He comforts himself with the certainty that his stellar academic record and brains will bring him the adulation that has evaded him in high school. But when an unthinkable catastrophe tears away the one girl he ever had a chance with, his life takes a bizarre turn as he discovers an inexplicable power: He can regenerate his organs and limbs.When a chance encounter brings him face to face with a girl from his past, he decides that he must use his gift to save her from a violent husband and dismal future. His quest takes him to the glitz and greed of Hollywood, and into the crosshairs of shadowy forces bent on using and abusing his gift. Can Dale use his power to redeem himself and those he loves, or will the one thing that finally makes him special be his demise? The Heart Does Not Grow Back is a darkly comic, starkly original take on the superhero tale, introducing an exceptional new literary voice in Fred Venturini.

    In 1986 in Easter, a small Florida Space Coast town, her dreams seem almost within reach—if she can just grow up fast enough. Theo, the scientist father she idolizes, is consumed by his own obsessions. Laid off from his job at NASA and still reeling from the loss of Nedda’s newborn brother several years before, Theo turns to the dangerous dream of extending his living daughter's childhood just a little longer. The result is an invention that alters the fabric of time.Amidst the chaos that erupts, Nedda must confront her father and his secrets, the ramifications of which will irrevocably change her life, her community, and the entire world. But she finds an unexpected ally in Betheen, the mother she’s never quite understood, who surprises Nedda by seeing her more clearly than anyone else. Decades later, Nedda has achieved her long-held dream, and as she floats in antigravity, far from earth, she and her crewmates face a serious crisis. Nedda may hold the key to the solution, if she can come to terms with her past and the future that awaits her. Light from Other Stars is about fathers and daughters, women and the forces that hold them back, and the cost of meaningful work. It questions how our lives have changed, what progress looks like, and what it really means to sacrifice for the greater good.

    The book jumps forward and backward in time among a pair of twins who ruled a Maya kingdom, a young American on a trip of self-discovery, and two dangerous charismatics in a conflict that will determine the fate of the few humans left on Earth after massive climate change.In each era, age-old questions about existence and belonging and identity converge deep underground. Because only in complete darkness can one truly see the stars.

    Twenty‑four‑year‑old Jenny Bell is one of a dozen burgeoning artists invited to Louis Comfort Tiffany’s prestigious artists’ colony. Gifted and determined, Jenny vows to avoid distractions and romantic entanglements and take full advantage of the many wonders to be found at Laurelton Hall.But Jenny’s past has followed her to Long Island. Images of her beloved mother, her hard-hearted stepfather, waterfalls, and murder, and the dank hallways of Canada’s notorious Andrew Mercer Reformatory for Women overwhelm Jenny’s thoughts, even as she is inextricably drawn to Oliver, Tiffany’s charismatic grandson.As the summer shimmers on, and the competition between the artists grows fierce as they vie for a spot at Tiffany’s New York gallery, a series of suspicious and disturbing occurrences suggest someone knows enough about Jenny’s childhood trauma to expose her.Supported by her closest friend Minx Deering, a seemingly carefree socialite yet dedicated sculptor, and Oliver, Jenny pushes her demons aside. Between stolen kisses and stolen jewels, the champagne flows and the jazz plays on until one moonless night when Jenny’s past and present are thrown together in a desperate moment, that will threaten her promising future, her love, her friendships, and her very life.

    Xanthe has always had an affinity with some of the antiques she finds. When she touches them, she can sense something of the past they come from and the stories they hold. So when she has an intense connection to a beautiful silver chatelaine she has to know more.It’s while she’s examining the chatelaine that she’s transported back to the seventeenth century. And shortly after, she's confronted by a ghost who reveals that this is where the antique has its origins. The ghost tasks Xanthe with putting right the injustice in its story to save an innocent girl’s life, or else it’ll cost her Flora’s.While Xanthe fights to save her amid the turbulent days of 1605, she meets architect Samuel Appleby. He may be the person who can help her succeed. He may also be the reason she can’t bring herself to leave.With its rich historical detail, strong mother-daughter relationship, and picturesque English village, The Little Shop of Found Things is poised to be a strong start to this new series.

    Beagle (The Last Unicorn) returns with this long-anticipated new novel, a beautifully bittersweet tale of passion, enchantment, and the nature of fate.It was a typically unpleasant Puget Sound winter before the arrival of Lioness Lazos. An enigmatic young waitress with strange abilities, when the lovely Lioness comes to Gardner Island even the weather takes notice. As an impossibly beautiful spring leads into a perfect summer, Lioness is drawn to a complicated family. She is taken in by two disenchanted lovers—dynamic Joanna Delvecchio and scholarly Abe Aronson — visited by Joanna’s previously unlucky-in-love daughter, Lily. With Lioness in their lives, they are suddenly compelled to explore their deepest dreams and desires.Lioness grows more captivating as the days grow longer. Her new family thrives, even as they may be growing apart. But lingering in Lioness’s past is a dark secret — and even summer days must pass.

    That’s what Audrey says. She states it with a little bit of an edge, her words just bordering on cursive. That’s the thing I think first. Not: Audrey Hepburn is at my birthday dinner, but Audrey Hepburn is annoyed.At one point or another, we’ve all been asked to name five people, living or dead, with whom we’d like to have dinner. Why do we choose the people we do? And what if that dinner was to actually happen? These are the questions Rebecca Serle contends within her utterly captivating novel, The Dinner List, a story imbued with the same delightful magical realism as One Day, and the life-changing romance of Me Before You.When Sabrina arrives at her thirtieth birthday dinner she finds at the table not just her best friend, but also three significant people from her past, and well, Audrey Hepburn. As the appetizers are served, wine poured, and dinner table conversation begins, it becomes clear that there’s a reason these six people have been gathered together.Delicious but never indulgent, sweet with just the right amount of bitter, The Dinner List is a romance for our times. Bon appetit.

    A beautiful older woman named Peggy greets her and invites her to stay, on the house's usual conditions: she has ninety-nine nights to turn her life around. With nothing left to lose, Alba takes a chance and moves in. She soon discovers that this is no ordinary house. Past residents have included Virginia Woolf and Dorothy Parker, who, after receiving the assistance they needed, hung around to help newcomers - literally, in talking portraits on the wall. As she escapes into this new world, Alba begins a journey that will heal her wounds - and maybe even save her life. Filled with a colorful and unforgettable cast of literary figures, The House at the End of Hope Street is a charming, whimsical novel of hope and feminine wisdom that is sure to appeal to fans of Jasper Fforde and especially Sarah Addison Allen.

    himself. After all, he never even knew he had a "second cousin, twice removed" in America, much less that the eccentric gentleman had recently committed suicide by jumping out of the third floor bedroom window—at the same age and in the same way as his father had before him . . .Together, A. and Niamh quickly come to feel as if they have inherited much more than just a rambling home and a cushy lifestyle. Axton House is haunted, they know it, but that's just the tip of the iceberg when it comes to the secrets they slowly but surely uncover. Why all the suicides? What became of the Axton House butler who fled shortly after his master died? What lurks in the garden maze and what does the basement vault keep? And what of the rumors in town about a mysterious gathering at Axton House on the night of the winter solstice?Told vividly through a series of journal entries, scrawled notes, recovered security footage, letters to Aunt Liza, audio recordings, complicated ciphers, and even advertisements, Edgar Cantero has written a dazzling and original supernatural adventure featuring classic horror elements with a Neil Gaiman-ish twist.

    She is lonely and exhausted. She had imagined - what was it she had imagined? Her husband, always travelling for his work, calls her from faraway hotel rooms. One more toddler bedtime, and she fears she might lose her mind.Instead, quite suddenly, she starts gaining things, surprising things that happen one night when her child will not sleep. Sharper canines. Strange new patches of hair. New appetites, new instincts. And from deep within herself, a new voice...With its clear eyes on contemporary womanhood and sharp take on structures of power, Nightbitch is an outrageously original, joyfully subversive read that will make you want to howl in laughter and recognition. Addictive enough to be devoured in one sitting, this is an unforgettable novel from a blazing new talent.

    She is thirteen years old the first time she dies.Lauren Pailing is a teenager in the eighties, becomes a Londoner in the nineties. And each time she dies, new lives begin for the people who loved her – while Lauren enters a brand new life, too.But in each of Lauren’s lives, a man called Peter Stanning disappears. And, in each of her lives, Lauren sets out to find him.And so it is that every ending is also a beginning. And so it is that, with each new beginning, Peter Stanning inches closer to finally being found…

    . . and now, they need her help.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    She keeps to herself, begrudgingly socializes, and spends much of her time watching old Twin Peaks and X-Files DVDs. But when Vincent Pryce, Boston’s most eccentric billionaire, dies—leaving behind an epic treasure hunt through the city, with clues inspired by his hero, Edgar Allan Poe—Tuesday’s adventure finally begins.Puzzle-loving Tuesday searches for clue after clue, joined by a ragtag crew: a wisecracking friend, an adoring teen neighbor, and a handsome, cagey young heir. The hunt tests their mettle, and with other teams from around the city also vying for the promised prize—a share of Pryce’s immense wealth—they must move quickly. Pryce’s clues can't be cracked with sharp wit alone; the searchers must summon the courage to face painful ghosts from their pasts (some more vivid than others) and discover their most guarded desires and dreams.A deliciously funny ode to imagination, overflowing with love letters to art, from The Westing Game to Madonna to the Knights of the Round Table, Tuesday Mooney Talks to Ghosts is the perfect read for thrill seekers, wanderers, word lovers, and anyone looking for an escape to the extraordinary.

    She can feel the emotions people leave behind on objects and believes that most of them need to be handled extremely carefully, and—if at all possible—destroyed. The harmless ones she sells at Vancouver’s Chinatown Night Market to scrape together a living, but even that fills her with trepidation. Meanwhile, in another part of town, Harriet hoards thousands of these treasures and is starting to make her neighbors sick as the overabundance of heightened emotions start seeping through her apartment walls. When the two women meet, Harriet knows that Ev is the only person who can help her make something truly spectacular of her collection. A museum of memory that not only feels warm and inviting but can heal the emotional wounds many people unknowingly carry around. They only know of one other person like them, and they fear the dark effects these objects had on him. Together, they help each other to develop and control their gift, so that what happened to him never happens again. But unbeknownst to them, the same darkness is wrapping itself around another, dragging them down a path that already destroyed Ev’s family once, and threatens to annihilate what little she has left. The Memory Collectors casts the everyday in a new light, speaking volumes to the hold that our past has over us—contained, at times, in seemingly innocuous objects—and uncovering a truth that both women have tried hard to bury with their pasts: not all magpies collect shiny things—sometimes they gather darkness.