involving the military, his emotional war wounds flare. It is a case that strikes dangerously close to home--one that will test Rutledge's precarious grip on his own sanity. A "Publishers Weekly" Best Book selection. Martin's Press.

     In the year 1780, Harriet Westerman, the willful mistress of a country manor in Sussex, finds a dead man on her grounds with a ring bearing the crest of Thornleigh Hall in his pocket. Not one to be bound by convention or to shy away from adventure, she recruits a reclusive local anatomist named Gabriel Crowther to help her find the murderer, and historical suspense's newest investigative duo is born. For years, Mrs. Westerman has sensed the menace of neighboring Thornleigh Hall, seat of the Earl of Sussex. It is the home of a once- great family that has been reduced to an ailing invalid, his whorish wife, and his alcoholic second son, a man haunted by his years spent as a redcoat in the Revolutionary War. The same day, Alexander Adams is slain by an unknown killer in his London music shop, leaving his children orphaned. His death will lead back to Sussex, and to an explosive secret that has already destroyed one family and threatens many others. Instruments of Darkness combines the brooding atmosphere of Anne Perry with the complex, compelling detail of Tess Gerritsen, moving from drawing room to dissecting room, from coffee house to country inn. Mrs. Westerman and Mr. Crowther are both razor-sharp minds and their personalities breathe spirit into this gripping historical mystery.

    This astonishing debut explores the terrifying prospect of hunting down one of the world's first serial killers without the advantage of modern forensics or profiling. Sherlock's desire to stop the killer who is terrifying the East End of London is unwavering from the start, and in an effort to do so he hires an "unfortuate" known as Mary Ann Monk, the friend of a fellow streetwalker who was one of the Ripper's earliest victims. However, when Holmes himself is wounded in Whitechapel attempting to catch the villain, and a series of articles in the popular press question his role in the crimes, he must use all his resources in a desperate race to find the man known as "The Knife" before it is too late. Penned as a pastiche by the loyal and courageous Dr. Watson, Dust and Shadow recalls the ideals evinced by Sir Arthur Conan Doyle's most beloved and world-renowned characters, while testing the limits of their strength in a fight to protect the women of London, Scotland Yard, and the peace of the city itself.

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    The isolated house he buys sight unseen should give him the space to come to terms with his grief and the quiet to allow him to work. Kilnsgate House turns out to be rather more than he expected, however. A man died there, sixty years ago. His wife was convicted of murder. And something is pulling Chris deeper and deeper into the story of Grace Elizabeth Fox, who was hanged by the neck until she was dead...