Shiva Naipaul's passionate and evocative novel focuses on two casualties of Cuyama's post-Independence malaise, Aubrey St Pierre, dedicated to redeeming the sins of his slave-owning ancestors, and his wife, Dina. While Aubrey sits in his highbrow bookshop composing protest letters to The Times in London and New York, Dina stands aloof and passive in the face of an impending tragedy that seems to her more personal than political. The fate of their marriage comes obliquely to reflect the fate of a nation, portrayed by Naipaul with intense sympathy, vision and eloquence.

    As she reads she cannot anticipate the effect it will have upon her own future. It is the diary of Juletane, a young West Indian woman. Written over three weeks, it records her short life; her lonely childhood in France, her marriage to an African student, and her eager return, with him, to Africa -- the land of her ancestors. In stark contrast to her naive illusions, the social realities of traditional Muslim life and their cultural demands on her as a woman threaten to drive her to unendurable extremes of loneliness and complete alienation. She is a foreigner, in spite of the color of her skin.

    It begins in 1824 on Trinidad, where Marie-Ursule, queen of a secret slave society called the Sans Peur Regiment, plots a mass suicide. The end of the Sans Peur is also the beginning of a new world, for Marie-Ursule cannot kill her young daughter, Bola -- who escapes to live free and bear a dynasty of descendants who spill out across the Caribbean, North America, and Europe. Haunted by a legacy of passion and oppression, the children of Bola pass through two world wars and into the confusion, estrangement, and violence of the late twentieth century. "[Brand has] a lush and exuberant style that may put some readers in mind of Toni Morrison or Edwidge Danticat." -- William Ferguson, The New York Times Book Review; "A delicately structured, beautifully written novel infused with rare emotional clarity." -- Julie Wheelwright, The Independent (London); "Rich, elegiac, almost biblical in its rhythms . . . One of the essential works of our times." -- The Globe & Mail (Toronto)

    A revealing novel of childhood about Tee who is being made socially acceptable by her Aunt Beatrice so that she can cope with the caste system of Trinidad.

    T. Bunker. Now eighty-three-years-old and dying, Bunker wants to tell his side of the story, the story of his affair with Estela, Andrés's mother. As a child Andrés knew Bunker as the "Captain of the Sleepers"--so called because he transported back to Vieques those who had died on the mainland but wished to be buried at home. But what really happened between Bunker and Estela, and between Estela and her one true love, a leader of the Puerto Rican Nationalist Movement? What did Andrés witness, and what were the real circumstances of his mother's mysterious death?Beautifully translated by Edith Grossman, Captain of the Sleepers is a startling tale of remembrance and reality, and Mayra Montero's finest book yet.

    After a bizarre mishap Jack Morgan takes up a UN posting in Kenya, hoping to find obscurity on the streets of Nairobi. there he is befriended by the American 'Bear' Hoffman, a man equally at home in the city's racy nightlife as in the Kenyan bush. Jack's hopes for seclusion are soon dashed as he is seduced by the excitement of Africa and by a beautiful Maasai woman named Malaika. Malaika carries a dark secret, and when a warrior returns from her past, she and Jack are plunged into a world of ancient spiritualism and tribal curses. Caught at the centre of a gathering storm, they must fight for the survival of their love... Rich in historical details, tears of the Maasai follows Jack on a flight from truth, and a Maasai family's journey through time, from warrior supremacy to the colour and drama of modern-day Kenya. 'remarkable... adventuresome... suffused with tenderness' Australian Book Review

    Three small graves have been dug in the front garden, the middle one lying empty. A woman in a wheelchair sorts through boxes while her husband clambers around the old demolished buildings, wondering where the animals have gone. A young woman – called ‘the barren one’ behind her back – dreams of love, while an ageing headmaster contemplates the end of his life. At the entrance to the long dirt driveway, a car appears and pauses – pointed towards the house like a silver bullet, ticking with heat.So begins The Dream House, Craig Higginson’s riveting and unforgettable novel set in the Midlands of KwaZulu-Natal. Written with dark wit, a stark poetic style and extraordinary tenderness, this is a story about the state of a nation and a deep meditation on memory, ageing, meaning, family, love and loss. The Dream House is written with such a fierce and steady compassion that the reader can only come away from it transformed – ready to take on the challenges of living with a renewed heart and a bigger vision.

    A South American president revisits the scenes of his ruthless rise to power-shortly after his own funeral. A transformed and sparkling city of London sets the scene for a company chairman's nemesis at the hands of his wife. In Andalucia, the spirit of the "duende" inspires an elderly widow to dance a death-defying flamenco. We meet splendacious Mrs. da Silva, sixty-five year old matriarch of Rebel War Band, as she boogies at a carnival. The ghost of Dante's Virgil, leading his pilgrim along perilous paths, is brought to mind as one friend guides another on her final journey.

    With a compelling, off-beat protagonist evocative of Holden Caulfield and Quentin Coldwater, and a narrative voice that masterfully and naturally captures the nuances of a modern vernacular, Banks’s haunting and powerful novel is an indisputable—and unforgettable—modern classic.

    And who cares if they’re there illegally—aren’t most of the people on the island? But life for the Palacios is far from quiet—and when Yola’s Aunt Celia dies, the family once again find their lives turned upside down. For Celia had been keeping a very big secret—she owed a LOT of money to a local criminal called Ugly. And without the funds to pay him off, Ugly has the entire family do his bidding until Celia’s debt is settled. What Ugly says, the Palacios do, otherwise the circumstances are too dreadful to imagine. To say that the year that follows is tumultuous for the Palacios is an understatement. But in the midst of the turmoil appears Roman—Ugly’s distractingly gorgeous right-hand man. And although she knows it’s terrible and quite possibly dangerous, Yola just can’t help but give in to the attraction. Where, though, do Roman’s loyalties lie? And could this wildly inappropriate romance just be the antidote to a terrible year of Ugly? Combining the spark of Junot Diaz with the irresistible wit of Maria Semple, One Year of Ugly brilliantly explores cross-cultural struggles and assimilation from a unique immigrant perspective and introduces us to an extraordinary new voice in contemporary fiction.

    Remarkable for its courage, its color, and its natural control. --The New Yorker An unforgettable novel written with pride and anger, with rebellion and tears. --New York Herald Tribune Set in Brooklyn during the Great Depression and World War II, Brown Girl, Brownstones chronicles the efforts of Barbadian immigrants to surmount poverty and racism and to make their new country home. Selina Boyce is torn between the opposing aspirations of her parents: her hardworking, ambitious mother longs to buy a brownstone row house while her easygoing father prefers to dream of effortless success and his native island's lushness. Featuring a new foreword by Edwidge Danticat, this coming-of-age tale grapples with identity, sexuality, and changing values in a new country, as a young woman must reconcile tradition with potential and change.

    With his other 'shorter' collections Black + Blues and Third World Poems, Middle Passages creates a kind of chisel which may well lead us into a projected third trilogy. Here is a political angle to Brathwaite's Caribbean & New World quest, with new notes of protest and lament. It marks a Sisyphean stage of Third World history in which things fall apart and everyone's achievements come tumbling back down upon their heads and into their hearts, like the great stone which King Sisyphus was condemned to keep heaving back up the same hill in hell - a postmodernist implosion already signalled by Baldwin, Patterson, Soyinka and Achebe and more negatively by V.S. Naipaul; but given a new dimension here by Brathwaite's rhythmical and 'video' affirmations. And so Middle Passages includes poems for those modern heroes who are the pegs by which the mountain must be climbed again: Maroon resistance, the poets Nicolas Guillen, the Cuban revolutionary, and Mikey Smith, stoned to death on Stony Hill; the great musicians (Ellington, Bessie Smith); and Third World leaders Kwame Nkrumah, Walter Rodney and Nelson Mandela.

    . . . Iweala never wavers from a gripping, pulsing narrative voice. . . . He captures the horror of ethnic violence in all its brutality and the vulnerability of youth in all its innocence.”  —Entertainment Weekly  (A)The harrowing, utterly original debut novel by Uzodinma Iweala about the life of a child soldier in a war-torn African countryAs civil war rages in an unnamed West-African nation, Agu, the school-aged protagonist of this stunning novel, is recruited into a unit of guerilla fighters. Haunted by his father’s own death at the hands of militants, which he fled just before witnessing, Agu is vulnerable to the dangerous yet paternal nature of his new commander.While the war rages on, Agu becomes increasingly divorced from the life he had known before the conflict started—a life of school friends, church services, and time with his family, still intact. As he vividly recalls these sunnier times, his daily reality continues to spin further downward into inexplicable brutality, primal fear, and loss of selfhood. In a powerful, strikingly original voice, Uzodinma Iweala leads the reader through the random travels, betrayals, and violence that mark Agu’s new community. Electrifying and engrossing, Beasts of No Nation announces the arrival of an extraordinary writer.

    Years later, a terminally ill Kello asks Mona to revisit their native island and reclaim the property that their family had left behind. As Mona returns to the Caribbean to confront her family's turbulent past, the reader travels back in time—to nineteenth-century India, to British Trinidad, where her ancestors lived as indentured workers in the cane fields, and finally to urban North America.Steeped in the lyrical rhythms of Caribbean life, this exquisite, richly layered novel explores the immigrant experience with compassion and humour. It is a moving story of race and displacement, of love and betrayal, of endings and beginnings—a swinging bridge of the universal search for self.Praise forThe Swinging Bridge"Beautiful, luminous and an utter pleasure to read. A writer as necessary as Ramabai Espinet should be treasured by us for her unique voice and the unique world she shares with us."—Jamaica Kincaid"The Swinging Bridge is a sweeping story . . . of rich heritage—a blend of Indian and Caribbean sounds, scents and celebrations."—NOW Magazine"An extraordinary achievement in the exercise of remembering. . . . Highly charged with moral intent."—George Lamming