Each book describes a classic novel and drama by explaining themes, elaborating on characters, and discussing each author's unique literary style, use of language, and point of view. Extensive illustrations and imaginative, enlightening use of graphics help to make each book in this series livelier, easier, and more fun to use than ordinary literature plot summaries. An unusual feature, "Mind Map" is a diagram that summarizes and interrelates the most important details that students need to understand about a given work. Appropriate for middle and high school students.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The perfect companion to Harper Lee's "To Kill a Mockingbird," this study guide contains a chapter by chapter analysis of the book, a summary of the plot, and a guide to major characters and themes.BookCap Study Guides do not contain text from the actual book, and are not meant to be purchased as alternatives to reading the book.

    NOTES ABOUT To Kill a MockingbirdNOT the book To Kill a Mockingbird by Harper Lee

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    

    In this ultimate collection you will find 25 works by the amazing Victorian novelist- Thomas Hardy! All in one elegantly formatted Book for ease of use and enjoyment on your Kindle device works include : 13 Novels • FAR FROM THE MADDING CROWD • THE RETURN OF THE NATIVE • THE MAYOR OF CASTERBRIDGE • TESS OF THE D'URBERVILLES • JUDE THE OBSCURE • DESPERATE REMEDIES • A PAIR OF BLUE EYES • UNDER THE GREENWOOD TREE • THE WOODLANDERS • A LAODICEAN: A STORY OF TO-DAY • THE TRUMPET-MAJOR JOHN LOVEDAY • THE HAND OF ETHELBERTA • TWO ON A TOWER A dozen minor novels • A CHANGED MAN AND OTHER TALES ++ also a little bonus a Thomas Hardy Biography with links for further reading enjoy !!

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    The novel was so successful that it had earned him a Pulitzer Prize back in 1961. The story of the novel revolves around historical background of American society in the middle of 20th century, prior to the African-American Civil Rights Movement, which was largely led by racism and the cruel regime of white people towards the colored minority. Main character of the novel is a woman nicknamed Scout and her family that, unlike many other white families from that time, raise their voices against the justice system which proclaims racism against African-American people. Read more....

    

    His action-packed stories dealt with eternal themes: honor, deceit, passion, betrayal, loyalty, courage, love. His settings were historically accurate, his prose riveting, and his characters colorful: good guys, bad guys, tough, roughs, sidekicks, and saints. TRAIL MIX II gathers four popular Louis L'Amour stories, performed by Willie Nelson: "Mistakes Can Kill You," "The Nester and the Piute," "Trail to Pie Town," and "Big Medicine."

    Literature and film adaptations studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on several film versions and adaptations, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are many references to the literary text and screenplays and the book also features quotations from directors, critics and others linked with the chosen film and text.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    

    Excerpt and one of them, Gavin, was reputed to be the strongest man in the neighborhood. The daughter, a long-limbed slip of a girl who rode like a cow-puncher, was about the boy's age. Though Godfrey French had a ranch it was worked scarcely at all. The boys did not like work, and apparently did not have to. Godfrey French was reputed to have money. His ranch was a hang-out for what were known as "remittance men," young Englishmen who received more or less regular allowances from home--or perhaps to keep away from home. There were rumors of gambling and hard drinking at French's ranch. "Well, I'll take you home," the boy said. "You can ride my pony. He's on a rope a mile from here. But I'll have to hang up this buck, or the coyotes will chew him." He found two small saplings close together, bent them down, trimmed them and lashed their tops. Over these he placed the tied legs of the buck. With a little search he found a long dry pole. With this he had a tripod. As he hoisted with the pole the spring