Zed is still obsessed with the betrayals of his own past but must fill in the blanks of this victim's life. Who tortured and killed Smit, and who was Smit in the first place? Not the man whose papers he carries, that much is certain. Zed can never be sure of the loyalties of the people with whom he is dealing--his own past reputation ensures that--and he soon finds himself uncovering secrets that the security services of many countries would like left alone.

    A Man Who Is Not A Man recounts the personal trauma of a young Xhosa initiate after a rite-of-passage circumcision has gone wrong. With frankness and courage, author Thando Mgqolozana's powerful novel details the pain and lifelong shame that is experienced as a result of not just the physical trauma, but the social ostracism of being labeled 'a failed man.' He decodes the values and mysteries of this deep-seated cultural tradition and calls to account the elders for the disintegrating support systems that allow such tragic outcomes to happen. But it is also through this life-changing experience that his protagonist is forced to find his strength and humanity, and reassess what it really means to be a man.

    She has to adapt and make a home for her baby daughter and aging husband amidst boreholes, long drops and Aga stoves.She comes to terms with her neighbours, Joshua, a practising Sangoma, and Ben, a Jewish pig farmer; is educated in the ways of the Practical by her indomitable maid May; and comes of age through her determined efforts to create things of beauty amidst the khakibos - a lawn and poetry. She even restores the family fortune by engaging in a lucrative and uniquely South African venture.

    She manages to escape Chris' wrath and hides out at a neighbors house. While in hiding, Tammy contacts her three older brothers and ask them to come and rescue her. The brothers quickly run to her rescue, but in doing so, they overlook their own flaws: one of the brothers physically abuses his own wife; a second other brother is a deadbeat dad who is supposed to see his kids the day they leave to get Tammy; and the last brother is a minister - the ultimate conflict of interest. The three men are forced to face their own demons and eventually learn that people who live in "glass houses" have no right to throw stones.

    As she struggles to communicate with her maidservant turned caretaker, Agaat, the complicated history of their relationship is revealed.Life for white farmers in 1950s South Africa was full of promise. Young and newly married, Milla carved her own farm out of a swathe of Cape mountainside. She earned the respect of the male farmers in her community and raised a son. But forty years later all she has left are memories and the proud, contrary Agaat. With punishing precision, yet infinite tenderness, Agaat performs her duties, balancing anger with loyalty. As Milla’s white world and its certainties recede and Agaat faces the prospect of freedom, the shift of power between them mirrors the historic changes happening around them. Marlene van Niekerk’s epic masterpiece portrays how two women—and, perhaps, a nation—can forge a path toward understanding and reconciliation.

    He prided himself on furthering relations between communities, speaking several tribal languages fluently and developing a reputation as a man to be trusted and sought after for help and advice. With a thriving young family, a devoted wife and a quick succession of promotions, George is proud of everything he has achieved so far, in particular the understanding he is fostering between whites and blacks. Then, in the wake of the 1948 elections, George feels a shift in the Native Affairs Department's agenda. As he is shunted from one outpost to another, his role becoming ever more hopeless, his place in South Africa's future increasingly hazy, he feels the weight of his powerlessness and finds himself fighting off a crippling depression. "The Native Commissioner" is a heart-wrenching portrayal of a kind and conscientious man who felt himself cast adrift under the weight of South African apartheid.

    South Africa is on the brink of total transformation and in Walmer Estate, a busy suburb on the slopes of Devil’s Peak, fourteen-year-old Alia Dawood is about to undergo a transformation of her own. She watches with fascination and fear as the national drama unfolds, longing to be a part of what she knows to be history in the making. As her revolutionary aspirations strengthen in the months before the elections, her intense, radical Uncle Waleed reappears, forcing her parents and sister Nasreen to confront his subversive and dangerous past.Nadia David’s first novel moves across generations and communities, through the suburbs to the city centre, from the lush gardens of private schools to the dingy bars of Observatory, from landmark mosques and churches to the manic procession of the Cape Carnival, through evictions, rebellions, political assassinations and first loves. The book places one family’s story at the heart of a country’s rebirth and interrogates issues of faith, race, belonging and freedom.An Imperfect Blessing is a vibrant, funny and moving debut.

    "A rare playwright, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize."--Mel Gussow, The New Yorker

    For the first time since she was a young girl her time is her own, her body is her own, her thoughts are her own. In solitude, she is finally able to reflect on her own existence and its meaning,  bringing her a semblance of inner peace. Scenes from her former life shuttle through her mind: how owner after owner assaulted her, and how each of her babies were taken away as soon as they were weaned, their futures left to her imagination. We are the sole witnesses to her history: her capture as a child, her tortured days in a harbor city on the eastern coast as a servant, her journey with her last owner and protector, her flight, and the kaleidoscopic world of her baobab tree. Wilma Stockenström's profound work of narrative fiction, translated by Nobel Prize winner J.M. Coetzee, is a rare, haunting exploration of enslavement and freedom.

    It is the heyday of apartheid. Although not a word is exchanged, a strong erotic bond develops between the two of them, culminating in what is later seen as a rape and for which the narrator gets the death sentence. In an absolute tour de force the narrator, only ever referred to as Mr Sibiya, waiting to be executed, writes down his story - reconstructing bit by bit not only his own and a brief history of his family, but also his obsession with the white girl, the court proceedings, and his encounters with Dr Dufre, a Swiss criminologist who has been granted permission of compile a dossier of the case. One of the most remarkable things about the novel is the narrator's ability to be objective, to view himself and the series of events almost dispassionately.

    Building on front-line research in the war against crime in Durban, South Africa, with assistance and guidance from detectives, forensics experts, and victims of crime, the author has explored the precise locations in which scenes are set, and has captured details of background, history, and actual crimes before adapting them for his purposes into fast-paced fiction thrillers. His intention is to create exciting crime stories steeped in authenticity of action, place and time, while exploring current debates on law, justice, crime and moral responsibility. Intrigued by the way the character Mashego evolved in 'Plain Dealing', he decided to trace back in the detective's past to explore the origins of his attitude and approach to police work. 'The Mashego File' traces this earlier phase in the policeman's career.

    She craved freedom more than anything in the world and she was determined to have it. But just as she seemed to have it all figured out, an unexpected curve ball from her past, drastically shakes things up a bit. Before long, her past and her present begin to collide and secrets that she thought would stay hidden forever; are out in the open for the whole world and everyone else to see. Paying the price for her indiscretions is more than Skilar could handle and jealousy soon gets the best of her. The unthinkable become her first thought, the unbearable becomes her first actions, and the unsaid seemed to be the very thing that everyone was talking about. Just because it’s in the dark, is it necessarily hidden? Or can you fumble around long enough until you somehow stumble across it? The lights are on and with secrecy, history, and disloyalty suddenly all around her, Skilar quickly learns that no one can be trusted…not even the people she trusts the most.

    Suddenly, no amount of cocktails can cure the stress that simultaneously unsettles their lives. Nandi’s final wedding arrangements are nearly in place so why is she feeling on edge? Zaza, the “trophy wife”, waits for the day her affair comes to light and her husband gives her a one-way ticket back to the township. Tumi has only one wish to complete her perfect life – a child. But when her wish is granted, it’s not exactly how she pictured it. And Princess? For the first time ever, she has fallen in love – with Leo, a painter who seems to press all the right buttons. But soon she discovers – like her friends already have – that life is not a bed of roses, and happiness never comes with a manual . . .

    Ape. Living dead. Young and albino, Chipo has been called many things, but to her mother – Zimbabwe’s most loyal Manchester United supporter – she had always been a gift. On the eve of the World Cup, Chipo and her brother flee to Cape Town, hoping for a better life and to share in the excitement of the greatest sporting event ever to take place in Africa. But the Mother City’s infamous Long Street is a dangerous place for an illegal immigrant and an albino. Soon Chipo is caught up in a get-rich-quick scheme organised by her brother and the terrifying Dr Ongani. Exploiting gamblers’ superstitions about albinism, they plan to make money and get out of the city before rumours of looming xenophobic attacks become a reality. But their scheming has devastating consequences. Set in the underbelly of a pulsating Cape Town, Meg Vandermerwe’s Zebra Crossing is an arresting debut and a bold, lyrical imagining of what it’s like to live in another person’s skin.

    Louise Ahrendts, daughter of a local shipbuilder, nurtures the dream of becoming a nurse amid the unwritten, unspoken rules about colour that might hold her back.As the port becomes a hub of activity following the outbreak of the Second World War, Louise crosses paths with man she is determined to be with - despite all the obstacles that life and war can throw in their way. But when a new troubled moment of history dawns, can they find their way back to each other?