Yet no one takes much notice of his stories. After all, who would believe the ramblings of a homeless drunk? Father Ryan Lafferty, the local parish priest, is trying to help the boy's distrught father find his son's body. Alarmed by implications of black magic, he becomes even more inquisitive when McKirrop dies under suspicious circumstances. At the same time, a young female doctor, Sarah Lasseter, begins to query procedures at the Trauma Unit where she treated both the missing boy and McKirrop. The unit is famous for its pioneering research in brain damage and its state-of-the-art technology. So why are the head consultants behaving strangely? And why are the trauma labs shrouded in secrecy? KEN McCLURE is an award-winning medical scientist as well as a global selling author. He was born and brought up in Edinburgh, Scotland, where he studied medical sciences and cultivated a career that has seen him become a prize-winning researcher in his field. Using this strong background to base his thrillers in the world of science and medicine, he is currently the author of twenty-three novels and his work is available across the globe in over twenty languages. He has visited and stayed in many countries in the course of his research but now lives in the county of East Lothian, just outside Edinburgh. This book was first published by Simon & Schuster Ltd. (UK) in 1995

    By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes: Thus mellowed to that tender lightWhich heaven to gaudy day denies.-- She Walks in Beauty

    

    But do you know the rest of the verse, or even the rest of the poem?An anthology to warm the coldest heart or charm the least romantic soul, this is a collection of poems (or in some cases, extracts) that are not only memorable, but lend themselves to being learned by heart.This is the perfect book for anyone with even the vaguest interest in poetry, providing a wonderful opportunity to revisit those much-loved lines remembered from earlier days.

    The city was a place of endless possibility, and he captured the pace and rhythms, the quandaries and exhilarations of city life. This selection of his work is edited by Mark Ford.

    A collection of poetry by the German poet whose parents were murdered in Nazi concentration camps and who eventually committed suicide features essays on Jewish heritage and alienation.

    I lived throughyou not knowing, not knowing I was living.I learned that you called for me. I came to whereyou were living, up a stair. There was no one there.No one to appreciate me. The legality of itupset a chair. Many times to celebratewe were called together and wherewe had been there was nothing there,nothing that is anywhere. We passed obliquely,leaving no stare. When the sun was done muttering,in an optimistic way, it was time to leave that there. --from “The New Higher”

    

    Written between the ages of sixteen and eighteen, with examinations of anxiety, death, first loves, and first lusts, Graffiti extends a hand to those undergoing the trials and uncertainty of teenagehood, and assures them they're not alone.

    But her glory is only surface deep. Aurelia's complaining spirit is a stark contrast to that of her servant-girl, Doris, who knows that in spite of life's troubles, she will one day “dwell in the house of the Lord forever.” Her many talents and cheerful disposition cause her to be loved and appreciated, even by the notable residents of Waverly Manor. How jealousy swells within Aurelia's vengeful mother! She'll get even yet…

    Shaped prose is a form that works the "little edges" of lyric and discourse, and radiates out into the space between them. As occasional pieces, many of the poems in the book are the result of a request or commission to comment upon a work of art, or to memorialize a particular moment or person. In Moten's poems, the matter and energy of a singular event or person are transformed by their entrance into the social space that they, in turn, transform. An online reader's companion is available at http: //fredmoten.site.wesleyan.edu.

    Since then his poems have become landmarks, sculpted in granite and built from concrete, recorded on era-defining albums and declaimed in over twenty countries.He has performed to thousands of football fans at the FA Cup Final, to hundreds of thousands as the poet of the 2012 Olympics, and to millions across our TV screens and the airwaves of BBC Radio. He has become one of the nation's best-loved voices.

    Eliot PrizeDear son, I was mezzo del camminand the true path was as lost to me as everwhen you cut in front and lit it as you ran.See how the true gift never leaves the giver . . .—from "Waking with Russell"Hailed for its "seriousness and moral urgency" (The Independent), Landing Light is one of the most important and resonant poetry collections to come out of Britain in recent years.

    As with his debut, The Final Voicemails brushes up against the pain, fear, and isolation that accompany a long illness, but with all the creative force of an artist in full command of his craft and the teeming affection of a human utterly in love with the world.The representation of the end of life resists simplicity here. It is physical decay, but it is also tedium. It is alchemy, "the breaking apart, / the replacement of who, when, how, and where, / with what." It is an antagonist--and it is a part of the self. Ritvo's poems ring with considered reflection on the enduring final question, while suggesting--in their vibrancy and their humor--that death is not merely an end.The Final Voicemails is an ecstatic, hopeful, painful--and completely breathtaking--second collection.

    Cope continues to be the most generous of authors, sharing her experience of childhood and marriage and writing poignantly about the passing of time. In several of the poems she reimagines Shakespeare in unorthodox fashion; in others she offers heartfelt tributes to friends and to public figures including Eric Morecambe and John Cage.Anecdotal Evidence demonstrates the formal brilliance and empathetic insight which have delighted readers for years, and shows why Wendy Cope is one of our best-loved poets.