For thirty years, Diane Covington-Carter dreamed of living in France and immersing herself in the country and language that spoke to her heart and soul. At age fifty, she set off to fulfill that yearning. Journey along with her as she discovers missing pieces of her own personal puzzle that could only emerge in French. Most of all, Covington-Carter learned that a long cherished dream can become even more powerful from the waiting.

    'No writer has probed the riddle of the Other with more patience and insight than Jacques Derrida....By rigorously interrogating the writings of major Western figures, Derrida not only forces a rethinking of the nature of reading and writing but calls into question basic assumptions about ourselves and our world.

    (In fact, he says, in certain situations reading the book is the worst thing you could do). Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, he describes the varieties of "non-reading"—from books that you've never heard of to books that you've read and forgotten—and offers advice on how to turn a sticky social situation into an occasion for creative brilliance. Practical, funny, and thought-provoking, How to Talk About Books You Haven't Read is in the end a love letter to books, offering a whole new perspective on how we read and absorb them. It's a book for book lovers everywhere to enjoy, ponder, and argue about—and perhaps even read.Pierre Bayard is a professor of French literature at the University of Paris VIII and a psychoanalyst. He is the author of Who Killed Roger Ackroyd? and of many other books. Jeffrey Mehlman is a professor of French at Boston University and the author of a number of books, including Emigré New York. He has translated works by Derrida, Lacan, Blanchot, and other authors.

    They shared their worries about work and family, literary opinions and scuttlebutt, moments of despair and hilarity. Living half a continent apart, their friendship was nourished and maintained by their correspondence. What There Is to Say We Have Said bears witness to Welty and Maxwell’s editorial relationships—both in his capacity as New Yorker editor and in their collegial back-andforth on their work. It’s also a chronicle of the literary world of the time; read talk of James Thurber, William Shawn, Katherine Anne Porter, J. D. Salinger, Isak Dinesen, William Faulkner, John Updike, Virginia Woolf, Walker Percy, Ford Madox Ford, John Cheever, and many more. It is a treasure trove of reading recommendations. Here, Suzanne Marrs—Welty’s biographer and friend—offers an unprecedented window into two intertwined lives. Through careful collection of more than 300 letters as well as her own insightful introductions, she has created a record of a remarkable friendship and a lyrical homage to the forgotten art of letter writing.

    However, this anecdote is told ninety-nine more times, each in a radically different style, as a sonnet, an opera, in slang, and with many more permutations. This virtuoso set of variations is a linguistic rust-remover, and a guide to literary forms.

    Written in the splendid bareness of her late style, these pages are Marguerite Duras's theory of literature: comparing a dying fly to the work of style; remembering the trance and incurable disarray of writing; recreating the last moments of a British pilot shot during World War II and buried next to her house; or else letting out a magisterial, so what? To question six decades of storytelling, all the essays together operate as a deceitful, yet indispensable confession.

    Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

    Inspired by the great Thor Heyerdahl, Buck had recruited seven men to join him on this experiment to discover whether it might have been possible that Polynesia was first settled from South America rather than Asia. But when one of them dropped out a place in the crew became available for Nick. What followed was a somewhat bizarre expedition undertaken by a rather makeshift vessel, a couple of ducks (one of which could have only guessed at its fate) and a group of men, who, when all was said and done, weren't quite sure how to sail a boat. Eight Men and a Duck is a tale of storms, amateur seamen and the occasional shark.

    From Tehran to Melbourne, a powerful memoir of survival.Scattered Pearls opens in pre-revolutionary Iran, where Sohila Zanjani grew up under the threat of violence, intimidation and control at the hands of her father. Resolving never to tread in the footsteps of her mother and her grandmother, both survivors of domestic abuse, Sohila tried to find a new life for herself on the other side of the world. But to her horror she discovered that living with her father had been gentle in comparison to the reality of her new married life.Spanning more than a hundred years, Scattered Pearls tells the true stories of Sohila, her mother and her grandmother, and the injustice and abuse meted out by the men in their lives. It is a story of cultural misogyny in both Iran and Australia, and of an ongoing search for a loving, equal relationship.Along the way the book provides a glimpse into the lives of ‘ordinary’ Iranians and the power of the Persian culture. It’s also a confronting insight into what can go on behind closed doors – even in an ‘advanced’ society.But at its heart, Scattered Pearls is a story of resilience and personal growth, and of allowing the future to blossom in spite of the damage of the past. It is one of optimism, courage, and love and hope.This is the story of three women, but it carries with it the stories of an entire culture.

    The Curtain is a seven-part essay by Milan Kundera, along with The Art of the Novel and Testaments Betrayed composing a type of trilogy of book-length essays on the European novel.

    last year, this updated collection contains the best of Robertson Davies' newspaper and magazine articles written over the past 50 years. "Each piece is entertaining and enlightening. . . ".--Publishers Weekly.

    He was also a radical political thinker and eventual exile from France; a gifted painter and architect; a visionary who conversed with Virgil, Shakespeare, and Jesus Christ; in short, a tantalizing personality who dominated and maddened his contemporaries.

    Over sixty years later, this novel, which was an immediate bestseller when published in 1942, is still selling. The child of German American parents, Betty Smith was born and raised in the immigrant slums of Williamsburg, Brooklyn. Forced to go to work at the age of fourteen, she never graduated from high school, but she achieved success as a playwright and novelist, writing four bestsellers over the course of her career. She married three times, was divorced twice, lived for many years with her lover, attended and taught graduate-level courses, raised two daughters, and supported her family during the Depression. While her writing focused on Brooklyn, she lived and worked for most of her adult life in Chapel Hill, North Carolina. This is the first published biography of Betty Smith. Valerie Raleigh Yow has a PhD in history from the University of Wisconsin. She has published two previous academic books and a biography of North Carolina novelist Bernice Kelly Harris (Louisiana State University Press, 1999) and is a psychotherapist in Chapel Hill, North Carolina.

    Esper’s first book, The Actor’s Art and Craft, earned praise for describing the basics taught in his famous first-year acting class. The Actor’s Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper’s second-year course, again through the experiences of a fictional class. Esper’s training builds on Sanford Meisner’s legendary exercises, a world-renowned technique that Esper further developed through his long association with Meisner and the decades he has spent training a host of distinguished actors. His approach is flexible enough to apply to any role, helping actors to create characters with truthful and compelling inner lives.

    NO EXIT is an unforgettable portrayal of hell. THE FLIES is a modern reworking of the Electra-Orestes story. DIRTY HANDS is about a young intellectual torn between theory and praxis. THE RESPECTFUL PROSTITUTE is an attack on American racism.