In Liz Howard’s wild, scintillating debut, the mechanisms we use to make sense of our worlds – even our direct intimate experiences of it – come under constant scrutiny and a pressure that feels like love. What Howard can accomplish with language strikes us as electric, a kind of alchemy of perception and catastrophe, fidelity and apocalypse. The waters of Northern Ontario shield country are the toxic origin and an image of potential. A subject, a woman, a consumer, a polluter; an erotic force, a confused brilliance, a very necessary form of urgency – all are loosely tethered together and made somehow to resonate with our own devotions and fears; made “to be small and dreaming parallel / to ceremony and decay.” Liz Howard is what contemporary poetry needs right now.

    Guest Edited by Catherine Leroux and Madeleine Thien.2017 marks the 150th anniversary of the Canadian Confederation, when the British colonies of Canada, Nova Scotia and New Brunswick were united.In this special issue of Granta, we celebrate the diversity of social, political and literary life in Canada, the largest country in the western hemisphere, and one of the few where the experiment of multiculturalism appears to have workedBringing you the best new fiction, reportage, photography, poetry and memoir from Canada, this issue showcases the best of both the English and French literary communities, throwing a spotlight on an enigmatic nation with a rich literary heritage.

    But long before he was a Backstreet Boy, he was my boy--and I want to share his whole exciting story with you.

    In Canada a few years later, when her friend Carol asked her to participate in a bold new venture in a men's medium security prison, Ann had to weigh her curiosity and desire to be of service with her anxiety and fear.But she signed up and for eighteen months went to a remote building a few hours outside of Toronto, meeting a group of heavily tattooed book club members without the presence of guards or security cameras. There was no wine and cheese, plush furnishings, or superficial chat about jobs or recent vacations. But a book club on the inside proved to be a place to share ideas, learn about each other, and regain humanity.For the men, the books were rare prized possessions, and the meetings were an oasis of safety and a respite from isolation in an otherwise hostile environment. Having been judged themselves, they were quick to make judgments about the books they read. As they discussed the obstacles the characters faced, they revealed glimpses of their own struggles that were devastating and comic. From The Grapes of Wrath to The Cellist of Sarajevo, and Outliers to Infidel, the book discussions became a springboard for frank conversations about loss, anger, redemption, heroism and loneliness.

    Orphaned as teenagers, they have grown up under the exasperated watch of their Sikh uncle, who runs a bagel shop in Montreal's Hasidic community of Mile End. Together, they try to make sense of the rich, confusing brew of values, rituals, and beliefs that form their inheritance. Yet as they grow towards adulthood, their paths begin to diverge. Beena catches the attention of one of the "bagel boys" and finds herself pregnant at sixteen, while Sadhana drives herself to perfectionism and anorexia.When we first meet the adult Beena, she is grappling with a fresh grief: Sadhana has died suddenly and strangely, her body lying undiscovered for a week before anyone realizes what has happened. Beena is left with a burden of guilt and an unsettled feeling about the circumstances of her sister's death, which she sets about to uncover. Her search stirs memories and opens wounds, threatening to undo the safe, orderly existence she has painstakingly created for herself and her son.Heralded across Canada for the power and promise of her debut collection, Mother Superior, Nawaz proves with Bone and Bread that she is one of our most talented and unique storytellers.

    Born in the village of Skhvitori (Imereti region of western Georgia) on June 9, 1840, to a prominent Georgian aristocratic family; his father was Prince Rostom Tsereteli. Following an old family tradition, Akaki Tsereteli spent his childhood years living with a peasant’s family in the village of Savane. He was brought up by peasant nannies, all of which made him feel empathy for the peasants’ life in Georgia. He graduated from the Kutaisi Gymnasium in 1852 and the University of Saint Petersburg Faculty of Oriental Languages in 1863. The young adult generation of Georgians during the 1860s, led by Chavchavdze and Tsereteli, protested against the Tsarist regime and campaigned for cultural revival and self-determination of the Georgians. He is an author of hundreds of patriotic, historical, lyrical and satiric poems, also humoristic stories and autobiographic novel. Akaki Tsereteli was also active in educational, journalistic and theatrical activities.

    There was only one small difference--he didn't look like any of the other kids. And when he sat down on Saturday nights to tune in to Hockey Night in Canada with the rest of the nation, he couldn't ignore the fact that the broadcasters or analysts didn't look like him either. Undeterred, Harnarayan worked his way from calling imaginary hockey games with his plastic toy microphone as a child, to funding secret flights from Calgary to Toronto every weekend in the early days of Hockey Night in Punjabi, to making history as the first Sikh to broadcast an NHL game in English.Full of heart, humour, and bursting with personality (and maybe a few family prayers for Wayne Gretzky), One Game at a Time is the incredible and inspiring story of how Harnarayan Singh broke through the longstanding barriers and biases of the sport he loves. But more than that, Harnarayan blends his unabashed love of hockey with a refreshing and necessary positive message about what it means to be a Canadian in the world, making him one of the most influential ambassadors of the game today.

    

    Set against the mean streets of L.A.'s South Bay 'hoods, the book is populated by a cast of vivid characters, including Tupac Shakur, Snoop's one true friend and musical soulmate, cut down at the beginning of a brilliant career, and Suge Knight, whose Death Row Records brought street-level credibility--and gangland tactics--into the corporate suites of the entertainment industry.From the Crip gang members who recruited Snoop virtually off the playground to the pimps and players, whores and hustlers who formed his extended family on the streets and behind prison walls, Tha Doggfather offers a scathing, unexpurgated look at life on the edge in a modern urban jungle. Snoop's rise to the pinnacle of rap stardom is chronicled, along with his nearly career-ending arrest and trial for a murder he didn't commit.Raised to the pinnacle, brought to the brink, Snoop Dogg eventually found sanity and salvation in his relationship with Shantay Taylor, his high school sweetheart. Married in 1997, the couple started a new life with their two young sons, even as Snoop's career reached new heights in his creative collaboration with Master P and No Limit Records.

    He was managed by the mob, hung with Hendrix, trashed thousands of hotel rooms, unwittingly paid for an unknown Led Zeppelin to support him on tour, taught John Bonham (as well as Fred Astaire) a thing or two about drumming, and took part in Zeppelin’s infamous deflowering of a groupie with a mud shark. After enrolling in Rod Stewart’s Sex Police, he hung out with Kojak, accidentally shared a house with Prince, became blood brothers with Ozzy Osbourne, and got fired by Sharon. He formed an all-blond hair metal band, jammed with John McEnroe and Steven Seagal, became a megastar in Japan, got married five times, slept with 4,500 groupies—and, along the way, became a rock legend by single-handedly reinventing hard rock and heavy metal drumming.             Carmine Appice has enjoyed a jaw-dropping rock-and-roll life—and here he is telling his scarcely believable story. Cowritten with Ian Gittins, the coauthor with Nikki Sixx of the New York Times bestseller The Heroin Diaries, Stick It! is one of the most extraordinary and outrageous rock-and-roll biographies of our time.

    Retiring from active play in 1971, he went on to a successful twenty-two-year career as the Canadien's senior vice-president of corporate affairs and to life-long service as a goodwill ambassador for the sport. For half a century, he has been universally acknowledged as a prince of our national game and unofficial royalty to four generations of Canadians.

    From an unknown prospect to the first man to hold two world titles simultaneously, McGregor's knockout-filled march through the featherweight and lightweight rankings sent shockwaves through the world. But as effortless as McGregor's heroics seem, his journey was far from smooth. Just another teenager trading martial arts techniques with his friends, he chased a pipe dream with little promise of reward. No one guessed he would become the biggest pay-per-view attraction in the world. This is not another tale of an athlete born exceptional and groomed for success. It is about how one young man, through bloody-minded determination and indomitable spirit, changed the whole game.

    This is truly Canada—a vast stretch of land and a bounty of small towns. In Welcome Home, Stuart McLean takes us on a heartwarming journey from one coast to the other to visit these small yet vibrant places and meet their remarkable citizens.We visit Maple Creek, Saskatchewan, an old-fashioned "cow town"; Dresden, Ontario, once a destination for escaped slaves using the Underground Railroad; St-Jean-de-Matha, Quebec, where the worldÕs strongest man is buried; and Foxwarren, Manitoba, a quintessential hockey town. We wander along Main Street in Sackville, New Brunswick; explore Nakusp, B.C., which may have been the home of an illegitimate child of royalty; and watch the icebergs float by in Ferryland, Newfoundland.Each town Stuart visits tells us a little about Canada's rich and often forgotten history and a lot about who Canadians are today. With a storyteller's eye for detail and an effervescent sense of humour, Stuart McLean introduces us to seven truly wonderful places and dozens of extraordinary people.

    . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully."—The New York TimesWhat if the cinema of the present were a Möbius strip of language, a montage of statements and questions sutured together and gradually accumulating color? Would the seams afford a new sensibility around the pronoun "you"? Would the precise words of philosophy, fashion, books, architecture, and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema?These and other questions are answered in the new collection from acclaimed poet and essayist Lisa Robertson. The book is available with four different back covers, designed by artists Hadley+Maxwell.A quorum of crows will be your witness.And if you discover you were bought?You note the smell of rain, bread, and exhaust mixed with tiredness.And if you yourself are incompatible with your view of the world?And what is the subject but a stitching?Once again you are the one who promotes artifice.At 2 am on Friday, you burn with a maudlin premonition.And rankings and rankings and badges and repetitions.Lisa Robertson's book Lisa Robertson's Magenta Soul Whip was named one of the New York Times 100 Notable Books of 2010 and was longlisted for the 2011 Warwick Prize. Her other books include Debbie: An Epic, The Men, The Weather, and Occasional Work and Seven Walks from the Office for Soft Architecture. She is the 2014 Bain Swiggett Professor at Princeton University.

    Exposes the dark and often seedy world shrouded behind the glamorous facade of professional football. 'I was a mess. I couldn't get out of bed. I couldn't structure my day properly. I couldn't face having a shower or getting dressed. Those all seemed like major events I didn't want to confront.' Once the most charismatic and expensive player in the new Premiership flooded with cash, Stan Collymore had, by the age of 28, booked himself into The Priory to treat his depression, close to self-destruction and unable to get his head round playing at all. Along the way, he had been the goalscorer nobody wanted to congratulate, the centre-forward no one knew how to manage, a deeply reluctant star in a tabloid culture that saw him make the front pages as often as the back, and that waited for him to crack up or lash out. When he eventually did, it was, infamously, inevitably, at his then celebrity girlfriend, Ulrika Jonsson.But then retired from football in 2001 and finding himself in the commentary box, he proved he did care about the game, rather too much perhaps, sounding like a fan as much as an ex-player -- and at a stroke he had more in common with the rest of the nation. He knew it was all so much more than a game, and what happened on the field was only a reflection of what was going on inside players' heads. The contradictions remain. A man, who had a steady stream of celebrity women falling at his feet, shamed by his voyeurism in a Cannock car park; a star with everything who was once discovered by his wife tightening a belt around his neck; a loving dad of two whose own father walked out of the marital home and who Collymore continues to blot from his memory to this day; a footballer who abstains from drink and drugs, yet who needs therapy at Sex and Love Addicts Anonymous; the loner slated for his aloofness who found critical acclaim as a football pundit on national prime-time radio. This is Stan Collymore's own life story, the real person on his flawed character and personal demons, telling it like you have never seen before -- raw and uncut.