Ravi , son of a peasant, joins in the general exodus to the city, and, floating through the indifferent streets, lands into the underworld of petty criminals. He falls in love with pretty Nalini, and marries her against all odds. She tries to change his way of life but fate conspires against him . . And the story moves to a memorable and a haunting climax. MEDIA REVIEWS:From among the handful of Indo-Anglian women novelists, Kamala Markandaya stands out as one of the3 finest and most impassionate writers of fiction. Her greatest asset is her language - virile, vibrant and vigorous - with the right choice and turn of words and expressions. A Handful of Rice certainly makes an absorbing and enjoyable reading. - Sunday StandardThe picture of a joint family with its many psychological stresses and strains is deftly drawn, and so is the picture of the shady underworld. The novel is, in a sense, a saga of the triumph of human spirit over poverty's privations and predicaments. - The Indian PENAn overwhelmingly real book. It is about those parts of us, as human beings, which are permanent and universal - love, hunger, lust, passion, ambition, sacrifice, death. She is the best writer now writing who generally uses an Indian background. - John Masters

    Part comedy of manners, part social commentary, love story, mystic narration and thriller, it is a sort of Indian version of Oliver Goldsmith's THE VICAR OF WAKEFIELD.

    Out of the last hours of Virgil's life and the final stirrings of his consciousness, the Austrian writer Hermann Broch fashioned one of the great works of twentieth-century modernism, a book that embraces an entire world and renders it with an immediacy that is at once sensual and profound.Begun while Broch was imprisoned in a German concentration camp, The Death of Virgil is part historical novel and part prose poem - and always an intensely musical and immensely evocative meditation on the relation between life and death, the ancient and the modern.

    A 1950s spy novel from the author of The Alexandria Quartet.

    As she deftly and delicately exposes the cruelty that lurks behind the polished surfaces of conventional society, Bowen reveals herself as a masterful novelist who combines a sense of humor with a devastating gift for divining human motivations.In this piercing story of innocence betrayed set in the thirties, the orphaned Portia is stranded in the sophisticated and politely treacherous world of her wealthy half-brother's home in London. There she encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and he fears her gushing love. To her, Eddie is the only reason to be alive. But when Eddie follows Portia to a sea-side resort, the flash of a cigarette lighter in a darkened cinema illuminates a stunning romantic betrayal—and sets in motion one of the most moving and desperate flights of the heart in modern literature.

    With an often brutal insight into human nature, Nagel draws out the townsfolk, exposing their darkest instincts and suppressed desires. At once arrogant and unassuming, righteous and depraved, Nagel's bizarre behavior and feverish rants seduces the entire community even as he turns it on its head—before disappearing as suddenly as he had arrived.

    Grounded due to a medical condition, Douglas has resigned himself to menial work as a desk clerk at a seedy hotel. But his fortune flips when he discovers a hotel guest dead from a heart attack and, next to him, a tube jammed with hundred-dollar bills. Douglas grabs the money and, with it, the chance to remake his life. In Europe, he meets Miles Fabian, an elegant and erudite con man with a flair for extravagance. Fabian recruits him for his latest ploy: robbing members of the idle rich. But what will happen when his bad behavior catches up with him?

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    A vital document of black modernism and one of the earliest overtly queer fictions in the African American tradition. Published for the first time.Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor. While stowing away on a transatlantic freighter, Lafala is discovered and locked in a frigid closet. Badly frostbitten by the time the boat docks, the once-nimble dancer loses both of his lower legs, emerging from life-saving surgery as what he terms "an amputated man." Thanks to an improbably successful lawsuit against the shipping line, however, Lafala scores big in the litigious United States. Feeling flush after his legal payout, Lafala doubles back to Marseille and resumes his trans-African affair with Aslima, a Moroccan courtesan. With its scenes of black bodies fighting for pleasure and liberty even when stolen, shipped, and sold for parts, McKay's novel explores the heritage of slavery amid an unforgiving modern economy. This first-ever edition of Romance in Marseille includes an introduction by McKay scholars Gary Edward Holcomb and William J. Maxwell that places the novel within both the "stowaway era" of black cultural politics and McKay's challenging career as a star and skeptic of the Harlem Renaissance.

    By presenting a vision of life in which diverse aspects of experience are observed simultaneously, Huxley characterizes the symptoms of "the disease of the modern man" in the manner of a composer--themes and characters are repeated, altered slightly, and played off one another in a tone that is at once critical and sympathetic.First published in 1928, Huxley's satiric view of intellectual life in the '20s is populated with characters based on such celebrities as D.H. Lawrence, Katherine Mansfield, Nancy Cunard, and John Middleton Murry, as well as Huxley himself.

    There, instead of only experiencing the beautiful fortress and Renaissance frescoes, he becomes enthralled with the story of the tragic fate of poet Enzo Strecci, who spent his last days awaiting death in the castle’s dungeon.A Franciscan guide, Niccolò, a refugee as well, will illuminate the past in remarkable ways for the curious tourist. The fascinating and moving tale reaches back not only to Strecci’s life—four centuries earlier—and the doomed passion for a woman, politics, and poetry that became his downfall, but also to Niccolò’s own life, love story, and fateful escape from the brutal conflict between Stalin and Tito.Before the friar’s story is over, three men will be connected, regardless of time and space, by fates aligned by love, betrayal, and politics—and a bittersweet nostalgia for lost home.Revised edition: This edition of A Castle in Romagna includes editorial revisions.

    It is a magic tale based on an insignificant event: the painting of a roof of a bluesky color by removing it from its place. Petrovic has written a great universal story along the lines of magical realism, that reminds of some of the best books of Gabriel García Márquez, Jorge Luis Borges and Carlos Fuentes.

    It includes character studies and summaries of the plot with discussions of the major themes, as well as a background to John Steinbeck.

    Grinner and his bride Reeni, members of a race of Freaks created by mutation and quarantined in Freaktown ghetto, plunge into pornography in order to save money for a Syntha-skin treatment, but although Grinner wants normality, Reeni does not.

    A novel mingling mysticism, madness, sadistic cruelty and nascent sexuality, it gives a scathing insight into the effects of forced vocations and the unnatural life of the convent. A succès de scandale at the end of the eighteenth century, it has attracted and unsettled readers ever since. For Diderot's novel is not simply a story of a young girl with a bad habit; it is also a powerfully emblematic fable about oppression and intolerance.This new translation includes Diderot's all-important prefatory material, which he placed, disconcertingly, at the end of the novel, and which turns what otherwise seems like an exercise in realism into what is now regarded as a masterpiece of proto-modernist fiction.