Here the father—a former high school teacher—is demeaned by the only job he can get: gravedigger and cemetery caretaker. When local prejudice and the family's own emotional frailty give rise to an unthinkable tragedy, the gravedigger's daughter, Rebecca heads out into America. Embarking upon an extraordinary odyssey of erotic risk and ingenious self-invention, she seeks renewal, redemption, and peace—on the road to a bittersweet and distinctly “American” triumph.

    That all changes when he discovers the body of the school’s highly successful but universally disliked football coach, Albert Zappala. Even more disturbing is the news that the coach, whose net worth was in the millions, was murdered. Suddenly, everyone is a suspect, including students, colleagues, and even the Sisters who run the school. Bishop’s skill in reading people is put to the ultimate test. Like Captain Ahab searching for the answers in his pursuit of the white whale, Bishop searches into the dark past for the key that will unlock the mystery. Will the truth destroy his belief in the basic goodness of man?

    But the rhythm of her life is disrupted when attorney Mitchell Reece requests her help in locating a stolen document that could cost him not only the multimillion-dollar case he's defending but his career as well. Eager to get closer to this handsome, brilliant, and very private man, Taylor signs on . . . only to find that as she delves deeper and deeper into what goes on behind closed doors at Hubbard, White & Willis, she uncovers more than she wants to kno--including a plentitude of secrets damaging enough to smash careers and dangerous enough to push someone to commit murder. Yet who is capable of going to that extreme? With her life on the line, Taylor is about to learn the lethal answer. . . ."The characters are well drawn, the plot is fast paced, and the writing avoids totally the usual trappings of blockbusterdom. . . . An intelligently written thriller."--Booklist

    He is in control. This is his revenge—and he’s only just begun.Three university scientists are found dead in a gruesome murder-suicide, and the only suspect in the case, Victor Lazar, is quickly captured. When the spate of violent suicides follows him to prison he is moved to solitary confinement, reserved for the highest-risk inmates. And then his assigned psychologist inexplicably takes his own life.Alex Madison, a former forensic psychologist turned private therapist, is brought in to interview Victor. He suspects that Victor is controlling his victims, somehow coaxing them into a suggestive trance. It seems like science fiction, but as Alex digs deeper he uncovers a frightening reality of secret research and cruel experimentation—and the perpetrators are closer to home than he could ever have imagined.Too late, Alex learns the true extent of what Victor is capable of—and who he’s after. With everything he holds dear at risk, can Alex take control of a dangerous mind—before it takes control of him?

     Part of the Storycuts series, this short story was previously published in the collection If You Liked School, You'll Love Work.

    As Sam covers a once-in-a-lifetime story---one that has turned Webster County into bedlam but is at last providing Sam with an opportunity for media stardom---he suddenly sees an even better chance: to solve his personal problems forever. But there’s another player thrust into the national spotlight along with Sam: It’s Sheriff Billy Wyatt, who’s in way over his head. The FBI is breathing down his neck, and the national press highlights his every bungle. He’s confronting a madman---and his own limits. Can he outsmart either? Out of elements that thriller readers have come to expect, Jonathan Stone has woven a story they assuredly will not expect. In whirlwind action and hurricane prose that echo the best of James Patterson and Harlan Coben, Stone is in top form here, delivering a tale about the unchecked power of the media and the unreasonable passions of fatherhood---with a payoff that will stun and startle, yet make perfect sense.

    Julia Cates was one of the country's preeminent child psychiatrists until a shocking tragedy ruined her career. Retreating to her small western Washington hometown, Julia meets an extraordinary six-year-old girl who has inexplicably emerged from the deep woods nearby—a child locked in a world of unimaginable fear and isolation. To Julia, nothing is more important than saving the girl she now calls Alice. But Julia will need help from others, including the sister she barely knows and a handsome doctor with secrets of his own. What follows will test the limits of Julia's faith and strength, as she struggles to find a home for Alice . . . and for herself.

    

    Since the death of his wife, Betsy, twelve years earlier, Harper has narrowed his world to working at the local railroad and raising his daughter, Shelly, the best way he knows how. Still wracked with sorrow over the loss of his life-long love and plagued by his role in a brutal, long-ago crime, he wants only to make amends for his past mistakes.Then one fall day, a train derails in Two Rivers, and amid the wreckage Harper finds an unexpected chance at atonement. One of the survivors, a pregnant fifteen-year-old girl with mismatched eyes and skin the color of blackberries, needs a place to stay. Though filled with misgivings, Harper offers to take Maggie in. But it isn't long before he begins to suspect that Maggie's appearance in Two Rivers is not the simple case of happenstance it first appeared to be.

    In a lonely bar in eastern Turkey, ex-National Geographic photojournalist Sam Ward is hired to find an eccentric professor who disappeared high atop Mount Ararat, fabled resting spot of Noah's Ark.Accompanied by the professor's beautiful daughter, archaeologist Faye Roberts, Sam soon stumbles upon a secret stronghold—a base of operation for unleashing hell of earth.Now running for their lives, Sam and company are about to come face-to-face with the greatest archaeological discovery of all time....

    He’s not their uncle. He’s not even related to them. In fact, he was born thousands of miles from the Philippines, the place he now calls home. No, Wade’s none of those things. He’s their Papasan. He runs the go-go bar where the girls dance and entertain. But that doesn’t make them any less than a family.And rule number one: don’t mess with the family.PERFECT GENTLEMAN is a 6000 word short story that originally appeared in the KILLER YEAR: STORIES TO DIE FOR anthology edited by Lee Child.

    But his plans to combine the life of an English squire with that of a top-flight jockey look like coming to a sticky end when he falls victim to a series of accidents that begin to seem all too deliberate. Aided and abetted by typical English rose Camilla Fielding, Jake discovers that he's been targeted by a ruthless and professional killer. And now he urgently needs to find out why...

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    Alice’s imaginary friend, Simp, has shown up, with a running commentary on her failings. ‘I mean, can you even calculate the square root of 762 anymore?’ The last time Simp was here was when Alice was seven, on the night a fire burned down the family home. Now Simp seems to be plotting something.When Alice meets a wealthugee named Pablo, she thinks she’s found a way out of her dull existence. But then she meets Pablo’s teenage daughter, Erika – an actual genius full of terrifying ambition.She’s a Killer is the story of a brilliant and stubborn slacker who is drawn into a radical action. It’s about what happens when we refuse to face our most demanding problems, told by a woman who is a strange and calculating force of chaos.‘A claustrophobic eco-thriller with a gloriously unreliable narrator, She’s a Killer is tense and sharp, and feels unnervingly prescient.’ –Brannavan Gnanalingam‘Equipped with an exhilaratingly badly-behaved protagonist, She’s a Killer builds from a slice of very strange life into a thriller by way of a succession of stunning comic set pieces. You’ll laugh—a lot. And then you’ll cry and be really surprised about it since you were laughing so much.’ –Elizabeth Knox

    She’s flying to Crete to reunite with friends she met there five years ago and relive an idyllic vacation. Basking in the warmth of the sun, the azure sea, and the aura of antiquity, she can once again pretend—for a little while—that she belongs. Her ex-boyfriend Marcus will be among them, but even he doesn’t know the secrets she keeps hidden behind a veil of lies. None of them really know her, and that’s only part of the problem.Then again, how well does she know them?When Jan awakens in utter darkness, chained to a wall, a manacle around her wrist, her echoing screams only give her a sense of how small her cell is. As she desperately tries to reconstruct what happened and determine who is holding her prisoner, dread covers despair like a hand clamped over her mouth. Because, like the Minotaur in the labyrinth in Greek myth, her captor will be coming back for her, and all the lies will catch up to her…