THIS 6 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Master Thoughts of Master Minds in Poem, Prose and Pencil, by Thomas Gray.

    . . I love you too", Robert Browning wrote in January 1845, thus initiating the most celebrated literary correspondence of the 19th century. For the next 12 months, he and Elizabeth Barrett exchanged letters and confidences. In this elegant format, the delicate interplay between the poems and the lovers' letters become vividly apparent.Elizabeth Barrett Browning was a prolific writer and reviewer in the Victorian period, and in her lifetime, her reputation as a poet was at least as great as that of her husband, poet Robert Browning. Some of her poetry has been noted in recent years for strong feminist themes, but the poems for which Elizabeth Barrett Browning is undoubtedly best know are Sonnets from the Portuguese.Written for Robert Browning, who had affectionately nicknamed her his "little Portuguese," the sequence is a celebration of marriage, and of one of the most famous romances of the nineteenth century. Recognized for their Victorian tradition and discipline, these are some of the most passionate and memorable love poems in the English language. There are forty-four poems in the collection, including the very beautiful sonnet, "How do I love thee? Let me count the ways."

    Martin's innovative Case Studies in Contemporary Criticism series has introduced more than a quarter of a million students to literary theory and earned enthusiastic praise nationwide. Along with an authoritative text of a major literary work, each volume presents critical essays, selected or prepared especially for students, that approach the work from several contemporary critical perspectives, such as gender criticism and cultural studies. Each essay is accompanied by an introduction (with bibliography) to the history, principles, and practice of its critical perspective. Every volume also surveys the biographical, historical, and critical contexts of the literary work and concludes with a glossary of critical terms. New editions reprint cultural documents that contextualize the literary works and feature essays that show how critical perspectives can be combined.

    His work includes political poems, satire, religious apologias, translations, critical essays and plays. This authoritative edition brings together a unique combination of Dryden's poetry and prose--all the major poems in full, literary criticism, and translations--to give the essence of his work and thinking.The collection includes the poems, MacFlecknoe and Absalom and Achitophel as well as Dryden's classical translations; his versions of Homer, Horace, and Ovid are reproduced in full. There are also substantial selections from Dryden's Virgil, Juvenal, and other classical writers. Fables, Ancient and Modern, taken from Chaucer, Ovid, Boccaccio, and Homer, his last and possibly greatest work, also appears in full.

    Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.

    Winner of the Man Booker Prize for Fiction 2011 Flaubert's Parrot deals with Flaubert, parrots, bears and railways; with our sense of the past and our sense of abroad; with France and England, life and art, sex and death, George Sand and Louise Colet, aesthetics and redcurrant jam; and with its enigmatic narrator, a retired English doctor, whose life and secrets are slowly revealed.A compelling weave of fiction and imaginatively ordered fact, Flaubert's Parrot is by turns moving and entertaining, witty and scholarly, and a tour de force of seductive originality

    Awkward young Huru's adventures begin when her brother abandons her during a journey from Istanbul to Baghdad. By the end, when she trades her musical talent for something more valuable, Huru has spent time disguised as a boy and has married a woman; she has seen Persia, Turkey and Syria and traveled through time; she has married a sultan, borne his son and survived--with help from the spirit world--by her wits and her talent for playing her stone lyre. Along the way, she encounters many renowned figures, including Shahrazad, the witty and driven writer, and Lady Zubaida, a successful and independent businesswoman married to the infamous ruler Harun-er-Rashid. Through these anecdotes, the reader catches sometimes magical glimpses of a different world and a tumultuous era. But the novel's density and jarring mix of formal, archaic rhythms with modern language discourage a reader's total immersion.

    Tartuffe worms his way into Orgon’s household, blinding the master of the house with his religious "devotion," and almost succeeds in his attempts to seduce his wife and disinherit his children before the final unmasking.

    For Lucy Ashton and Edgar Ravenswood, acts of heroism are thwarted and love is doomed by social, political and historical division. This edition restores the action to the years of uncertainty and political flux before the Union of Scotland and England in 1707, rather than after, as Scott's later revision had placed it.

    Highly popular and influential in the development of Elizabethan drama, it established a new genre in English theatre; the revenge play.

    The poem was inspired by Germanic and Anglo-Saxon oral tradition recounting the exploits of Beowulf, the hero who gave his name to the poem. Here, it's transcribed as a verse epic, onto which are grafted Christian additions.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Already weakened in spirit by Guinevere’s infidelity with the now-exiled Lancelot, Arthur must rouse his knights to battle one last time against Mordred’s rebels and foreign mercenaries. Powerful, passionate, and filled with vivid imagery, this unfinished poem reveals Tolkien’s gift for storytelling at its brilliant best. Christopher Tolkien, editor, contributes three illuminating essays that explore the literary world of King Arthur, reveal the deeper meaning of the verses and the painstaking work his father applied to bring the poem to a finished form, and investigate the intriguing links between The Fall of Arthur and Tolkien’s Middle-earth.

    Sidney's extraordinary originality, and the impetus given by his writing to those who followed him, make his poetry of lasting value.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.