. . can tell a story better than Gioia Timpanelli."--Frank McCourt, author of Angela's Ashes"Gioia Timpanelli's novellas . . . offer simple lessons about the nature of beauty and the beauty of nature . . . in rich, incantatory language." --The New York Times Book ReviewA renowned storyteller who has beguiled audiences around the world offers these mesmerizing novella-length fables about two young women and the transformative power of art. In "A Knot of Tears," a baroness locks herself up in the Green Palace, only to have her seclusion interrupted by a parrot that flies through the window. When a sailor arrives to retrieve his companion, the young man and his pet delight her with three inspiring stories, while an unscrupulous suitor schemes to lure her out of her house and into his arms. In "Rusina, Not Quite in Love," Timpanelli recasts "Beauty and the Beast" as the tale of a loving young heroine who escapes her poor family to live at the estate of Signor Sebastiano. A devastatingly ugly man who prefers plants to people, Sebastiano leads Rusina to the true meaning of beauty. Lyrical, enchanting, wise, these timeless stories are, in the words of the baroness, "simple, but not so simple," as they enlighten readers about the virtues of love, solitude, and art."Gioia Timpanelli's stories . . . are dreams . . . and these dreams, in the skill of their telling, lead us back to ourselves." --The Boston Globe"This is brilliant writing . . . [that] changes tales into fresh literature . . . by the passion of an educated person for the great things in life: plants, works of art, talk at dinner, and devotion." --Robert Bly

    They plan to live there simply, to fish the lake, to trap the nearby woods, and build a house upon the dirt between where they can raise a family. But as their every pregnancy fails, the child-obsessed husband begins to rage at this new world: the song-spun objects somehow created by his wife's beautiful singing voice, the giant and sentient bear that rules the beasts of the woods, the second moon weighing down the fabric of their starless sky, and the labyrinth of memory dug into the earth beneath their house.   This novel, from one of our most exciting young writers, is a powerful exploration of the limits of parenthood and marriage—and of what happens when a marriage’s success is measured solely by the children it produces, or else the sorrow that marks their absence.

    A highly readable and beautifully illustrated re-telling of the most famous stories from Greek mythology.

    This powerful novel explores the dynamics of the financial world during the Civil War and after the stock-market panic caused by the Great Chicago Fire. The first in a ''trilogy of desire,'' The Financier tells the story of the ruthlessly dominating broker Frank Cowperwood as he climbs the ladder of success, his adoring mistress championing his every move. Based on the life of financier C. T. Yerkes, Dreiser's cutting portrayal of the corrupt magnate Cowperwood illustrates the idea that wealth is often obtained by less than reputable means.

    Soon, through the family’s generosity, he is a student at a private boarding school and an aide to the great New York senator Henry Bonwiller, who is running for president of the United States. Before long, Corey finds himself involved with one of the Metarey daughters as well, and he begins to leave behind the world of his upbringing. As the Bonwiller campaign gains momentum, Corey finds himself caught up in a complex web of events in which loyalty, politics, sex, and gratitude conflict with morality, love, and the truth. America America is a beautiful novel about America as it was and is, a remarkable exploration of how vanity, greatness, and tragedy combine to change history and fate.

    There is Captain Leander Wapshot, venerable sea-dog and would-be suicide; his licentious older son, Moses; and Moses's adoring and errant younger brother, Coverly. Tragic and funny, ribald and splendidly picaresque, and partly based on Cheever's adolescence in New England, The Wapshot Chronicle is a stirring family narrative in the finest traditions of Trollope, Dickens, and Henry James

    The woman is an “examiner,” the man, her “claimant.” The examiner is both doctor and guide, charged with teaching the claimant a series of simple functions: this is a chair, this is a fork, this is how you meet people. She makes notes in her journal about his progress: he is showing improvement, yet his dreams are troubling. One day, the examiner brings him to a party, and here he meets Hilda, a charismatic but volatile woman whose surprising assertions throw everything the claimant has learned into question. What is this village? Why is he here? And who is Hilda? A fascinating novel of love, illness, despair, and betrayal, A Cure for Suicide is the most captivating novel yet from one of our most exciting young writers.

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    Through forty years of New York Times bestselling Shannara novels, Terry Brooks always had an ending in mind: a series that would bring it all to a grand conclusion. Now that time is here. The Four Lands has been at peace for generations, but now a mysterious army of invaders is cutting a bloody swath across a remote region of the land. No one knows who they are, where they come from, or what they are after—and most seem content to ignore these disturbing events. The only people who sense a greater, growing threat and wish to uncover the truth are society’s outcasts: an exiled High Druid, a conflicted warrior, a teenage girl struggling to master a prodigious magic . . . and a scrappy young orphan, improbably named Shea Ohmsford.

    E. Cummings's biographer, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.The selection includes most of the favorites plus many fresh and surprising examples of Cummings's several poetic styles. The corrected texts established by George J. Firmage have been used throughout.

    This is a place where a boy with keys for fingers is a hero, a woman's children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

    The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.

    One night he witnesses something miraculous, and makes a terrible mistake. His action changes lives—not only his own, but those of his family and the entire tightly knit community in which they live. Can he ever atone for the wrong he has done, and can love grow when its foundation is violence? Based on the legend of the selkies—seals who can transform into people—evokes the harsh beauty of the landscape, the resilience of its people, both human and animal, and the triumph of hope over fear and prejudice. With exquisite grace, Su Bristow transports us to a different world, subtly and beautifully exploring what it means to be an outsider, and our innate capacity for forgiveness and acceptance. Rich with myth and magic, Sealskin is, nonetheless, a very human story, as relevant to our world as to the timeless place in which it is set.

    Conrad's deeply moral consciousness and masterful narrative technique are at their best in this, one of his finest works.

    When The Lord of the Rings first appeared, the critics inevitably compared it to this 1922 landmark work. Tolkien himself frankly acknowledged its influence, with warm praise for its imaginative appeal. The story of a remote planet’s great war between two kingdoms, it ranks as the Iliad of heroic fantasy.In the best traditions of Homeric epics, Norse sagas, and Arthurian myths, author E. R. Eddison weaves a compelling adventure, with a majestic, Shakespearean narrative style. His sweeping tale recounts battles between warriors and witches on fog-shrouded mountaintops and in the ocean’s depths—along with romantic interludes, backroom intrigues, and episodes of direst treachery. Generations of readers have joyfully lost themselves in the timeless worlds of The Worm Ouroboros.[This new edition is illustrated with the classic original images.]