This riveting book is both an indictment of an agency that lost its way and an unprecedented look at the roots of modern terrorism, and includes a new afterword in which Baer speaks out about the American war on terrorism and its profound implications throughout the Middle East.“Robert Baer was considered perhaps the best on-the-ground field officer in the Middle East.”–Seymour M. Hersh, The New YorkerFrom The PrefaceThis book is a memoir of one foot soldier’s career in the other cold war, the one against terrorist networks. It’s a story about places most Americans will never travel to, about people many Americans would prefer to think we don’t need to do business with.This memoir, I hope, will show the reader how spying is supposed to work, where the CIA lost its way, and how we can bring it back again. But I hope this book will accomplish one more purpose as well: I hope it will show why I am angry about what happened to the CIA. And I want to show why every American and everyone who cares about the preservation of this country should be angry and alarmed, too.The CIA was systematically destroyed by political correctness, by petty Beltway wars, by careerism, and much more. At a time when terrorist threats were compounding globally, the agency that should have been monitoring them was being scrubbed clean instead. Americans were making too much money to bother. Life was good. The White House and the National Security Council became cathedrals of commerce where the interests of big business outweighed the interests of protecting American citizens at home and abroad. Defanged and dispirited, the CIA went along for the ride. And then on September 11, 2001, the reckoning for such vast carelessness was presented for all the world to see.

    One of the toughest lessons of her deployment was articulated by the TV show M*A*S*H, 'There are two rules of war. Rule number one is that young men die. Rule number two is that doctors can't change rule number one'.

    Our opponents have not been able to stand against conventional forces in battle, and resort to guerrilla tactics, engaging our forces with IEDs and ambushes. Into this mix of behind-the-lines attacks, combat logistics have played a larger role than ever.In Afghanistan particularly, the long convoy routes have been vulnerable to the same kind of surprise attacks suffered by the Soviets in past decades, the British 150 years ago, and Alexander the Great 2,000 years ago. In that godforsaken landlocked land, the means to supply a Western army has to be undertaken with blood and sweat, once the quick panacea of airpower is overtaxed.When he joined the Marines, Jeff Clement was not a high-speed, top-secret recon guy. A logistician instead, he led combat convoys across treacherous terrain in southern Afghanistan through frequent enemy attacks in order to resupply US and British positions. As such he and his vehicles were a constant target of the resistance, and each movement was a travail, often accompanied by thundering blasts as the insurgents paved their way with IEDs. Each movement was fraught with danger, even as each objective had to be met.The Lieutenant Don't Know provides a refreshing look at the nitty-gritty of what our troops have been dealing with in Afghanistan, from the perspective of a young officer who was willing to learn, and also take responsibility for his Marines in a confusing war where combat was not merely on the "front," but all around.

    As the US enters the Second World War, the young college graduate is desperate to aid in the war effort, but no one is interested in a bright-eyed young woman whose only career experience is modeling clothes. Aline’s life changes when, at a dinner party, she meets a man named Frank Ryan and reveals how desperately she wants to do her part for her country. Within a few weeks, he helps her join the Office of Strategic Services—forerunner of the CIA. With a code name and expert training under her belt, she is sent to Spain to be a coder, but is soon given the additional assignment of infiltrating the upper echelons of society, mingling with high-ranking officials, diplomats, and titled Europeans, any of whom could be an enemy agent. Against this glamorous backdrop of galas and dinner parties, she recruits sub-agents and engages in deep-cover espionage to counter Nazi tactics in Madrid. Even after marrying the Count of Romanones, one of the wealthiest men in Spain, Aline secretly continues her covert activities, being given special assignments when abroad that would benefit from her impeccable pedigree and social connections. Filled with twists, romance, and plenty of white-knuckled adventures fit for a James Bond film, The Princess Spy brings to vivid life the dazzling adventures of a remarkable American woman who risked everything to serve her country.

    He reads Graham Greene, listens to early-90s house on his iPod and watches Vietnam movies. He has also, as an officer in the Grenadier Guards, fought in some of the most violent combat the British army has seen in a generation. This is the story of how a modern soldier is made, from the testosterone-heavy breeding ground of Sandhurst to the nightmare of Iraq and Afghanistan. Showing war in all its terror, boredom and exhilaration, The Junior Officers’ Reading Club is already being hailed as a modern classic.

    Surrounded by men and women whose skills–as doctors, nurses, and therapists–seemed eminently more practical than her own, Rodriguez, a hairdresser and mother of two from Michigan, despaired of being of any real use. Yet she soon found she had a gift for befriending Afghans, and once her profession became known she was eagerly sought out by Westerners desperate for a good haircut and by Afghan women, who have a long and proud tradition of running their own beauty salons. Thus an idea was born. With the help of corporate and international sponsors, the Kabul Beauty School welcomed its first class in 2003. Well meaning but sometimes brazen, Rodriguez stumbled through language barriers, overstepped cultural customs, and constantly juggled the challenges of a postwar nation even as she learned how to empower her students to become their families’ breadwinners by learning the fundamentals of coloring techniques, haircutting, and makeup.Yet within the small haven of the beauty school, the line between teacher and student quickly blurred as these vibrant women shared with Rodriguez their stories and their hearts: the newlywed who faked her virginity on her wedding night, the twelve-year-old bride sold into marriage to pay her family’s debts, the Taliban member’s wife who pursued her training despite her husband’s constant beatings. Through these and other stories, Rodriguez found the strength to leave her own unhealthy marriage and allow herself to love again, Afghan style.With warmth and humor, Rodriguez details the lushness of a seemingly desolate region and reveals the magnificence behind the burqa. Kabul Beauty School is a remarkable tale of an extraordinary community of women who come together and learn the arts of perms, friendship, and freedom.From the Hardcover edition.

    He was put to work every day in a German factory, where he labored alongside Jewish prisoners from a nearby camp called Auschwitz. The stories they told him were horrifying. Eventually Avey's curiosity, kind-heartedness, derring-do, and perhaps foolhardiness drove him to suggest--and remarkably manage--switching places with two of the Jewish prisoners in order to spend a couple of harrowing days and nights inside. Miraculously, he lived to tell about it.Surely deserving of its place alongside the great World War II stories, this is an incredible tale of generosity, courage, and, for one Jewish prisoner whom Denis was able to help, survival. Amazingly, breathtakingly, it is told here for the first time.

    But when Saddam Hussein's regime took power, she was thrown into cell 52 in the infamous Baladiyat prison with seventeen other nameless, faceless women from all walks of life. To ease their suffering, these "shadow women" passed each day by sharing their life stories. Now, through Jean Sasson, Mayada is finally able to tell her story--and theirs--to the world.

    For too many people, the damage is still too palpable, and still unfolding. Most of the major players in that decision are still with us, and few are not haunted by it, in one way or another. Perhaps that combination, the passage of the years and the still unresolved trauma, explains why so many protagonists opened up so fully for the first time to Robert Draper.Draper's prodigious reporting has yielded scores of important new revelations, from the important to the merely absurd. As a whole. the book paints a vivid and indelible picture of a decision-making process that was fatally compromised, by a combination of post-9/11 fear and paranoia, rank naïveté, craven group think, and a set of actors with idées fixes who gamed the process relentlessly. Everything was believed; nothing was true. The intelligence failure was comprehensive. Draper's fair-mindedness and deep understanding of the principal actors suffuse his account, as does a storytelling genius that is close to sorcery. No one is cheap-shotted here, which makes the ultimate conclusion all the more damning. In the spirit of Barbara Tuchman's The Guns of August and Marc Bloch's Strange Defeat, To Start a War will stand as the definitive account of a collective process that arrived at evidence that would be prove to be, not just dubious but entirely false, driven by imagination rather than a quest for truth--evidence to drive a verdict that led to hundreds of thousands of deaths and a flood tide of chaos in the Middle East that shows no signs of ebbing.

    Taylor Jr. and his brother Marines are assembled into a new reaction force that is immediately tested in the fire of a bloody conflict known as Operation Beaver Cage. After a traumatic first fight, they push through back-to-back operations with little time to rest or reflect. Those who survive will return home ensnared by everlasting memories of a real, but entirely surreal nightmare. Now after more than fifty years of holding everything in, Taylor shares his experience in explicit and often horrific detail and with a reverent honor for those Marines who did not live to tell the tale.Taylor reveals what it truly means to walk the path of a warrior, to sacrifice, and to live a lifetime with the memories of a war—seeking answers to the question, “Was it worth it?"

    Between these pages are the heartfelt, first-hand accounts from, and about, the men who lived, fought, and died for their country, their Regiment, and each other. Objective Rhino, Haditha Dam, recovering Jessica Lynch, the hunt for Zarqawi, the recovery of Extortion 17 and everything in between... These stories have been told many times in barracks rooms, bar tables, and backyard barbecues but they have never before been shared with the general public. It is time for those stories to be heard. So much more than just stories from a specific unit; this book reveals the sights, smells, and emotions of everything that happens in war - good or bad. It will be seen as the quintessential, ageless work on the human condition in combat. Whether you served in the military, are a fan of military history, or just want to know more about your fellow man in times of war - this is the book for you.

    For nearly three months, American and Iraqi troops fought for control over the most dangerous urban district of Baghdad, against the ruthless insurgent militia of the Jaish al-Mahdi - a struggle that would change the face of the entire war.Sgt Ludwig's gripping narrative offers and unfiltered view of the Final Battle of Sadr City, as seen through his eyes from behind the wrath of a machine gun. Still a young idealistic boy, he enlists with a high-impact urban assault Stryker unit known as "Bull Company" and comes face-to-face with his own oblivion. Up against the full might of the Jaish al-Mahdi, they embark on a one-way mission deep behind enemy lines, to capture a well-guarded militia stronghold and defend their ground "for as long as it takes."This is the story of what really happened in the late years of Operation Iraqi Freedom.The story our media neglected to tell.

    Through her articles and live television coverage she reported on the events in Iraq before, during, and after the attacks by the American and British forces. But Seierstad was after a story far less obvious than the military invasion. From the moment she arrived in Baghdad Seierstad was determined to understand the modern secrets of an ancient place and to find out how the Iraqi people really live. In A Hundred and One Days , she introduces us to daily life under the constant threat of attack -- first from the Iraqi government and later from American bombs. Moving from the deafening silence of life under Hussein to the explosions that destroyed the power supply, the water supply, and security, Seierstad sets out to discover: What happens to people when the dam bursts? What do they choose to say when they can suddenly say what they like? What do they miss most when their world changes overnight? Displaying the novelist's eye and lyrical storytelling that have won her awards around the world, Seierstad here brings to life an unforgettable cast of characters to tell the stories we never see on the evening news. The only woman in the world to cover both the fall of Kabul in 2001 and the bombings of Baghdad in 2003, Ã…ne Seierstad has redefined war reporting with her mesmerizing book.

    It was an order the young lieutenant protested vehemently, but the commanders at the Tactical Command Center disregarded his objections. Uthlaut split his platoon into two serials, with serial one traveling northwest to Manah and serial two towing a broken Humvee north toward the Khost highway. By nightfall, Uthlaut and his radio operator were seriously wounded, and an Afghan militia soldier and a U.S. soldier were dead. The American soldier was my son, Pat Tillman. The Tillman family was originally informed that Pat, who had given up a professional football career to serve his country, had been shot in the head while getting out of a vehicle. At his memorial service twelve days later, they were told that he was killed while running up a hill in pursuit of the enemy. He was awarded a Silver Star for his courageous actions. A month and two days after his death, the family learned that Pat had been shot three times in the head by his own troops in a "friendly fire" incident. Seven months after Pat's death, the Tillmans requested an investigation. Boots on the Ground by Dusk is a chronicle of their efforts to ascertain the true circumstances of Pat's death and the reasons why the Army gave the family and the public a false story. Woven into the account are valuable and respectful memories of Pat Tillman as a son, brother, husband, friend, and teammate, in the hope that the reader will better comprehend what is really lost when our sons and daughters are killed or maimed in war. In the course of three and a half years, there have been six investigations, several inquiries, and two Congressional hearings. The Tillmans are still awaiting an outcome.

    It, too, is destined to become a classic text on the absurdities of war. Evocative, emotionally wrenching, and yet clear-eyed and dispassionate, Pumpkinflowers is a stunning achievement.” —Kai Bird, Pulitzer Prize–winning biographer and New York Times bestselling author of The Good SpyIt was one small hilltop in a small, unnamed war in the late 1990s, but it would send out ripples still felt worldwide today. The hill, in Lebanon, was called the Pumpkin; flowers was the military code word for “casualties.” Award-winning writer Matti Friedman re-creates the harrowing experience of a band of young soldiers--the author among them--charged with holding this remote outpost, a task that changed them forever and foreshadowed the unwinnable conflicts the United States would soon confront in Iraq, Afghanistan, and elsewhere.Part memoir, part reportage, part military history, this powerful narrative captures the birth of today’s chaotic Middle East and the rise of a twenty-first-century type of war in which there is never a clear victor, and media images can be as important as the battle itself. Raw and beautifully rendered, Pumpkinflowers will take its place among classic war narratives by George Orwell, Philip Caputo, and Vasily Grossman. It is an unflinching look at the way we conduct war today.