I was often here alone in the blitz, and I was so frightened of the bombs that I quite stopped being frightened of burglars.” World War II has ended, residents are flooding back to London, and the housing shortage creates strange bedfellows. Elinor MacFarren—middle-aged spinster, botanical writer, and collector of prints and objets d’art—decides to rent part of her house to Antonia Bankes, whose American husband is with the Occupation Forces in Europe. While Miss MacFarren prefers to live alone, Mrs Bankes seems a perfect tenant. She admires Miss MacFarren’s beautiful things (“It’s the prettiest room I’ve ever seen in my life!”), promises quiet and care (“You’ll find me madly careful”), and seems an ideal homemaker (“I like housework. I’ve got quite a ‘thing’ about it.”).Inevitably, however, it’s not so easy. Mrs Bankes proves to be exasperating and helpless, skilled only in charm, manipulation, and blithely promising anything to get her way. What follows is an intricately plotted, gloriously entertaining saga of domestic warfare, as Miss MacFarren tries to cope, tries to cajole, and finally tries to rid herself of her meddlesome tenant, all while taking up whiskey—and all with unpredictable and delightful results. This new edition includes an introduction by Sir Roy Strong.

    When her great-uncle died she was left a lonely cottage near the village of Nethersham with its hills and beech woods. Ivy liked the country, she had gipsy blood which made her fearless, independent and utterly content with the company of her dog, rescued unknown to the law from his undeserving owners. Ivy wanted nothing of the outside world but she could not cut herself off completely. One visitor at least was welcome: the runaway boy Mike who came in from the freezing night to share her fire. Any stray, any sick of suffering creature went straight to her heart.

    The few people who saw it from charabancs on morning or evening or circular drives said: “Isn’t it peaceful?” or “Isn’t it quiet?”. And some said they thought it was a lovely place to be buried in, but while they were alive they preferred a place with more life, if you knew what they meant.The unlikely heroine of this delightful comedy of manners is Jocelyn Renshawe, young widow of the local squire, “a specimen of human cabbage” who “fitted into her surroundings so completely that she was hardly noticeable.” But she’s about to be noticed a bit more—by her jaded, much-widowed mother Ermyntrude, who breezes in on the look-out for her next conquest; by her aunt and mother-in-law, who have decided she should marry Colonel Tidmarsh, an elderly (and extremely dull) retired Army man; and by Gervase Blythe, a mysterious acquaintance of Colonel Tidmarsh’s, who arrives in town and rescues Jocelyn from a rainstorm before coming under suspicion as a jewel thief.One is safe in assuming that Jocelyn is about to leave her mouldering existence behind, but how she does so is the sparkling, cheerful plot of Much Dithering.

    Midge stayed on. While the war lasted Mrs. Custance had accepted her as part of the war-effort; it was only in the past year or two that Mrs. Midge had been transferred to the category which Mrs. Custance described as "people we could manage without."Elizabeth Fair’s rollicking second novel takes place in Little Mallin, where village life is largely dominated by preparations for the August Festival. Out of such ordinary material Fair weaves a tale of conflict, scheming, misunderstanding — and of course romance.Among the villagers are a vicar dreaming of ancient Greece; his wife, largely concerned with getting their daughter married off; the melancholic Colonel Ashford; the eccentric Eustace Templer and his nephew; not to mention Mrs. Midge and her delicate son. The author said the novel was meant for people who "prefer not to take life too seriously." Compton Mackenzie said it was "in the best tradition of English humour."Furrowed Middlebrow is delighted to make available, for the first time in over half a century, all six of Elizabeth Fair’s irresistible comedies of domestic life. These new editions all feature an introduction by Elizabeth Crawford.

    Her father is an exquisite dilettante; her brother, Dick, a competent artist and polished adventurer with the ladies; her sister, Elizabeth, the writer of fine essays. But Ann is disappointed in the "rhododendron pies" that are served on her birthday, dishes which are filled with flowers to gladden the eye instead of fruit to be eaten. And she also happens to fall in love with a solid bank clerk from a neighboring town.The rebellion and excited antics which Ann's suitor arouses in the Laventies' precious existence marks the high point in this gaily amusing novel of English life in town and country - a tale which pointedly contrasts the aesthetic and practical viewpoints.Rhododenron Pie, one of Margery Sharp's rarest and most sought-after novels, was her debut, reportedly written in one month while Sharp worked as a typist and shared a flat in Paddington with two other girls. But it already shows all the charm, humour, and sophistication that characterizes Sharp's beloved later work. First published in 1930, it has, inexplicably, never been reprinted. Until now. This new edition features an introduction by twentieth-century women's historian Elizabeth Crawford.

    Sylvia remains at home, shocking her family with theories of sexual and social liberation. And Leslie, as the novel opens, idealizes the other three, as she tries to convince her mother to let her use her small nest egg to attend art school in London.As the four friends balance their youthful ideals with the realities of work and romance in 1930s England, Orange offers hilarious and thoughtful perspectives on the quandaries of educated, ambitious women in a world not yet ready for them. This new edition includes an introduction by Stacy Marking.

    The ‘everything and nothing’ that happens include a controversy swirling around the curate’s pacifist sermon (through which, alas, Camilla napped, making it difficult for her to discuss with outraged parishioners), servant problems, anxieties about Camilla’s son off training with his regiment, the day-to-day worries of friends, and a potential romance in the town … or are there two romances?Readers of Bewildering Cares might well be reminded of the likes of E.M. Delafield or Angela Thirkell, but Peck offers her own distinct take—sometimes hilarious, sometimes touching—on the ironies and heartbreaks (not to mention the storms in teacups) of domestic life, community, faith and life during wartime. This new edition includes an introduction by social historian Elizabeth Crawford.‘(Winifred Peck) deserves our real gratitude for making us laugh in these troublous days’ Times Literary Supplement‘A romantic who was as sharp as a needle’ Penelope Fitzgerald

    All ideas for making her work for a living were wrecked on the fact that she was born to be served and not to serve.Six friends have spent the dark, deprived years of World War II fantasising-in air raid shelters and food queues-about an idyllic life in a massive country house. With the coming of peace, they seize on a seductive newspaper ad and take possession of a neglected 33-room manor in Kent, with acres of lavish gardens and an elderly gardener yearning to revive the estate's glory days. But the realities of managing this behemoth soon dawn, including a knife-wielding maid, unruly pigs, and a paying guest who tells harrowing stories of her time in the French Resistance, not to mention the friends' conscientious efforts to offer staff a fair 40-hour work week and paid overtime. And then there's the ghost of an overworked scullery maid . . .Based on the actual experiences of Ruth Adam, her husband, and their friends, A House in the Country is a witty and touching novel about the perils of dreams come true. But it's also a constantly entertaining tale packed with fascinating details of post-war life-and about the realities of life in the kind of house most of us only experience via Downton Abbey.

    . . . Half a dozen V.A.D.s made a rush at me and treated my small abrasion as though my whole head had been blown off. From an impromptu wedding in the early days of World War II, to a bout with German measles in a hospital reminiscent of a medieval torture chamber, to becoming the first casualty for over-eager V.A.D.s, Verily Anderson’s war gets off to a bumpy start. And it doesn’t get easier.In this acclaimed memoir, we follow the inimitable Verily and her husband Donald through all the vicissitudes of war, including the unforgettable birth of Verily’s first child in the midst of a German bombing raid. By turns hilarious, poignant, and harrowing (and sometimes all three at once), Spam Tomorrow presents a rollicking view of home front life from the perspective of one strong, courageous, and very funny participant.

    Lennox and her five children (all in their late teens or early twenties). Number 4, the house next door, Miss Balfour, a gentle and unassuming spinster who was constantly surprised to find "how astonishingly nice and good people were when you knew them..."What she did not know and would not have believed was that the people who knew her could not help living up to her belief in their good qualities.

    "It was a wedding Mysie once went to. The bridegroom never turned up and the bride swooned at the altar.""Have you practised swooning?"It's 1948 in the Scottish Highlands, with postwar austerity and rationing in full effect, but Mr and Mrs MacAlvey and their family and friends are too irrepressibly cheerful to let it get them down. There's Raine, newly engaged to the brother of a local farmer, and Cleo, just back from three years in the States, along with their brother James, married to neurotic Trina, who smothers their two oversheltered children. There are also three MacAlvey grandchildren, orphaned in the war, whose hilarious mishaps keep everyone on their toes. There are wedding preparations, visits from friends, an adventurous hike, and frustrated romance. But really the plot of the novel is, simply, life, as lived by irresistible characters with humour, optimism, and affection.

    He decides to go to the seaside. But Fate has other plans in store…From his abduction by a cheerful crook, to his smuggling escapade off the south coast, the timid but plucky Mr Finchley is plunged into a series of the most astonishing and extraordinary adventures.His rural adventure takes him gradually westward through the English countryside and back, via a smuggling yacht, to London.This gentle comedy trilogy was a runaway bestseller on first publication in the 1930s and retains a timeless appeal today. It has been dramatized twice for BBC Radio, with the 1990 series regularly repeated. What people are saying about the Mr Finchley series: ‘Wonderful character from a kinder slower England between the wars.’‘An overlooked gem. An innocent picaresque novel set in an arcadian version of mid 20th century England. The literary equivalent of naive painting, it narrates the adventures of a respectable upper middle-aged man who takes retirement.’‘An antidote to the rush of the early 21st century.’‘A thoroughly enjoyable stroll through a vanished England with some lovable characters. Don't expect modern, fashionable agonisings, here there is good, evil, and understanding. A lovely reminiscent wallow of a read.’‘Gentle well told simple story, full of pleasant surprises, and a mild mannered believable hero. Loved it to bits.’‘So gentle, it hurts.’‘There is a freshness about the writing which is charming and that disarms criticism. Don't expect any great profundities, a gripping plot or inter-character tensions - these books are of the world of Billy Bunter and William Brown - but do expect a very well-written and enjoyable romp through early twentieth-century England in the company of an engaging protagonist.’‘A delightful story of a man who finds himself jolted out of his comfort zone and taken on a journey beyond his wildest imaginings.’‘Another lovely book detailing the adventures of Mr Finchley in altogether far too short a series. Full of humour and a book I was sorry to finish as I wanted it to go on and on.’‘Highly recommended for anyone seeking an entertaining amusing read.’‘A delight to be transported to an England I never knew despite growing up in the 1950s and to experience the countryside through the sharp eyes of the author who obviously had a great love of all things rural.’ Editorial reviews: ‘Quite delightful, with an atmosphere of quiet contentment and humour that cannot fail to charm … The longer we travel with Mr Finchley, the better we come to love him. He makes us share his bread and cheese, and beer and pipe. His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.’ Daily Telegraph‘His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.

    Here, Barbara Mary Crampton Pym sails off into a wickedly comedic farce, focusing on the unsuitable romantic entanglements of a curate and a pretty young girl, both of whom live in the same rooming house, and a starry-eyed university professor and his female student.

    Sophia is twenty-one years old, carries a newt -- Great Warty -- around in her pocket and marries -- in haste -- a young artist called Charles. Swept into bohemian London of the thirties, Sophia is ill-equipped to cope. Poverty, babies (however much loved) and her husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with the dismal, ageing art critic, Peregrine, and learns to repent her marriage -- and her affair -- at leisure. But in this case virtue is more than its own reward, for repentance brings an abrupt end to a life of unpaid bills, unsold pictures and unwashed crockery ...

    But then, everyone in her close-knit Devonshire village seems to find different ways to cope: there's the indomitable Lady B, who writes to Hitler every night to tell him precisely what she thinks of him; the terrifyingly efficient Mrs Savernack, who relishes the opportunity to sit on umpteen committees and boss everyone around; flighty, flirtatious Faith who is utterly preoccupied with the latest hats and flashing her shapely legs; and then there's Charles, Henrietta's hard-working husband who manages to sleep through a bomb landing in their neighbour's garden. With life turned upside down under the shadow of war, Henrietta chronicles the dramas, squabbles and loyal friendships that unfold in her affectionate letters to her 'dear childhood friend' Robert. Warm, witty and perfectly observed, "Henrietta's War" brings to life a sparkling community of determined troupers who pull together to fight the good fight with patriotic fervour and good humour. "Henrietta's War" is part of The Bloomsbury Group, a new library of books from the early twentieth-century chosen by readers for readers.