I. Lonoff, he soon finds himself enmeshed in the great Jewish writer's domestic life, with all its complexity, artifice and drive for artistic truth. As Nathan sits in breathlessly awkward conversation with his idol, a glimpse of a dark-haired beauty through a closing doorway leaves him reeling. He soon learns that the entrancing vision is Amy Bellette, but her position in the Lonoff household - student? mistress? - remains tantalisingly unclear. Over a disturbed and confusing dinner, Nathan gleans snippets of Amy's haunting Jewish background, and begins to draw his own fantastical conclusions...

    He doesn't solve problems, enforce rules or arrest criminals. He knows that nobody in tiny Potts County actually wants to follow the law and he is perfectly content lazing about, eating five meals a day, and sleeping with all the eligible women.Still, Nick has some very complex problems to deal with. Two local pimps have been sassing him, ruining his already tattered reputation. His girlfriend Rose is being terrorized by her husband. And then, there's his wife and her brother Lenny who won't stop troubling Nick's already stressed mind. Are they a little too close for a brother and a sister? With an election coming up, Nick needs to fix his problems and fast. Because the one thing Nick does know is that he will do anything to stay sheriff. Because, as it turns out, Sheriff Nick Corey is not nearly as dumb as he seems.In Pop. 1280, widely regarded as a classic of mid-20th century crime, Thompson offers up one of his best, in a tale of lust, murder, and betrayal in the Deep South that was the basis for the critically acclaimed French film Coup de Torchon.

    Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    Once on board, Tess catches the eye of two men, one a roughly-hewn but kind sailor and the other an enigmatic Chicago millionaire. But on the fourth night, disaster strikes.Amidst the chaos and desperate urging of two very different suitors, Tess is one of the last people allowed on a lifeboat. Tess’s sailor also manages to survive unharmed, witness to Lady Duff Gordon’s questionable actions during the tragedy. Others—including the gallant Midwestern tycoon—are not so lucky.On dry land, rumors about the survivors begin to circulate, and Lady Duff Gordon quickly becomes the subject of media scorn and later, the hearings on the Titanic. Set against a historical tragedy but told from a completely fresh angle, The Dressmaker is an atmospheric delight filled with all the period's glitz and glamour, all the raw feelings of a national tragedy and all the contradictory emotions of young love.

    Riding to Texas to buy some cattle, the best gunsmith in St. Joseph, Missouri, gets waylaid by a pack of murdering outlaws. His lifeless body is left dangling at the end of a rope, robbing his family of a loving husband and father.Now a mysterious gunslinger is on the vengeance trail, packing Daniel Strange's Colt and answering to the same name. With fiery green eyes and a temper to match, the vigilante won't stop until every last man who killed Daniel Strange shares the same fate. And as each bullet finds its mark, the avenger's victims die never knowing the truth: Daniel Strange may be dead and buried, but his daughter is alive -- and killing.

    The book details the history of the penguins and is written as a critique of human nature, and is also a satire on France's political history, including the Dreyfus affair. Morals, customs and laws are satirised within the context of the fictional land of Penguinia, where the animals were baptised erroneously by the myopic Abbot Maël. The book is ultimately concerned with the perfectibility of mankind. As soon as the Penguins are transformed into humans, they begin robbing and murdering each other. By the end of the book, a thriving civilization is destroyed by terrorist bombs.

    Mark Bradley in London she was only eighteen. She and her mother were both attracted by "Brad," and the situation thus engendered proved fateful, since it led to Brad's association with a great Viennese physicist and to his involvement in a tragic drama. But there was another drama, larger and less personal, that drew him into its widening orbit, a drama that became a secret and later an obsession.Probing yet protective, Jane's love makes the strong thread in a pattern of deeply moving and significant events—strange events, too—and yet, to quote Daniel Webster, there is often "nothing so strange" as the truth.Although the earlier scenes of Nothing So Strange are laid abroad, its outlook is American and its climax could only have taken place in America. It is as exciting and as human as anything Mr. Hilton has ever written.

    Driven by the idealism that infected many young Americans at the time (including Ernest Hemingway), author John Dos Passos joined the Ambulance Corps. His rapid and profound disillusionment forms the core of this fierce denouncement of the military and of the far-reaching social implications of its exploitation of young men. 400 pp.

    She was not supposed to slide down drainpipes, play baseball in Central Park, or, worst of all, want to teach. Teaching was for impoverished young relatives, not for the heiress of the Brightingham fortune. When her father suddenly dies, leaving her wicked Uncle Edward as her trustee, she must resist his attempt to force her into a marriage that would bring her misery, no matter what the cost. She decides to leave the world behind. Julietta trades her fashionable dresses and dainty dancing shoes for serviceable travel clothes and sturdy boots. Dying her blond hair brown and donning her glasses, she travels incognito across the country to Grey Eagle, Montana, as Julie Bright, planning to take the position of school teacher, to begin a new life. But the handsome and dedicated young Sheriff, Jack White, takes one look at her and wants to send her packing. She is not what he expected as a teacher for his fledgling town. He knows trouble when he sees it. But for some reason, no matter what his instincts, he cannot make her leave. When the past finally catches up with her, he knows he'd move heaven and earth to keep her safe, and make her stay.

    Family, friends and farms lost in the conflict, they’ve been drifting for the past decade—driving sheep, punching cattle, chasing Indians. It pays a man’s bills, mostly… but just mostly. More than panning for gold, it turns out, though that had seemed like a good idea at the time.And so they find themselves in the Dakota Territory, looking at a cold December with empty pockets and emptier prospects. Which is how otherwise (mostly) upstanding southern gentlemen come to contemplate signing-on as hired guns for a train robbery.If the robbery came off well, no one was double-crossed, and the boys retired to live a comfortable life south of the border, it wouldn’t be much of a Western. Fortunately, Lansdale knows better, and has written a rip-roarer. You probably guessed that from the title, though. Long-unavailable, having fallen between the cracks of the publishing industry, Joe R. Lansdale's Blood Dance is a genuine Western Adventure to rival any of the classics. Fans of Zane Grey and Louis L'Amour, take note.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    The novel follows Peony, a Chinese bondmaid of the prominent Jewish family of Ezra ben Israel's, and shows through her eyes how the Jewish community was regarded in Kaifeng at a time when most of the Jews had come to think of themselves as Chinese.

    But even though this gutsy 14-year-old is seeking vengeance, she is smart enough to figure out she can't go alone after a desperado who's holed up in Indian territory. With some fast-talking, she convinces mean, one-eyed US Marshal "Rooster" Cogburn into going after the despicable outlaw with her.

    . . . Vivid characters. . . . Enthralling reading.”—The Miami Herald “Compelling. . . . That Vida brings so much fresh energy to the timeworn Western genre—complex characters, engaging stories, cutting-edge historical revisionism—is no small feat.”—Austin American-Statesman “An imaginative and thoroughly researched tale driven by intriguing characters.”—Denver Post “Should be placed on the same shelf with Lonesome Dove, Texas, and Pale Horse, Pale Rider.”—The Monitor (Texas) When cholera strikes San Antonio in 1843, Aurelia Ruiz discovers that she might have the power to heal—and also to curse. Meanwhile, Joseph Kimmel, a schoolteacher in Missouri and the son of a Polish Jew, learns of his brother’s death in San Antonio and sets off for Texas. On his way, a runaway slave steals his horse. After being rescued by Henry Castro, a man who is importing immigrants to populate his planned city, Castroville, Joseph agrees to marry a young Alsatian girl to save her from a Comanche chief who has demanded her. Then Joseph encounters Aurelia and becomes enamored with her. Comanches, Tonkaways, Mexican vaqueros, immigrant farmers, and runaway slaves all play a part in Joseph’s rebirth as a rancher, but when a renegade band of Texas Rangers descends upon the ranch, everything changes. Nina Vida is the author of six previous novels: Scam, Return from Darkness, Maximillian’s Garden, Goodbye Saigon, Between Sisters, and The End of Marriage. She lives with her husband in Huntington Beach, California.From the Trade Paperback edition.

    She leaves her San Francisco home to join Behan in Tombstone, Arizona, a magnet for miners (and outlaws) attracted by the silver boom. Though united by the glint of metal, Tombstone is plagued by divided loyalties: between Confederates and Unionists, Lincoln Republicans and Democrats.But when the silver-tongued Behan proves unreliable, it is legendary frontiersman Wyatt Earp who emerges as Josephine’s match. As the couple’s romance sparks, Behan’s jealousy ignites a rivalry destined for the history books…At once an epic account of an improbable romance and a retelling of an iconic American tale, The Last Woman Standing recalls the famed gunfight at the O.K. Corral through the eyes of a spunky heroine who sought her happy ending in a lawless outpost—with a fierce will and an unflagging spirit.