A life spent running from his past landed him in Driftwood, Georgia and he never wants to leave. He doesn't need bright lights or the big city to keep him happy. He likes the wide open spaces of being out in the middle of nowhere. A rare trip to town brings him face to face with the first thing to make him question his lonely life.Mollie Winters came to Driftwood to take a chance on herself. A big city girl who was born and bred in a backwoods town, she thinks she found the best of both worlds here. Mack is all brute and beard but she can't help how badly she wants him. They wind up stuck in his cabin during a storm and she wonders if she'll ever want to leave his mountain mancave.

    Christmas Eve, 1914 follows one company of British officers as they rotate forward to spend their Christmas on the front lines, a mere 80 yards from the German guns. Upper- and working-class men and boys are thrown together into one trench and struggle to survive. Beyond the exploding shells and artillery, the merciless freezing cold, extreme hunger, and crushing exhaustion, these young men - both British and German - discover a miracle of grace, as enemies becomes friends and an impossible Christmas finally arrives.Written by Emmy Award winner Charles Olivier and produced by Dawn Prestwich (The Killing) to commemorate the Christmas Truce's centennial anniversary, this astonishing moment of peace in the midst of total war is brought to life as a vivid and immersive audiodrama, featuring a full-cast performance, elaborate sound design, and an original musical score. Listeners will also enjoy a classic Christmas carol, "Il Est Ne", performed by Tom Tom Club, at the conclusion of the story.The full cast includes Damon Herriman, Cameron Daddo, Xander Berkeley, James Scott, Lance Guest, Nate Jones, Cody Fern, John Beck, Gabe Greenspan, and Heiko Obermoeller.©2014 Audible Inc. (P)2014 Audible Inc.

    Recommended for all collections." - Choice

    A wonderful Christmas read." Victoria Connelly, bestselling author of The Rose Girls. As the anticipation of Christmas builds in the Nielsen family’s cosy farmhouse, Jo, Magnus and their grown-up children begin to congregate for a hybrid Danish-Jersey festive season, each with a surprise of their own – though the surprise that arrives over Christmas is the most life-changing of all. Fifty years earlier, in 1969, Susan Jones finds herself being pursued by Mr Jenners, her former English teacher, and at the age of seventeen is packed off to a Home for Unmarried Mothers in London by her uncompromising father. As Christmas approaches, all she can do is desperately hope to be rescued, but will anyone be able to reach her in time?The two timelines of this festive story gradually weave together in a tale that examines whether love and hope can eventually triumph over even the deepest sadness.Rebecca Boxall is the award-nominated author of five bestselling novels – Christmas at the Vicarage, Home for Winter, Christmas on the Coast, The Christmas Forest and Christmas by the Lighthouse.

    Every summer a mysterious man known only as "Frank" arrives to help George Givens's grandfather with his farmwork. No one knows the hired man's last name, where he comes from, or why he always seems to be so sad. Once the season's crops are harvested, he disappears only to reappear the following summer. This routine continues for many years -- until one fateful Christmas Eve.The hired man never returns to the Givens farm after that day, and the mystery of his final disappearance seems destined to remain unsolved. Then, on Christmas Eve many years later, George serendipitously discovers the long-lost hired man's fate. This discovery teaches him a powerful lesson about the importance of family and the endurance of love."The Hired Man's Christmas" is a story of simpler times, but its message resonates across the years and in the hearts of fathers and sons even today.

    She’s going to stay in New York City and have a sane Christmas instead of enduring life at home which is bound to consist of chimney fires, questionable treats, and dysfunctional family drama. But when her family chips in for a plane ticket she finds herself back in her hometown, trying to referee between her divorced parents and avoid getting sucked into helping with Mom’s new business, Man Haters, Inc., while keeping the sibling rivalry to a minimum. Hardest of all is trying to ignore the fact that she’s still drawn to Gabe Knightly, the man who was the love of her life... until he dated both her best friend and her sister. This is going to be the worst Christmas of her life. Or is it? ABOUT THE AUTHOR Sheila Roberts is a best-selling women’s fiction writer. Her books have been printed in a dozen different languages and been made into movies both for the Lifetime and Hallmark channels.

    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    W. H. Auden had recently moved to America, fallen in love with a young man to whom he considered himself married, rethought his entire poetic and intellectual equipment, and reclaimed the Christian faith of his childhood. Then, in short order, his relationship fell apart and his mother, to whom he was very close, died. In the midst of this period of personal crisis and intellectual remaking, he decided to write a poem about Christmas and to have it set to music by his friend Benjamin Britten. Applying for a Guggenheim grant, Auden explained that he understood the difficulty of writing something vivid and distinctive about that most clich�d of subjects, but welcomed the challenge. In the end, the poem proved too long and complex to be set by Britten, but in it we have a remarkably ambitious and poetically rich attempt to see Christmas in double focus: as a moment in the history of the Roman Empire and of Judaism, and as an ever-new and always contemporary event for the believer. For the Time Being is Auden's only explicitly religious long poem, a technical tour de force, and a revelatory window into the poet's personal and intellectual development. This edition provides the most accurate text of the poem, a detailed introduction by Alan Jacobs that explains its themes and sets the poem in its proper contexts, and thorough annotations of its references and allusions.

    EARLY WORKS: ACTOS, BERNABE AND PENSAMIENTO SERPENTINE is three books in one: 1) a collection of one act plays by Valdez and the famous farmworker theater, El Teatro Campesino, 2) one of the first fully realized, full-length plays by Valdez alone, and 3) an original narrative poem by Luis Valdez. In the first part are collected the original, improvised works of El Teatro Campesino that deal with the exploitation of Mexican farm labor in the California fields, the discrimination found by Mexicans in the schools, and Mexicans being turned into cannon fodder by the U.S. Army in Vietnam. Bernabe is a touching, Lorcaesque poetic drama about a town fool's enchantment and ultimate unity with the earth. Pensamiento serpentino is a long, philosophical poem, based on Mayan thought and cosmology, which analyzes the cultural, religious and political circumstances of Mexican Americans and prepares a metaphysical framework for their future.

    Winner of three Tony Awards, including Best Book, Urinetown is a tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold.

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

    During a short trip, the reindeer landed and refused to fly again. This has never happened before and Crosby doesn’t know what to do. Normally, this wouldn’t be a problem but the snowstorm moving in means the small town he landed is has shut down. He’s stranded with no clothes, money, identification, or a way to get home. Holly Yule was enjoying a slow day at her job when a crash outside turns her world upside down. There’s a shifter outside who needs help but she isn’t sure she should trust him. What’s a reindeer doing in her backyard? She doesn’t want to help but the police are too busy with accidents to get to her anytime soon. She can’t just leave him to freeze outside but she isn’t sure what she should do to help him. While she hatches a plan, Crosby has other things on his mind. Namely, figuring out why his reindeer had to land in this very spot, on this very day. After seeing the lovely Holly, he’s starting to have a very good idea of what his animal had on its mind. The most important thing to any shifter, mate.

    Book by McLure, James

    today."   -Gerald Horne, author of The Counter-Revolution of 1776:  Slave Resistance and the Origins of the USA This powerful play, originally produced at the Nuyorican Poets Café, comprehensively dismantles the phenomenon of Lin-Manuel Miranda and Hamilton. Reed uses the musical’s crimes against history to insist on a radical, cleareyed way of looking at our past and our selves. Both durable and timely, this goes beyond mere corrective – it is a meticulously researched rebuttal, an absorbing drama, and brilliant rallying cry for justice. The perfect tie-in to both the success of and backlash to Hamilton, it is the major voice in contrast to the recent movie. It captures both the earnest engagement that fans of the musical desire, as well as the exhausted disbelief of those who can’t stand it. Teachers, students and fans of drama, literature, and history will find much to love. It is written by one of America’s most respected and original writers, who is eagerly promoting it, and who is long overdue for a renaissance.