Time falls away as she confronts perils far beyond mortal comprehension and must finally make the decision she has been avoiding for almost a millennium.

    Marian cut herself off from her wealthy, conservative Irish Catholic family when she volunteered during the Spanish Civil War--an experience she has always kept to herself. Now in her nineties, she shares her Rhode Island cottage with her granddaughter Amelia, a young woman of good heart but only a vague notion of life's purpose. Their daily existence is intertwined with Marian's secret past: the blow to her youthful idealism when she witnessed the brutalities on both sides of Franco's war and the romance that left her trapped in Spain in perilous circumstances for nearly a decade. When Marian is diagnosed with cancer, she finally speaks about what happened to her during those years--personal and ethical challenges nearly unthinkable to Amelia's millennial generation, as well as the unexpected gifts of true love and true friendship. Marian's story compels Amelia to make her own journey to Spain, to reconcile her grandmother's past with her own uncertain future. With their exquisite female bond at its core, this novel, which explores how character is forged in a particular moment in history and passed down through the generations, is especially relevant in our own time. Its call to arms--a call to speak honestly about evil when it is before us, and equally about goodness--will linger long with its readers.

    Award-winning journalist Mara Leveritt's The Devil's Knot remains the most comprehensive, insightful reporting ever done on the investigation, trials, and convictions of three teenage boys who became known as the West Memphis Three.For weeks in 1993, after the murders of three eight-year-old boys, police in West Memphis, Arkansas seemed stymied. Then suddenly, detectives charged three teenagers, alleged members of a satanic cult, with the killings. Despite the witch-hunt atmosphere of the trials, and a case which included stunning investigative blunders, a confession riddled with errors, and an absence of physical evidence linking any of the accused to the crime, the teenagers were convicted. Jurors sentenced Jason Baldwin and Jessie Misskelley to life in prison and Damien Echols, the accused ringleader, to death. The guilty verdicts were popular in their home state, even upheld on appeal, and all three remained in prison until their unprecedented release in August 2011.With close-up views of its key participants, this award-winning account unravels the many tangled knots of this endlessly shocking case, one which will shape the American legal landscape for years to come.

    In this crisis, one man stood out as the great defender of tradition: Sir Thomas More.Portrait of an Unknown Woman is historical fiction at its best, rich in detail and observation that dares to choose as its setting the household of More. It is a novel that unfolds from an oblique angle, revealing itself not through More's eyes but through the eye of his young ward, Meg Giggs -- the unknown woman. Meg is a wholly realized creation, a young, headstrong woman schooled from childhood in the healing arts. A woman who, in time, will be torn between her loyalty, duty, and devotion to the More family and the call of her passions and conscience. Two men will vie for the heart and mind of young Meg: John Clement, her former tutor, a quiet man with a past shrouded in mystery; and Hans Holbein, the famous artist who twice painted portraits of More and his family.In Portrait of an Unknown Woman, Bennett has penned a suspenseful family drama with countless twists and turns, a revealing lesson on art and painting, and a most satisfying love story, all set against and within the rich historical time and tapestry of Tudor England. A remarkable debut novel.

    Disappointed by the decayed state of England under Richard II, he visits a tavern inside Eastcheap, where a beggar comes to his table and claims to be Thomas Page, the famous soldier of fortune. Thought to be long-dead, Page was otherwise known as the Half-Hanged Man or The Wolf of Burgundy.Froissart challenges the beggar to recite a convincing version of Page's life, with money and food as a reward if his tale rings true. So begins a tale that encompasses the Hundred Years War in England and France, the Free Companies as they rampaged throughout Western Christendom, and the deeds and sins of the great mercenary captains of the late 14th century...

    Her crime—the gruesome murders of dozens of female servants, mostly young girls tortured to death for displeasing their ruthless mistress. Her opponents painted her as a bloodthirsty škrata—a witch—a portrayal that would expand to grotesque proportions through the centuries.In this riveting dramatization of Erzsébet Báthory’s life, the countess tells her story in her own words, writing to her only son—a final reckoning from his mother in an attempt to reveal the truth behind her downfall. Countess Báthory describes her upbringing in one of the most powerful noble houses in Hungary, recounting in loving detail her devotion to her parents and siblings as well as the heartbreak of losing her father at a young age. She soon discovers the price of being a woman in sixteenth-century Hungary as her mother arranges her marriage to Ferenc Nádasdy, a union made with the cold calculation of a financial transaction. Young Erzsébet knows she has no choice but to accept this marriage even as she laments its loveless nature and ultimately turns to the illicit affections of another man. Seemingly resigned to a marriage of convenience and a life of surreptitious pleasure, the countess surprises even herself as she ignites a marital spark with Ferenc through the most unromantic of acts: the violent punishment of an insolent female servant. The event shows Ferenc that his wife is no trophy but a strong, determined woman more than capable of managing their vast estates during Ferenc’s extensive military campaigns against the Turks. Her naked assertion of power accomplishes what her famed beauty could not: capturing the love of her husband. The countess embraces this new role of loving wife and mother, doing everything she can to expand her husband’s power and secure her family’s future. But a darker side surfaces as Countess Báthory’s demand for virtue, obedience, and, above all, respect from her servants takes a sinister turn. What emerges is not only a disturbing, unflinching portrait of the deeds that gave Báthory the moniker “Blood Countess,” but an intimate look at the woman who became a monster.

    But elsewhere, there are those experimenting with more sinister forces.Amongst the crowded, sprawling tenements of the labyrinthine Old Town, a body is found, its neck torn to pieces. Charged with investigating the murder is Adam Quire, Officer of the newly- formed Edinburgh Police. The trail will lead him into the deepest reaches of the city's criminal underclass, and to the highest echelons of the filthy rich.Soon Quire will discover that a darkness is crawling through this city of enlightenment -- and no one is safe from its corruption.The Edinburgh Dead is a powerful fusion of gothic horror, history, and the fantastical.

    With no beauty, and few prospects, she was lucky to discover a lucrative talent - she can make people laugh. Now the queen of London's music hall stage, Dot feels she's not done badly. She has her audience, her independence, and enough money for champagne: a good life. Pretty, popular orphan Kate Eddowes was an unlikely childhood friend for Dot. The older girl's beauty was bound to take her places, and sure enough Kate soon left, lured away by love and the prospect of adventure. A chance encounter on a London street years later makes it clear that Kate's life has not gone according to plan. Though poor and alone, she retains her indomitable spirit. But this is Whitechapel in 1888, and the shadowy streets are no place for a desperate woman to wander...With her inimitable sharpness and wry wit, Laurie Graham brings to life the bustling pleasures and not-so-hidden dangers of life in a crowded city with its extremes of poverty and wealth. And all the while, in the shadows, lurks the lacerating threat of the Ripper.

    . . and it keeps coming and coming and coming. . . . William Shakespeare was one of history's greatest writers, a master of words with a body of work that is truly impressive . . . some may say a little too impressive for a single man to accomplish in one lifetime. Perhaps, as many have speculated, he had assistance. Or perhaps the explanation is more . . . unusual.  Who was William Shakespeare? Who was the Dark Lady of the Sonnets? Why are the undead stalking the alleyways of London? And can they be stopped? Something is definitely rotten in the state of Denmark.  So brace yourself for a wild ride through twisted streets and shadowed graveyards of Elizabethan London, where you'll discover how the Bard got his Bite.

    How could it all have gone differently?—the narrator asks in the intermezzos. The first chapter begins with the death of a baby in the early twentieth-century Hapsburg Empire. In the next chapter, the same girl grows up in Vienna after World War I, but a pact she makes with a young man leads to a second death. In the next scenario, she survives adolescence and moves to Russia with her husband. Both are dedicated Communists, yet our heroine ends up in a labor camp. But her fate does not end there….A novel of incredible breadth and amazing concision, The End of Days offers a unique overview of the twentieth century.

    Extensively researched and compellingly told, it introduces us to the passionate drama and violent upheaval of eleventh-century Europe. The world as we know it, and the English language, would have been vastly different were it not for the driving ambition of one man: William the Conqueror. But conquerors are made, not born, and William was made in fire and blood. How does a boy become a man, surviving a tumultuous and terrifying childhood? And how does that man become a legend? William Rising plunges us into this world of danger and betrayal, of choosing sides and dying for absolutes. It follows the creation of a conqueror, as he grows up abandoned, learns to fight at an early age for anything he hopes to keep, and is sculpted into a remorseless, far-sighted, ruthlessly efficient soldier and statesman. From his origins as an orphaned, penniless bastard boy, to his personal and political trials by fire, to the climactic battle with his rebellious barons where he finally comes of age, the young duke increasingly establishes himself as a force to be reckoned with. But as the shadowy intrigues of English politics, and the all-consuming question of an heir for a childless king, begin to draw him into their web, it may just be that William of Normandy has a destiny far greater than even he has ever dreamed.

    He is also the heir to a considerable fortune - a fortune that is being administered by a board of trustees until he comes of age. At night, he is becoming increasingly disturbed by a strange presence - a mysterious shadow thrown by the moonlight through a gap in the blackout curtains. He is convinced the shadow is cast by a malevolent and unnatural entity trying to get into his room. Toby is unable to convince anyone of the reality of this entity, and slowly comes to believe that there is a ploy against him, a plot to send him mad, or to make it appear that he is already mad in order to usurp his fortune. Is this some form of hallucination? Is this unearthly creature real or a product of his imagination? Are the people caring for him actually plotting his destruction, or are they sincerely concerned for a young man whose grip on sanity is steadily weakening?With themes of love, madness, Communism, Satanism and Freemasonry, Wheatley builds his trademark atmosphere of menace, suspicion and supernatural dread.

    Was Victoria really the assassin’s target? Are those closest to the Crown hiding something? And who is the shadowy figure witnesses describe as having lifeless, coal-black eyes?Soon, Field’s investigation exposes a shocking conspiracy in which the publication of Charles Darwin’s controversial On the Origin of Species sets off a string of murders, arson, kidnapping, and the pursuit of a madman named the Chorister. As the investigation takes Field from the dangerous alleyways of London to the hallowed halls of Oxford, the list of possible conspirators grows, and the body count escalates. And as he edges closer to the Chorister, he uncovers dark secrets that were meant to remain forever hidden. Tim Mason has created a rousing page-turner that both Charles Dickens and Sir Arthur Conan Doyle would relish and envy.

    The note passed from hand to hand until the pharaoh Thutmose III buries it forever. A demon-goddess board promises to her faithful servant, Seneptha. But he dies at the hands of the warrior Karemheb, Guardian of the Valley of the Kings. The goddess takes revenge by sending him murdered and buried in the tomb of his devotee.

    The book is a frame narrative primarily depicting a fictional island society as described by the character Raphael Hythloday who lived there some years, who describes and its religious, social and political customs.