The might of Richard III's army was pitted against the inferior forces of the upstart pretender to the crown, Henry Tudor, a twenty–eight year old Welshman who had just arrived back on British soil after fourteen years in exile. Yet this was to be a fight to the death—only one man could survive; only one could claim the throne.It would become one of the most legendary battles in English history: the only successful invasion since Hastings, it was the last time a king died on the battlefield. But The Rise Of The Tudors is much more than the account of the dramatic events of that fateful day in August. It is a tale of brutal feuds and deadly civil wars, and the remarkable rise of the Tudor family from obscure Welsh gentry to the throne of England—a story that began sixty years earlier with Owen Tudor's affair with Henry V's widow, Katherine of Valois.Drawing on eyewitness reports, newly discovered manuscripts and the latest archaeological evidence, including the recent discovery of Richard III's remains, Chris Skidmore vividly recreates this battle-scarred world and the reshaping of British history.

    Thorgils is a rootless character of quicksilver intelligence and adaptability. He has inherited his mother’s ability of second sight, and his mentors teach him the ancient ways and warn him of the invasion of the “White Christ” into the land of the “Old Gods.” Guided by a restless quest for adventure and the wanderlust of his favored god, Odinn, Thorgils’ fortunes will take him into worlds of unimaginable danger and discovery.

    Eleanor Cobham has married into the highest ranks of the aristocracy – she is now the Duchess of Gloucester. She and her husband, the Duke Humphrey, set up a court of their own to rival the royal court in London, surrounding themselves with fascinating and influential people.But Eleanor craves the one thing she lacks: a son and heir, and with him a possible route to the throne of England. Desperate, Eleanor turns to the one person she believes can help her: Margery Jourdemayne, a woman now remembered as the infamous Witch of Eye. Such help comes at a high price …

    Burglary, arson, kidnapping and murder are every-day events. The streets even echo with rumours of the mysterious art of alchemy being used to make gold for the King. Join Seb, a talented but crippled artist, as he is drawn into a web of lies to save his handsome brother from the hangman's rope. Will he find an inner strength in these, the darkest of times, or will events outside his control overwhelm him? Only one thing is certain - if Seb can't save his brother, nobody can. Interview with the Author What makes the Sebastian Foxley Medieval Mystery Series special? In my Sebastian Foxley Medieval Mystery Series, I’ve used my personal research of the medieval period to recreate the dark and dangerous London of the 15th century. These historical touches bring authenticity to my historical thrillers and mysteries, recreating the everyday life that my protagonist Sebastian Foxley would have experienced. What order should the books be read in? Each book is a stand-alone story, but in my first medieval mystery, The Colour of Poison, we are introduced to all of the main characters, when Sebastian is in the greatest need of help and support. The second in my mystery series, The Colour of Gold, is a short story which acts as a bridge between The Colour of Poison and the next full-length book in the series, The Colour of Cold Blood. Why should readers give your medieval mysteries a try? I have established a considerable reputation as a historian and writer of several non-fiction works, which look at both ordinary lives in medieval London, as well as the medicine of the period. With my professional scientific background and a detailed knowledge of art, I have been able to create thrilling situations populated with believable characters who can use the science and knowledge of the period to solve their mysteries. As you'll soon find out, you will be taken to a world from the past in my Sebastian Foxley Medieval Murder Mystery Series. I hope you'll give the series a try!

    After the political turmoil and battles leading up to 1066, we all know William the Conquerer takes England. But Helen Hollick will have readers at the edge of their seats, hoping that just this once, for Harold, the story will have a different ending.

    From the author of Imperial Governor. Normandy: 11th century: Young Walter has grown up at the abbey of Evreux, believing himself the son of the abbey’s superintendent Dean Fulk, and earns the nickname Tirel for his skill at archery. An unfortunate incident leads to him being sent away to endure the rigorous training of a squire in William the Conqueror’s household. At the same time he learns his true lineage, and how he has been deprived of his inheritance. He finds a friend in the Conqueror’s second son William Rufus, but is disgusted by certain aspects of his behaviour. He must also attach himself to Rufus’s feckless elder brother Robert Curthose in the hope of making his fortune and regaining his inheritance, but this leads him to make new enemies, and brings him together with his childhood sweetheart, the warrior-lady Isabel of Conches. ‘George Shipway’s progress as an historical novelist has established him in the enviable position of matching such masters of the genre as Harrison Ainsworth. No sloppy romantic make-believe; instead, Mr Shipway creates a vivid, definitive adventure story of the period.’ Sunday Telegraph ‘You could easily vaunt George Shipway’s latest novel as a saga of nymphomania, homosexuality, torture, witchcraft and bloodshed. But that would be to do it a great deal less than justice, for THE PALADIN blends its … ingredients into a very civilized novel. Mr Shipway promises a sequel, which softens the blow of reaching the final pages of this story.’ Daily Mail ‘Here is a rattling good yarn in the form of a historical novel. .. the details of life in castle and countryside are animated and evocative.’ Evening Standard ‘Vivid reconstruction of violent period of history probably nearer the truth than conventional notions of romantic chivalry.’ The Evening News ‘As delectable a piece of historical collage as you could wish for.’ Liverpool Daily Post ‘Power passion rather than rosy romance is the preoccupation of the giant Norman knights who stalk the pages of THE PALADIN by George Shipway . . . Its earthy often horrific images have a great physical presence...His sheer professionalism is a joy.’ Eastern Daily Press ‘This “account” of the young Norman lord’s (Tirel’s) earlier life is so vividly told that one waits eagerly the culmination in a second novel.’ Western Mail ‘George Shipway’s new book.… should make you late for dinner….In diamond-hard style he tells a meaty tale of bad barons, sadistic soldiery and persecuted peasants in post-Conquest Normandy. A disturbing picture of the so-called Age of Chivalry.’ Coventry Evening Telegraph This book was first published in the 1970s and has since been out of print. Contains passages which may be offensive to LGBT readers. ABOUT THE AUTHOR George Frederick Morgan Shipway was in 1908 in India and was educated at Clifton. He then attended the Royal Military College, Sandhurst and was commissioned into the Indian Army in 1928. He was attached the 2nd Battalion The Prince of Wales's Volunteers (South Lancashire), for one. After his year Shipway was posted to the 13th Duke of Connaught's Own Lancers. He spent two years (1936-1938) as Adjutant of the Mekran Levy Corps. In 1940-41 he became a General Staff Officer, at General Headquarters, India. He remained on the staff until 1944 when he was posted to serve with the Hyderabad Lancers.

    What could drive a girl on the cusp of womanhood to lock herself away from the world forever?Sarah is just seventeen when she chooses to become an anchoress, a holy woman shut away in a cell that measures only seven by nine paces, at the side of the village church. Fleeing the grief of losing a much-loved sister in childbirth as well as pressure to marry the local lord's son, she decides to renounce the world--with all its dangers, desires, and temptations--and commit herself to a life of prayer.But it soon becomes clear that the thick, unforgiving walls of Sarah's cell cannot protect her as well as she had thought. With the outside world clamoring to get in and the intensity of her isolation driving her toward drastic actions, even madness, her body and soul are still in grave danger. When she starts hearing the voice of the previous anchoress whispering to her from the walls, Sarah finds herself questioning what she thought she knew about the anchorhold, and about the village itself.With the lyricism of Nicola Griffith's Hild and the vivid historical setting of Hannah Kent's Burial Rites, Robyn Cadwallader's powerful debut novel tells an absorbing story of faith, desire, shame, fear, and the very human need for connection and touch. Compelling, evocative, and haunting, The Anchoress is both quietly heartbreaking and thrillingly unpredictable.