In turn-of-the-20th century Texas, the Berachah Home for the Redemption and Protection of Erring Girls is an unprecedented beacon of hope for young women consigned to the dangerous poverty of the streets by birth, circumstance, or personal tragedy. Built in 1903 on the dusty outskirts of Arlington, a remote dot between Dallas and Fort Worth's red-light districts, the progressive home bucks public opinion by offering faith, training, and rehabilitation to prostitutes, addicts, unwed mothers, and "ruined" girls without forcibly separating mothers from children. When Lizzie Bates and Mattie McBride meet there--one sick and abused, but desperately clinging to her young daughter, the other jilted by the beau who fathered her ailing son--they form a friendship that will see them through unbearable loss, heartbreak, difficult choices, and ultimately, diverging paths.A century later, Cate Sutton, a reclusive university librarian, uncovers the hidden histories of the two troubled women as she stumbles upon the cemetery on the home's former grounds and begins to comb through its archives in her library. Pulled by an indescribable connection, what Cate discovers about their stories leads her to confront her own heartbreaking past, and to reclaim the life she thought she'd let go forever. With great pathos and powerful emotional resonance, Home for Erring and Outcast Girls explores the dark roads that lead us to ruin, and the paths we take to return to ourselves.

    "Astonish Me" is the irresistible story of Joan, a ballerina whose life has been shaped by her relationship with the world-famous dancer Arslan Ruskov, whom she helps defect from the Soviet Union to the United States. While Arslan's career takes off in New York, Joan's slowly declines, ending when she becomes pregnant and decides to marry her longtime admirer, a PhD student named Jacob. As the years pass, Joan settles into her new life in California, teaching dance and watching her son, Harry, become a ballet prodigy himself. But when Harry's success brings him into close contact with Arslan, explosive secrets are revealed that shatter the delicate balance Joan has struck between her past and present. In graceful, inimitable prose, Shipstead draws us into an extraordinary world, and the lives of her vivid and tempestuous characters. Filled with intrigue, brilliant satire, and emotional nuance, "Astonish Me" is a superlative follow-up to Shipstead's superb debut.

    The unwanted daughter of a concubine, she refused to have her feet bound, ran away to join an opera troupe and eventually met Mao Zedong in the mountains of Yenan.

    Nobody remembers when it started; rain on the western seaboard is a condition of living. But now – just as Father Coffey proclaims the coming of the electricity – the rain clouds are lifting. Seventeen-year-old Noel Crowe is idling in the unexpected sunshine when Christy makes his first entrance into Faha, bringing secrets he needs to atone for. Though he can't explain it, Noel knows right then: something has changed. As the people of Faha anticipate the endlessly procrastinated advent of the electricity, and Noel navigates his own coming-of-age and his fallings in and out of love, Christy's past gradually comes to light, casting a new glow on a small world. Harking back to a simpler time, This Is Happiness is a tender portrait of a community – its idiosyncrasies and traditions, its paradoxes and kindnesses, its failures and triumphs – and a coming-of-age tale like no other. Luminous and lyrical, yet anchored by roots running deep into the earthy and everyday, it is about the power of stories: their invisible currents that run through all we do, writing and rewriting us, and the transforming light that they throw onto our world.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    In the first half of the book, we learn of Termen’s early days as a scientist in Leningrad during the Bolshevik Revolution, the acclaim he receives as the inventor of the theremin, and his arrival in 1930s New York under the aegis of the Russian state. In the United States he makes a name for himself teaching the theremin to eager music students and marketing his inventions to American companies. In the second half, the novel builds to a crescendo as Termen returns to Russia, where he is imprisoned in a Siberian gulag and later brought to Moscow, tasked with eavesdropping on Stalin himself. Throughout all this, his love for Clara remains constant and unflagging, traveling through the ether much like a theremin’s notes. Us Conductors is steeped in beauty, wonder, and looping heartbreak, a sublime debut that inhabits the idea of invention on every level.

    Brik enlists his friend Rora -- a war photographer from Sarajevo -- to join him in retracing Averbuch's path.Through a history of pogroms and poverty, and a prism of a present-day landscape of cheap mafiosi and even cheaper prostitutes, the stories of Averbuch and Brik become inextricably intertwined, creating a truly original, provocative, and entertaining novel that confirms Aleksandar Hemon as one of the most dynamic and essential literary voices of our time.

    Now, twenty years later, in the heat of a New Mexican summer, Thomas has begun having bizarre conversations with his dead relatives and it's up to Amina-a photographer in the midst of her own career crisis-to figure out what is really going on. But getting to the truth is far harder than it seems. From Thomas's unwillingness to talk, to Kamala's Born Again convictions, to run-ins with a hospital staff that seems to know much more than they let on, Amina finds herself at the center of a mystery so thick with disasters that to make any headway at all, she has to unravel the family's painful past.

    It’s 2008 and things are falling apart: Bear Stearns and Lehman Brothers are going under, and the residents of Pepys Road, London—a banker and his shopaholic wife, an old woman dying of a brain tumor and her graffiti-artist grandson, Pakistani shop owners and a shadowy refugee who works as the meter maid, the young soccer star from Senegal and his minder—are receiving anonymous postcards reading “We Want What You Have.” Who is behind it? What do they want? Epic in scope yet intimate, capturing the ordinary dramas of very different lives, this is a novel of love and suspicion, of financial collapse and terrorist threat, of property values going up and fortunes going down, and of a city at a moment of extraordinary tension.

    Soon they meet another vacationing German couple, Charly and Hanna, who introduce them to a band of locals—the Wolf, the Lamb, and El Quemado—and to the darker side of life in a resort town. Late one night, Charly disappears without a trace, and Udo’s well-ordered life is thrown into upheaval; while Ingeborg and Hanna return to their lives in Germany, he refuses to leave the hotel. Soon he and El Quemado are enmeshed in a round of Third Reich, Udo’s favorite World War II strategy game, and Udo discovers that the game’s consequences may be all too real. Written in 1989 and found among Roberto Bolaño’s papers after his death, The Third Reich is a stunning exploration of memory and violence. Reading this quick, visceral novel, we see a world-class writer coming into his own—and exploring for the first time the themes that would define his masterpieces The Savage Detectives and 2666.

    Thomas about the extraordinary woman who gave birth to painter Camille Pissarro; the Father of Impressionism.Growing up on idyllic St. Thomas in the early 1800s, Rachel dreams of life in faraway Paris. Rachel's mother, a pillar of their small refugee community of Jews who escaped the Inquisition, has never forgiven her daughter for being a difficult girl who refuses to live by the rules. Growing up, Rachel's salvation is their maid Adelle's belief in her strengths, and her deep, life-long friendship with Jestine, Adelle's daughter. But Rachel's life is not her own. She is married off to a widower with three children to save her father's business. When her husband dies suddenly and his handsome, much younger nephew, Fréderick, arrives from France to settle the estate, Rachel seizes her own life story, beginning a defiant, passionate love affair that sparks a scandal that affects all of her family, including her favorite son, who will become one of the greatest artists of France.Building on the triumphs of The Dovekeepers and The Museum of Extraordinary Things, set in a world of almost unimaginable beauty, The Marriage of Opposites showcases the beloved, bestselling Alice Hoffman at the height of her considerable powers. Once forgotten to history, the marriage of Rachel and Fréderick is a story that is as unforgettable as it is remarkable.

    Is she a spy, a black widow, a lunatic, or is she what she claims to be: a grieving young sister intent on burying her brother according to local rites? Single-minded in her mission, she refuses to move from her spot on the field in full view of every soldier in the stark outpost. Her presence quickly proves dangerous as the camp’s tense, claustrophobic atmosphere comes to a boil when the men begin arguing about what to do next.Joydeep Roy-Bhattacharya’s heartbreaking and haunting novel, The Watch, takes a timeless tragedy and hurls it into present-day Afghanistan. Taking its cues from the Antigone myth, Roy-Bhattacharya brilliantly recreates the chaos, intensity, and immediacy of battle, and conveys the inevitable repercussions felt by the soldiers, their families, and by one sister. The result is a gripping tour through the reality of this very contemporary conflict, and our most powerful expression to date of the nature and futility of war.

    I love the soft blue veins on your wrist. I love your lopsided smile. I love watching TV and shelling sunflower seeds with you. The six recipients - a data analyst, a photojour­nalist, a schoolchild, a missionary, a writer, and a street vendor - inhabit an acutely observed, beauti­fully familiar yet particularly strange universe, as only Kevin Brockmeier could imagine it: a world in which human pain is expressed as illumination, so that one's wounds glitter, fluoresce, and blaze with light. As we follow the journey of the book from stranger to stranger, we come to understand how intricately and brilliantly they are connected, in all their human in­jury and experience.

    Born a Tutsi, he is thrust into a world where it's impossible to stay apolitical - where the man who used to sell you gifts for your family now spews hatred, where the girl who flirted with you in the lunchroom refuses to look at you, where your Hutu coach is secretly training the very soldiers who will hunt down your family. Yet in an environment increasingly restrictive for the Tutsi, he holds fast to his dream of becoming Rwanda's first Olympic medal contender in track, a feat he believes might deliver him and his people from this violence. When the killing begins, Jean Patrick is forced to flee, leaving behind the woman, the family, and the country he loves. Finding them again is the race of his life. This is the third Bellwether Prize winner published by Algonquin. The Bellwether Prize is awarded biennially by Barbara Kingsolver for an unpublished novel that addresses issues of social justice and was previously awarded to The Girl Who Fell from the Sky and Mudbound.

    It is 1945, and London is still reeling from the Blitz and years of war. 14-year-old Nathaniel and his sister, Rachel, are apparently abandoned by their parents, left in the care of an enigmatic figure named The Moth. They suspect he might be a criminal, and grow both more convinced and less concerned as they get to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? A dozen years later, Nathaniel begins to uncover all he didn’t know or understand in that time, and it is this journey – through reality, recollection, and imagination – that is told in this magnificent novel.