"Each family," writes the author, "stood confident of being able to go on with what was theirs, while in fact they were playthings, often victims, of the now united Germany and what was brewing therein." Did the monstrous thing that followed have its foundation in families such as these? "Writing about them made me think so. Hence the title."

    Yonatan is a marginal writer, a fifty-year-old widower left to raise his child alone. When he meets Shira, a bestselling author paralyzed by stage fright, the thaw begins as man, woman, and girl enter a halting romance, alternately tender and belligerent, generous and withdrawn. To the accompaniment of a full chorus of voices-of friends, neighbors, ex-lovers, parents-speaking from the past as well as the present, this family in the making gropes its way toward the comfort of love while navigating through ordinary pains: a dying father, angry children, wounding moments, and a distressing difference in the writers' levels of success which they wish would vanish even as it grows. An ensemble story marked by Yael Hedaya's exquisite sensitivity, "Accidents" follows its cast through fragility, vulnerability, and joy, accruing the small events of unremarkable days to produce a grand vision of the shared life. Rarely has the fictional world of family been plumbed with such knowingness, humor, and love.

    Charlotte is ecstatically in love with Geoffrey; Peter prepares for the day when he will inherit the family distillery, while Andrew, gregarious and fun-loving, is already turning heads and hearts. Nell, the youngest, contents herself with daydreams of a handsome highlander. The Great War, however, has no respect for family life. As those carefree pre-war days fade, with death and devastation brought in their wake, the Drummonds are plunged into the horrors of the trenches in France. Yet those who survive discover that love can transcend class, creed, and country.

    It had become a silhouette barely distinguishable against the darkening twilight sky, but Lemp was close enough to see the foaming white wave thrown up by its bow. He smiled when the spray arched higher, signaling the ship had begun changing course again.“You’re right on schedule,” he said to the image in his eyepiece.Lemp’s pulse quickened with the knowledge that his war was about to begin . . .On September 1, 1939, the passenger liner Athenia set sail from Glasgow for Montreal by way of Belfast and Liverpool. She carried 1,100 passengers, nearly three-quarters of whom were women and children. On September 3, Athenia was torpedoed by a German submarine. In Without Warning, author Thomas C. Sanger tells the harrowing story of the sinking of the Athenia from the perspective of eight people: six passengers, Athenia’s chief officer, and the commander of the German U-boat.Based on accounts written by passengers, personal interviews with survivors and descendants of survivors, books, newspaper stories, and original documents, Without Warning honors the memory of Athenia’s passengers, both living and dead.

    Jem Phipps has always loved Katy. His proposal of marriage rescues her from scandal but after tragedy strikes, Jem becomes a reluctant soldier on the battlefields of The First World War, leaving Katy behind, restless and alone. Lionel White, the local curate, has just returned from India bringing a dash of colour to the small village and offers Katy a window on the wider world. Only when Katy joins up as a WAAC girl does she finally break free from the stifling class-ridden hierarchies that bind her but the brutality of 20th-century global war brings home the price she has paid for her search. Through the horrors of WW1, she discovers only love brings freedom. In essence, Daffodils is a love story, whose tender heart is almost torn apart through this tumultuous time. COMPLETELY REVISED EDITION

    The Great War is over, but for Harriet Agnes McDougall its effects endure. Plagued by the need to understand how her middle son, Malcolm came to meet his death in the Belgian trenches, Harriet must embark on a voyage of discovery to retrace her son’s movements. With peace now prevailing across Europe, her investigations lead her to Flanders, still scarred by the effects of the recent war. As she uncovers the circumstances surrounding Malcolm’s death, she encounters various dispossessed young men, who are returned from war only to find that they seem no longer to have a place in this altered society; something which Harriet determines to address.

    After conquering the Roman city of Saguntum, Hannibal wages his campaign through the outposts of the empire, shrewdly befriending peoples disillusioned by Rome and, with dazzling tactics, outwitting the opponents who believe the land route he has chosen is impossible. Yet Hannibal's armies must take brutal losses as they pass through the Pyrenees mountains, forge the Rhone river, and make a winter crossing of the Alps before descending to the great tests at Cannae and Rome itself. David Anthony Durham draws a brilliant and complex Hannibal out of the scant historical record?sharp, sure-footed, as nimble among rivals as on the battlefield, yet one who misses his family and longs to see his son grow to manhood. Whether portraying the deliberations of a general or the calculations of a common soldier, vast multilayered scenes of battle or moments of introspection when loss seems imminent, Durham brings history alive.

    Her father has gone to bring home a son missing because of the war. Loyal servants give her support and comfort and are at her side when she learns of her father’s death. She promises to fulfill her father’s dream but someone doesn’t want her to, the one person she should be able to trust. He sets out to defeat her until another man, a Northern stranger, comes to her aid.

    The time of the story is in the 6th century B.C.E, long before that favorite trio of fiction writers of ancient Rome - Julius Caesar, Mark Anthony and Cleopatra - whose actions caused the fall of the Republic. It is the story of a fictional character but within the framework of the historical record (what little there is) and includes the well known names of that time, including Lucius Junius Brutus and Lucius Tarquinius Collatinus, the first Consuls of the Republic, and Tarquinius Superbus, the overbearing King with the insatiable appetite for conquest. And of course, the person of Lucretia, the wife of Collatinus - that woman of many romantic myths and tragic tales of that time.

    

    Written in the fifth century BC, this play concerns the predicament of the outcast hero, Philoctetes, whom the Greeks marooned on the island of Lemnos and forgot about until the closing stages of the Siege of Troy. Abandoned because of a wounded foot, Philoctetes nevertheless possesses an invincible bow without which the Greeks cannot win the Trojan War. They are forced to return to Lemnos and seek out Philoctetes' support in a drama that explores the conflict between personal integrity and political expediency.Heaney's version of Philoctetes is a fast-paced, brilliant work ideally suited to the stage. Heaney holds on to the majesty of the Greek original, but manages to give his verse the flavor of Irish speech and context.

    A dizzyingly intelligent political satire on the (ir)resistibleness of political thuggery, Arturo Ui satirizes the rise of Hitler in Nazi Germany by dressing it up as “the gangster film” we thought we knew. In Arturo Ui, the metamorphosis of thug-to-politician through corruption, intimidation and all manner of brutality is thinly masked by a Chicago gangland epic where the young Arturo Ui stages a violent takeover of the green grocer trade.

    Presidential candidate. Murderer. Unpunished is a tale of murder, ambition, corruption, and the redemptive power of love. Leonard Pilcher, a scion of entitlement and privilege, is a congressman, presidential candidate...and a murderer. As an American pilot interned in Sweden during WWII, he kills one of his own crewmen and gets away with it, without suspicion. Two people have witnessed the murder--American airman Joe Gelardi and his secret Swedish lover, Pola Nilsson-MacLeish--but they cannot speak out without paying a devastating price. Tormented by their guilt and separated by a vast ocean after the war, Joe and Pola maintain the silence that haunts them both...until 1960, when Congressman Pilcher's campaign for his party's nomination for president gains momentum. As he dons the guise of war hero, one female reporter, anxious to break into the "boy's club" of TV news, fights to uncover the truth against the far-reaching power of the Pilcher family's wealth, power that can do any wrong it chooses--even kill--and remain unpunished. Just as the nomination seems within Pilcher's grasp, Pola reappears to enlist Joe's help in finally exposing Pilcher for the criminal he really is. As the passion of their wartime romance rekindles, they must struggle to bring Pilcher down before becoming his next victims.

    Talk of Dumb Lukey's crazed acts and the romance between Lucinda and Joe Lee, the Thames bargee. Talk of the Crimea and the terror of Napoleon.At the tavern, hard-headed Beatrice and her sister Dot care for their invalid father and for Lucinda, their pretty orphaned niece. The inn is their livelihood but village business is ever Beat's business too. And now some dark cloud has descended on them all . . .

    The war ends, and Lexie awaits his return. Other soldiers are making it home, but Reese is missing. She leaves New Orleans and travels back to Azalea Plantation in Vicksburg, Mississippi, to await his return, busying herself with restoring the plantation after the war. Lexie clings to faith and hope and refuses to give up on Reese even though she's heard the stories about prisoners-of-war and the explosion of the Sultana. The family decides to visit Azalea Plantation. Will it be for a funeral or a wedding? Reese has still not shown when they are all gathered together. Is it possible for a country to be restored like a plantation home?