But tourists and opportunists are making inroads into the area, and the balance of nature is making a dangerous shift. Translated by Peter Bush.

    Mao, at least, is still on view for the masses to see, some two decades after his demise. But no corpse engendered as much intrigue as that of Eva Peron. Elevated to near sainthood in Argentina after her death in 1952, her perfectly preserved corpse was seized by the Argentine Army following the ouster of her husband in 1955. By then, her corpse was the equivalent of a sacred relic, and while army officials wanted to keep it out of the hands of Peronists, they were loath to destroy the corpse for fear of the wrath that might follow. Tomas Eloy Martinez has reassembled the story of the corpse of Eve Peron in Santa Evita, and in the process, produced a riveting, rich book that not only tells the tale of one of the more bizarre sagas in the history of South American politics, but that also gets to the heart of the age-old human impulse to create myths and tell stories.

    The Confusions of Young Törless, published in 1906 while he was a student, uncovers the bullying, snobbery, and vicious homoerotic violence at an elite boys academy. Unsparingly honest in its depiction of the author's tangled feelings about his mother, other women, and male bonding, it also vividly illustrates the crisis of a whole society, where the breakdown of traditional values and the cult of pitiless masculine strength were soon to lead to the cataclysm of the First World War and the rise of fascism. More than a century later, Musil's first novel still retains its shocking, prophetic power.

    He begins to notice his growing attraction to some of the boys in his class, particularly the pubescent body of his friend Omi. To hide his homosexuality, he courts a woman, Sonoko, but this exacerbates his feelings for men. As news of the War reaches Tokyo, Kochan considers the fate of Japan and his place within its deeply rooted propriety.Confessions of a Mask reflects Mishima’s own coming of age in post-war Japan. Its publication in English―praised by Gore Vidal, James Baldwin, and Christopher Isherwood―propelled the young Yukio Mishima to international fame.

    Here he reveals his delight in re-creating (or making up) colorful stories from the Orient, the Islamic world, and the Wild West, as well as his horrified fascination with knife fights, political and personal betrayal, and bloodthirsty revenge. Sparkling with the sheer exuberant pleasure of story-telling, this wonderful collection marked the emergence of an utterly distinctive literary voice.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    The themes of the book explore the problem of morals, the problem of society and the problems facing writers. An appendix to this edition (Vintage, 1973) contains excerpts from the Gide's notebooks which he kept while writing this book.

    The first draft was written while Genet was incarcerated in a French prison; when the manuscript was discovered and destroyed by officials, Genet, still a prisoner, immediately set about writing it again. It isn't difficult to understand how and why Genet was able to reproduce the novel under such circumstances, because Our Lady Of The Flowers is nothing less than a mythic recreation of Genet's past and then - present history. Combining memories with facts, fantasies, speculations, irrational dreams, tender emotion, empathy, and philosophical insights, Genet probably made his isolation bearable by retreating into a world not only of his own making, but one which he had total control over.

    With the off-handed knowingness of a remorseless young Eve, the narrator describes life as a captive of the school and her designs to win the affections of the apparently perfect new girl, Fréderique. As she broods over her schemes as well as on the nature of control and madness, the novel gathers a suspended, unsettling energy. Now translated into six languages, I beati anni del castigo in its Italian original won the 1990 Premio Bagutta and the 1990 Premio Speciale Rapallo. In Tim Parks’ consummate translation (with its "spare, haunting quality of a prose poem"), Sweet Days of Discipline was selected as one of the London Times Literary Supplement’s Notable Books of 1992: "In a period when novels are generally overblown and scarcely portable, it is good to be able to recommend [one that is] miraculously short and beautifully written."

    The narrator, unable to stop himself, tries to track Ruiz-Tagle down, and sees signs of his activity over and over again. A corrosive, mocking humor sparkles within Bolaño's darkest visions of Chile under Pinochet. In Bolaño's world there's a big graveyard and there's a big graveyard laugh. (He once described his novel By Night in Chile as "a tale of terror, a situation comedy, and a combination pastoral-gothic novel.")Many Chilean authors have written about the "bloody events of the early Pinochet years, the abductions and murders," Richard Eder commented in the The New York Times: "None has done it in such a dark and glittering fashion as Roberto Bolaño."

    He saw the beauty of the Peruvian landscape, as well as the grimness of social conditions in the Andes, through the eyes of the Indians who are a part of it. Ernesto, the narrator of Deep Rivers, is a child with origins in two worlds. The son of a wandering country lawyer, he is brought up by Indian servants until he enters a Catholic boarding school at age 14. In this urban Spanish environment he is a misfit and a loner. The conflict of the Indian and the Spanish cultures is acted out within him as it was in the life of Arguedas. For the boy Ernesto, salvation is his world of dreams and memories. While Arguedas' poetry was published in Quechua, he invented a language for his novels in which he used native syntax with Spanish vocabulary. This makes translation into other languages extremely difficult, and Frances Horning Barraclough has done a masterful job, winning the 1978 Translation Center Award from Columbia University for her efforts.

    This new, expanded edition features exclusive, unpublished photos taken by the 23-year-old Ernesto on his journey across a continent, and a tender preface by Aleida Guevara, offering an insightful perspective on the man and the icon.Features of this edition include:A preface by Che Guevara’s daughter AleidaIntroduction by Cintio Vintier, well-known Latin American poetPhotos & maps from the original journeyPostcript: Che’s personal reflections on his formative years: “A child of my environment.”  Published in association with the Che Guevara Studies Center, Havana

    Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there’s no going back.Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico to search for her brother, she is smuggled into the USA carrying a pair of secret messages – one from her mother and one from the Mexican underworld.

    In the brutality of his honesty, Mr. Gutierrez reminds one of Jean Genet and Charles Bukowski.” —New York TimesDirty Havana Trilogy chronicles the misadventures of Pedro Juan, a former journalist now living hand to mouth in and around Cuba, half disgusted and half fascinated by the depths to which he has sunk. Collecting garbage, peddling marijuana or black-market produce, clearing undesirables off the streets, whoring himself, begging, sacrificing to the santos, Pedro Juan scrapes by under the shadow of hunger—all the while surviving through the escapist pursuit of sex. Pedro Juan’s unsentimental, mocking, yet sympathetic eye captures a shocking underbelly of today’s Cuba.Banned in Cuba but celebrated throughout the Spanish speaking world, Gutierrez’s picaresque novel is a fierce, loving tribute to Havana and the defiant, desperate way of life that flourishes amid its decay.

    The writer's job is to tidy it up: he rants, "that was what my work was all about, cleaning up and giving a manicure to the Catholic hands that were piously getting ready to squeeze the balls of the military tiger." Mesmerized by the strange Vallejo-like poetry of the Indians' phrases ("the houses they were sad because no people were inside them"), the increasingly agitated and frightened writer is endangered twice over: by the spell the strangely beautiful heart-rending voices exert over his tenuous sanity, and by real danger—after all, the murderers are the very generals who still run this unnamed Latin American country.

    A man who does not struggle does not live, he survives." (quote from the book)The book is a pseudo-biography about Alexandros Panagoulis written in the form of a novel. Fallaci had an intense romantic relationship with Panagoulis. She uses the novel to put forth her view that Panagoulis was assassinated by a vast conspiracy, a view widely shared by many Greeks.