“Dark, tender, and thought-provoking, Wildwood Whispers is a beautifully woven tale of fantasy, feminism, and mystery set in rural Appalachia.” —Constance Sayers, author of A Witch in TimeAt the age of eleven, Mel Smith’s life found its purpose when she met Sarah Ross. Ten years later, Sarah’s sudden death threatens to break her. To fulfill a final promise to her best friend, Mel travels to an idyllic small town nestled in the shadows of the Appalachian Mountains. Yet Morgan’s Gap is more than a land of morning mists and deep forest shadows. There are secrets that call to Mel, in the gaze of the gnarled and knowing woman everyone calls Granny, in a salvaged remedy book filled with the magic of simple mountain traditions, and in the connection, she feels to the Ross homestead and the wilderness around it.With every taste of sweet honey and tart blackberries, the wildwood twines further into Mel’s broken heart. But a threat lingers in the woods—one that may have something to do with Sarah's untimely death and that has now set its sight on Mel.The wildwood is whispering. It has secrets to reveal—if you’re willing to listen…

    Yvette, Louisiana, with its moss-draped trees, above-ground cemeteries, and her grandfather’s creepy historic home, she realizes that life as she knew it is officially over. Almost immediately, there seems to be something cloying at her. Something lonely and sad and . . . very pressing. Even at school and in the group project she’s been thrown into, she can’t escape it. Whispers when she’s alone, shadows when no one is there to make them, and a distant pleading voice that wakes her from sleep. The other members in Miranda’s group project, especially handsome Etienne, can see that Miranda is in distress. She is beginning to understand that, like her grandfather before her, she has a special gift of communicating with spirits who still walk the town of St. Yvette. And no matter where she turns, Miranda feels bound by their whispered pleas for help . . . unless she can somehow find a way to bring them peace.

    And mermaids are on display at the local aquarium.The Beginning of the World in the Middle of the Night is a collection of twelve haunting stories; modern fairy tales brimming with magic, outsiders and lost souls.

     “You’ll like it,” she argued. “I know I’ll like it,” I said. “That’s why I’m not going to try it.” “Try it just this once and I’ll never ask you to do it again.” That was a deal. I slipped back into the driver’s seat while Pat corn-rowed two neat lines of the silky white powder on the back of a plastic cassette tape cover. Fifteen hundred dollars every month, an abusive boyfriend, a molested child, a lost family, hotels for houses, a ruined leg, a gun to my head, a knife to my butt, a jail cell all my own. Black eyes, bruised days, broken hours. Looking back, it seems strange what I gave up to get my roommate off my back. It only took four seconds. *** In her debut memoir, Andrade tells of her years with cocaine and crystal methamphetamines—using, then selling—until all she had left of the life she wanted was a chalk outline and a pack of cigarettes. This is the story of her use and recovery, of the people who frustrated and inspired her, of her decision to leave the drug world. It is the story of her slow, often unsteady walk home.

    Amari Soul's "Reflections Of A Man" series (following the release of the inspirational best seller "Reflections Of A Man") will help you to get past your pain, get rid of the self-doubt and help you to see yourself in a new light... a light which illuminates through all of the darkness and shines through to the Beautiful, Strong Woman inside of you.

    Clare's grandfather has been found frozen in a glacier, 74 years after a climbing accident. Clare knows this could make an interesting story for her newspaper, but as she investigates her grandfather's last climb, she learns that the accident wasn't as simple as she had first thought.Cambridge English Readers: Level 5

    Operating somewhere between fiction and poetry, biography and theory, the stories in ATTEMPTS AT A LIFE do what lively stories do best, creating worlds of possibility, worlds filled with surprises. Like the "experiments in found movement" one character conducts (in "Everybody's Autobiography"), Dutton's stories find movement wherever they turn, each sentence a small explosion of images and anthems and odd juxtapositions. This is writing in which the imagination (both writer's and reader's) is capable of producing almost anything at any moment, from a shiny penny to an alien metropolis, a burning village to a bright green bird. "Danielle Dutton's stories remind me of those alluring puzzles where the pool is overflowing and emptying at the same time. Dutton's answer? That the self is a rush of the languages of storytelling and moments of helpless intimacy"--Robert Gluck.

    Now, Julia has disappeared—and no one knows if she’s in trouble.Sylvie is trying to carry on Julia’s impressive legacy at the prestigious National Ballet Theatre Academy, but Julia, ever the star of the show, can’t stay hidden forever. And when she sends Sylvie a copy of their old storybook with a mysterious list inside, Sylvie begins to see signs of her sister everywhere she goes. She may be losing her grip on reality, but Sylvie has to find out if the strange, almost magical things she’s been seeing have anything to do with Julia’s whereabouts.With the help of her best friend’s enigmatic brother and his beat-up car, Sylvie sets out to the beat of a Fleetwood Mac playlist, determined to return to New York with her sister in tow. But what Sylvie doesn’t expect to learn is that trouble comes in lots of forms—and that the damsel in distress is often the only one who can save herself.

    The book is filled with actual letters to his three fiance's, his literary contemporaries (Longfellow, Irving, and Hawthorne), and his bitter enemies. The characters are brought to life by interactive dialogue that may have taken place given what history teaches us. Read about the life of America's most haunting and mysterious author today and see Edgar Allan Poe brought to life like never before! - Amazon Breakthrough Novel Award Expert Reviewer

    It is a collection of 150 brain teasing math riddles and puzzles. Their purpose is to make children think and stretch the mind. They are designed to test logic, lateral thinking as well as memory and to engage the brain in seeing patterns and connections between different things and circumstances. They are laid out in three chapters which get more difficult as you go through the book, in the author’s opinion at least. The answers are at the back of the book if all else fails. These are more difficult riddles and are designed to be attempted by children from 10 years onwards, as well as participation from the rest of the family. Tags: Riddles and brain teasers, riddles and trick questions, riddles book, riddles book for kids, riddles for kids, riddles for kids aged 9-12, riddles and puzzles, jokes and riddles, jokes book, jokes book for kids, jokes children, jokes for kids, jokes kids, puzzle book

    Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant--the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the Yellow House would become Ivory Mae's thirteenth and most unruly child.A book of great ambition, Sarah M. Broom's The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America's most mythologized cities. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the "Big Easy" of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority, and power.

    Far more important are the Ivies. The Ivies at Claflin Academy, that is. Five girls with the same mission: to get into the Ivy League by any means necessary. I would know. I’m one of them. We disrupt class ranks, club leaderships, and academic competitions…among other things. We improve our own odds by decreasing the fortunes of others. Because hyper-elite competitive college admissions is serious business. And in some cases, it’s deadly.A thriller about teens who will stop at nothing to get into the college of their dreams. Too bad no one told them murder isn’t an extracurricular.

    In Like a House on Fire, Kennedy once again takes ordinary lives and dissects their ironies, injustices and pleasures with her humane eye and wry sense of humour. In ‘Laminex and Mirrors’, a young woman working as a cleaner in a hospital helps an elderly patient defy doctor’s orders. In ‘Cross-Country’, a jilted lover manages to misinterpret her ex’s new life. And in ‘Ashes’, a son accompanies his mother on a journey to scatter his father’s remains, while lifelong resentments simmer in the background. Cate Kennedy’s poignant short stories find the beauty and tragedy in illness and mortality, life and love.

    goes double for [Woodrell]. Possibly more."In the parish of St. Bruno, sex is easy, corruption festers, and double-dealing is a way of life. Rene Shade is an uncompromising detective swimming in a sea of filth. As Shade takes on hit men, porn kings, a gang of ex-cons, and the ghosts of his own checkered past, Woodrell's three seminal novels pit long-entrenched criminals against the hard line of the law, brother against brother, and two vastly different sons against a long-absent father.THE BAYOU TRILOGY highlights the origins of a one-of-a-kind author, a writer who for over two decades has created an indelible representation of the shadows of the rural American experience and has steadily built a devoted following among crime fiction aficionados and esteemed literary critics alike.

     After three decades of living in the sandy suburbs of Huntington Beach, Jon Vreeland’s heroin addiction has finally destroyed his once promising music career, and estranged him from his wife and his two daughters. Now Vreeland broods over his daughter’s absence while living in his old, broken-down tour van. He and Zooey Leigh—his brand new lover and longtime junkie—sell and shoot heroin in the van. They move from place to place, from crime to crime, and rob the undeserving in a brazen attempt to escape their hypodermic reality. No matter where they go or who they stay with, they always circle back to the shores of Huntington Beach, where the dark nights are their lonely playground. But Jon isn’t meant for this life. He wants nothing more than to rid himself of this nightmare, and return to his estranged family and career. This is the story of how he began to get out.