From Nobel laureates to debut novelists, international translations to investigative journalism, each issue of Granta turns the attention of the world's best writers on to one aspect of the way we live now. Granta does not have a political or literary manifesto, but it does have a belief in the power and urgency of the story and its supreme ability to describe, illuminate and make real.This winter issue includes reportage from Oliver Bullough in the Cayman Islands; Joseph Z�rate in the Amazon; and John Ryle on global conservationist struggles over white rhinos.Plus, new fiction from Jason Ockert.

    Growing up without a father, Merryn is used to barely scraping a living and her mother has always instilled pride and honesty in her. But she dreams of one day having more in life.So when she gets the chance at a job in a nearby city she jumps at the chance, despite her mother's reservations. However, once out of her village she begins to uncover long-buried secrets about her past that threaten to unravel everything that she thought she knew.

    he is later found in a vegetative state at a railway station, where an old rag-picker takes him to his home where Mumukshu gradually recovers.Eventually, the old man dies leaving Mumukshu alone once again. slowly Mumukshu realizes that the old man was much wiser than what he appeared to be. he soon starts teaching the slum children from where he is eventually invited to serve in well known NGO.With his focus and dedication, Mumukshu becomes a well - known personality, yet he still feels a void inside him. One day almost 25 years post fateful incident of his wife's demise, Mumukshu meets tara, a young reporter, who constantly reminds him of his late wife. As the bond between the two grows, Mumukshu must find out the truth behind the same and decode the mysteries of life as he stands at the crossroads once again.About the Author:Niles is a writer, a poet a philanthropist but most importantly a seeker. His first book " Ladakh: Chronicles from the land of lamas " which was published in 2009. "Beyond The Night. Before the Dawn" is an attempt from him to share his experiences and learnings through the aid of a comprehensible fictional narrative of love story stretching beyond life.

    The selection of the "Beirut 39" follows the success of a similar competition in the 2007 World Book Capital, Bogotá, celebrating achievements in Latin American literature.This year, for the first time, the winners--nominated by publishers, literary critics, and readers across the Arab world and internationally, and selected by a panel of eminent Arab writers, academics, and journalists--will be published together in a one-of-a-kind anthology. Edited by Samuel Shimon of Banipal magazine, the collection will be published simultaneously in Arabic and English throughout the world by Bloomsbury and Bloomsbury Qatar Foundation Publishing.Beirut 39 provides an important look at the Arab-speaking world today, through the eyes of thirty-nine of its brightest young literary stars.

    Fate paves a strange and mystical path through dark and uncertain times, when the split powers of Upper and Lower Egypt compete for sovereignty over a realm plagued by instability, rebellion and fear. Two kings and their kingdoms battle over one dream—-a dream threatened by shifting allegiances and foreign invasion. Khu is a story of a boy who becomes a warrior amid tragedy and triumph. It is a tale of virtue vice and valor, where the destiny of a divided nation is inextricably linked to that of the boy Khu, in the struggle to restore Egypt to a unified and glorious kingdom.

    Two of the three novellas here have never before been published in English, and all of them show an early preoccupation with the themes-illness and madness, isolation, tragic friendships-that would obsess Bernhard throughout his career. Amras, one of his earliest works, tells the story of two brothers, one epileptic, who have survived a family suicide pact and are now living in a ruined tower, struggling with madness, trying either to come fully back to life or finally to die. In Playing Watten, the narrator, a doctor who lost his practice due to morphine abuse, describes a visit paid him by a truck driver who wanted the doctor to return to his habit of playing a game of cards (watten) every Wednesday—a habit that the doctor had interrupted when one of the players killed himself. The last novella, Walking, records the conversations of the narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard’s highly philosophical oeuvre, Walking provides a penetrating meditation on the impossibility of truly thinking.Three Novellas offers a superb introduction to the fiction of perhaps the greatest unsung hero of twentieth-century literature. Rarely have the words suffocating, intense, and obsessive been meant so positively.

    She is working as a software engineer in an investment bank in USA. She has money ($$$$), she can afford sex outside marriage. She also has opinion on everything. She is dating various marriage prospects, will she get her dream guy?

    Her father’s tragic death earlier in the year still haunts her. For decades, Juan Velarde Cortez obsessively hunted a legendary treasure, and his passing has left unresolved feelings for Fawn. Now, when a series of grisly killings rock the small island community—each victim’s face has a distinct signature—Fawn suspects a bizarre connection between the murders, her father’s quest, and the death ritual of an infamous Seminole Indian from the 1800s. A cigar box that once belonged to her father appears to hold the key. As Fawn draws closer and closer to solving the 200-year-old puzzle and determining the killer’s identity, she will be forced to unravel historical clues that will lead her on a harrowing journey. Time is quickly running out as a serial killer is watching and waiting in the shadows. Will Fawn discover the truth before she becomes the next victim? With historical links and storyline twists, this follow-up to Gary Williams’ & Vicky Knerly’s debut novel, Death in the Beginning, engages all the necessary elements of and delivers a fast-paced, heart-pounding thriller. This is a new release of a previously published edition.

    Composed after a five-year term in prison, the semi-autobiographical story follows a recently released political prisoner as he wanders through Cairo, adrift in his native city. Living under house arrest, he tries to write of his tortuous experience, but instead smokes, spies on the neighbors, visits old lovers, and marvels at Egypt’s new consumer culture. Published in 1966, That Smell was immediately banned and the print-run confiscated. The original, uncensored version did not appear in Egypt for another twenty years.For this edition, translator Robyn Creswell has also included an annotated selection of the author’s Notes from Prison, Ibrahim’s prison diaries—a personal archive comprising hundreds of handwritten notes copied onto Bafra-brand cigarette papers and smuggled out of jail. These stark, intense writings shed unexpected light on the sources and motives of Ibrahim’s groundbreaking novel. Also included in this edition is Ibrahim’s celebrated essay about the writing and reception of That Smell.

    Sanghi speculates that Jesus Christ survived the crucifixion and spent his missing years in India, and that the men searching for Jesus were Buddhist Monks who were searching for the reincarnation of the Dalai Lama. He mentions that the lost tribes of Israel may have settled in Kashmir. The author also introduces St. Thomas as one of Jesuss closest friends and Mary Magdalene as a woman from the ancient Mauryan Empire headed by Ashoka. The book further features terrorist attacks that share some parallels with the 2008 Mumbai attacks.Sanghis hypothesis goes on to establish that Jesuss descendants are todays Kashmiri Islamists. The author draws some similar lines between the fate of a group of terrorists and that of Jesus and his 12 apostles. The book traces the roots of various religions and states that all their origins are closely knit.The Rozabal Line was first published in 2007 under Sanghi's pseudonym Shawn Haigins in the United States. The revised edition was later published in India under Sanghis own name in 2008 before Westland published it in 2010. 2.) Chanakya's Chant , Chanakya's Chant is a racy and gripping account on Chanakya, one of the greatest political strategists India has seen. The story changes track as it narrates the tale of Gangasagar Mishra, the reincarnation of Chanakya, in parallel. Will he be the next kingmaker?Gangasagar Mishra, a denizen of a quaint old Indian town, is no ordinary man. Society sees him as a Brahmin teacher who can barely make ends meet, but he's the reincarnation of the man who brought the fragmented subcontinent together under a single empire Chanakya.Chanakya's Chant by Ashwin Sanghi gives its readers a look into two parallel worlds that are tied together by the intelligence of the main protagonists. The first story is set in 340 BC, when a young Brahmin man, fueled by the death of his father, vows revenge against the king and overthrows his rule by bringing in Chandragupta Maurya, the first emperor of the Maurya Dynasty.The scene then shifts to modern day India, where Gangasagar Mishra leads his life as a nonentity until he decides to groom an ambitious girl from Kanpur into India's prime minister. Will Chanakya's manipulative mechanisms change the face of the nation again? 3.) The Krishna Key Five thousand years ago, there came to earth a magical being called Krishna, who brought about innumerable miracles for the good of mankind. Humanity despaired of its fate if the Blue God were to die but was reassured that he would return in a fresh avatar when needed in the eventual Dark Agethe Kaliyug. In modern times, a poor little rich boy grows up believing that he is that final avatar.Only, he is a serial killer.In this heart-stopping tale, the arrival of a murderer who executes his gruesome and brilliantly thought-out schemes in the name of God is the first clue to a sinister conspiracy to expose an ancient secretKrishnas priceless legacy to mankind.Historian Ravi Mohan Saini must breathlessly dash from the submerged remains of Dwarka and the mysterious lingam of Somnath to the icy heights of Mount Kailash, in a quest to discover the cryptic location of Krishnas most prized possession. From the sand-washed ruins of Kalibangan to a Vrindavan temple destroyed by Aurangzeb, Saini must also delve into antiquity to prevent a gross miscarriage of justice. Ashwin Sanghi brings you yet another exhaustively researched whopper of a plot, while providing an incredible alternative interpretation of the Vedic Age that will be relished by conspiracy buffs and thriller-addicts alike.

    Originally written in French, these poems collapse time into single crystallized moments then explode outward to take in the scope of human history. In Time, we see an intertwining of war and love, coffee and bombs, empathetic observation and emphatic detail taken from both memory and the present of the poem to weave a tapestry of experience in non-linear time.

     The ancient civilisation is enjoying unprecedented prosperity during the 18th Dynasty under some of Egypt’s most famous Pharaohs – Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. But every empire has its rivals – here the Hittites, the Mittani, Nubians and Assyrians – and every royal family its enemies. Smenkhkare is the youngest son of Amenhotep III and brother to Akhenamun – later to become the ruler Akhenaten – and Thutmose, plus three older sisters. The scheming Akhenamun dismisses Smenkhkare as a mere stripling, but the wise warrior Thutmose takes the boy under his wing and sets out to make a man of him. This is crucial for Smenkhkare whose father has decided that the only role for the boy will be through a marriage of convenience to the beautiful Mittani princess Taduheppa. The bride is ravishing – but older and more worldly – and refuses to consummate the coupling. Full of sympathy for his little brother, Thutmose advises patience and also invites Smenkhkare to accompany him on a raid to hunt down bandits who have attacked a caravan in the desert. It is a fateful moment. Thutmose is killed by an arrow through the neck, igniting a calamitous chain of events as Smenkhkare discovers the arrow did not come from a bandit’s bow. Who, then, did fire the fatal missile? Who would benefit most from the death of the man next in line for the pharoah’s throne? Could the murderer be within his own family? Or was someone else close to the family plotting to seize power? Can Smenkhkare trust his favourite sister Nebetah with his thoughts? Can trusted general Coreb help him in his bid to avenge the death of Thutmose? Who would try to eliminate Smenkhkare by placing a deadly cobra in a basket under his bed? And what are the ghastly contents in two other baskets thrust under Smenkhkare’s nose? David Adkins’ absorbing historical re-imagining The Forgotten Pharaoh, explores the extraordinary and dangerous life and times of a real but little known figure from history – from his child-marriage to exile and then reinstatement in Thebes as pharaoh of one of the most influential dynasties of the ancient civilised world. David Adkins is a retired civil servant who worked for many years at English Heritage. He lives in Letchworth Garden City with his wife. His other historical fiction books to date are The Eagle’s Nest and the Wolf’s Lair, The End of a Dynasty and Season of the Gladiatrix.

    One year. Everything to lose.When Rishabh Bala reaches the tenth standard, life takes a turn for the complicated. The bewildered boy feels the pressure of the looming board exams and finds himself hopelessly-and hormonally-in love. But what he yearns for most is victory on the field: at least one trophy with his beloved school football team.Set in the suburban Thane of 2006, here is a coming-of-age story that runs unique as it does familiar. Hopscotching from distracted classrooms and tired tutorials to triumphs and tragedies on muddy grounds, this is the journey of Rishabh and his friends from peak puberty to the cusp of manhood.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    Ramanan is dramatic pastoral elegy and it is beautifully illustrated by Artist Madanan.