For fans of Nadine Dorries, Maeve Binchy, Freda Lightfoot and Dilly Court. Lives are on the line as the workers fight back in the Welsh countryside… 1829, Wales For centuries. generations of the Jenkins family have eked out a living from their Carmarthenshire hill farm. But when a fire destroys virtually all of their possessions the children witness their lives crumbling around them. Mary and William find they have barely enough land left to provide for their basic needs. Their only option is to take on more work, but William longs for action, and Mary begins to suspect that he has become embroiled with the Rebecca-ites, a shadowy group of nationalists pitted against the English landowners whose tolls have bankrupted so many Welshman. As tensions mount, Mary becomes ever more torn between her mistrust of the rebels’ violence and her growing attraction to Jac Tŷ Isha, one of their leaders. And when the British government decides to put a stop to the revolt, the danger to the men she loves increases a hundredfold… REBECCA’S CHILDREN is a poignant, beautifully crafted saga of love and betrayal, set against the background of Wales in mid-1800s – a country aflame with political and social unrest. "An accomplished first novel." - The Times "A well-handled tale of passion, social injustice and nationalist fervour in nineteenth century Wales." - The Liverpool Post “Kate Dunn is a fine storyteller.” - Ben Elton

    To find the daughter taken from her, Plum Valentine must find the child's father who walked out of a hospital with the day-old baby girl without explanation. Seventeen years later, weary of her unfruitful search, Plum sees an article in a community newspaper with a photo of the man for whom she has spent half her life searching. He has become an Episcopal priest. Her plan: confront him and walk away with the daughter he took from her. From Brooklyn to the island of Jamaica, Tea by the Sea traces Plum's circuitous route to find her daughter and how Plum's and the priest's love came apart"--

    Yes, she is old. Yes, she sometimes forgets where she put her glasses, or her heart medication. But doesn't everyone? That doesn't give workers--paid to assist her, mind you--the right to rifle through her personal belongings, or "accidentally" forget something of hers in their pocket. It definitely does not give them the right to embezzle thousands of dollars from her family trust.Just when she is most desperate, a young neighbor takes her by surprise. Bonding over their shared love of soap operas, Jo and Toby engage in old-school reconnaissance to find answers. Together, they brave roller skates, walks along uneven ground, and even downtown parking on what may be Jo's most exciting adventure in forty years."Yes, And" is a feel-good story that explores the hearts of two misunderstood, kindred spirits, connected just when they need each other most.

    finally obtained the suit O. J. Simpson wore in court the day he was acquitted, and it now stands as both an artifactin their “Trial of the Century” exhibit and a symbol of the American media’s endless hunger for the criminal and the celebrity. This event serves as a launching point for Ishmael Reed’s Juice!, a novelistic commentary on the post-Simpson American media frenzy from one of the most controversial figures in American literature today. Through Paul Blessings—a censored cartoonist suffering from diabetes—and his cohorts—serving as stand-ins for the various mediums of art—Ishmael Reed argues that since 1994, “O. J. has become a metaphor for things wrong with culture and politics.” A lament for the death of print media, the growth of the corporation, and the process of growing old, Juice! serves as a comi-tragedy, chronicling the increased anxieties of “post-race” America.

    Alternating between the perspectives of the woman and the boy, the story engages with issues of race and class, examines the complexities of relationships between people of very different backgrounds, and explores the difficulties faced by individuals seeking to bring about social change through their own actions. The dramatic climax and tragic choices made grow from the gulf of incomprehension between middle-class and poor Jamaicans and provide penetrating insights into the roots of violence in impoverished communities.

    A reclusive young widower and political apostate, Salgado goes on the run after he is persuaded to blow up the pipelines of a sluicing operation sucking the local groundwater dry. Meanwhile, Evan Hatch, a London-based flack for an "issues-management" PR firm, is dying from leukemia. Hoping to find a donor, he tracks down his long-lost brother in Mexico (from where he had been adopted at birth) while en route to the WTO meeting in Seattle. Chano, desperately needing to cross the border, finds his brother (Evan) first, and steals his passport. In the third narrative strand, Chano’s young son, Daniel, himself given up for adoption in Costa Rica, is also looking for his father. Traveling to Mexico, he is forced to flee when the police take him hostage hoping to force his father turn himself in. Squirreling himself away on a freighter, he is rescued by a UK refugee organization whose activists fly to Seattle with him to participate in the protest hoping to reunite him with his father, who, masquerading as Evan, is about to give a speech to the European Roundtable of Industrialists…

    From Zaita the cripple-maker to Kirsha the café owner with a taste for young boys and drugs, to Abbas the barber who mistakes greed for love, to Hamida who sells her soul to escape the alley, these characters vividly evoke the sights, sounds and smells of Cairo. Long after one finishes reading, the smell of fresh bread lingers, as does the image of the men gathering at the café for their nightly ritual. The universality and timelessness of this book cannot be denied.

    Originally published against government wishes in Vietnam because of its non-heroic, non-ideological tone, The Sorrow of War has won worldwide acclaim and become an international bestseller

    It includes character studies and summaries of the plot with discussions of the major themes, as well as a background to John Steinbeck.

    The most unexpected consequences.When Anna’s husband cheats on her, she’s sure she’ll never be happy again. But then she meets 94-year-old Grace. Despite an age gap of more than fifty years, the pair set out together on a life-changing journey halfway across the country in search of some answers. Sometimes the only way to move on is to revisit the past. But will Anna and Grace be prepared for what they find? A story about love, female friendship, heartbreak and learning to forgive.

    I pushed my sausages away untouched. Charting nearly ten years in the life of Adrian Mole, from his increasingly troubled adolescence and schooling to his first job as newt counter for the DoE, from his parents' marital troubles to his own difficult relationship with Pandora, from the failure of his early poems to the even grander failure of his epic novels, these three novels in one volume provide a hilarious portrait of one young man's coming of age. 'He will be remembered some day as one of England's great diarists. No matter what your troubles may be Adrian Mole is sure to make you feel better' Evening Standard

    Decisive, resourceful and independent, Sarah faces challenges in love and friendship from those around her and the wider circumstances of the war as she travels across the cities and countrysides of England and Scotland. Often described as gentle romances, D. E. Stevenson novels are neither overblown nor unduly tragic, populated with characters who quietly make those around them better simply because of their existence. Consistently satisfying, there is a good reason why Stevenson has amassed a devoted following.

    The central character, Bimala, is torn between the duties owed to her husband, Nikhil, and the demands made on her by the radical leader, Sandip. Her attempts to resolve the irreconciliable pressures of the home and world reflect the conflict in India itself, and the tragic outcome foreshadows the unrest that accompanied Partition in 1947. This edition includes an introduction by Anita Desai.

    Sembène Ousmane, in this vivid and moving novel, evinces all of the colour, passion and tragedy of those decisive years in the history of West Africa.'Ever since they left Thiès, the women had not stopped singing. As soon as one group allowed the refrain to die, another picked it up, and new verses were born at the hazard of chance or inspiration, one word leading to another and each finding, in its turn, its rhythm and its place. No one was very sure any longer where the song began, or if it had an ending. It rolled out over its own length, like the movement of a serpent. It was as long as a life.'