Whether blasting Bush for his “Bring ’em on!” speech, spanking pedophile priests, questioning capital punishment, debating the disputed 2000 election, or just mocking baseball mascots, they learned that newspapers and magazines increasingly play it safe by suppressing satire.With censored cartoons, many unpublished, by the likes of Garry Trudeau, Doug Marlette, Paul Conrad, Mike Luckovich, Matt Davies, and Ted Rall (all Pulitzer Prize winners or finalists), as well as unearthed editorial illustrations by Norman Rockwell, Edward Sorel, Anita Kunz, Marshall Arisman, and Steve Brodner, you will find yourself surprised and often shocked by the images themselves—and outraged by the fact that a fearful editor kept you from seeing them. Needed now more than ever because of a neutered press that’s more lapdog than watchdog, Killed Cartoons will make you laugh, make you angry, and make you think.

    Dear Julia, is the story of how he got there. Boyd's vivid memory of the past and shaky comprehension of the present give clues to the events that lead him to the edge: his childhood, his parents, and a particular trip to Tucson, Arizona where everything began to go terribly awry. Brian Biggs tells the tale with deft wit and a sharp eye, leaving crumbs both verbal and visual along the reader's path to the climactic end. Also available is the Dear Julia, short film directed by Alistair Banks Griffin.

    weekly newspapers, including the L.A. New Times and Seattle Stranger. This first collection, designed by Chip Kidd and Millionaire, reprints every strip from its 1994 inception through early 2000. Maakies features the nautical adventures of an alcoholic crow and suicidal ape, and includes an introduction by Andy Dick.

    The notoriety landed Boondocks creator Aaron McGruder in publications ranging from Time magazine to People magazine which named him one of the "25 Most Intriguing People of '99." Centered around the experiences of two young African-American boys, Huey and Riley, who move from inner-city Chicago to the suburbs (or the "boondocks" to them), the strip fuses hip-hop sensibilities with Japanese anime-style drawings and a candid discussion of race. In this first collection of Boondocks cartoons, you'll discover the funny yet revealing combination of superb art and envelope-pushing content in one of the most unique strips ever.

    And of course, Bagge's well-researched comic strip "essays" crackle with the same energy and wit that propelled him into the collective Gen X consciousness with his comic book series Hate.Favorite topics include the erosion of our civil liberties (whether the post-9/11 Bush administration's gradual erosion of the Bill of Rights, the insanity of the war on drugs, or nanny-state meddling), ongoing boondoggles of the American public (for professional sports stadiums or ineffective public transportation systems), the Iraq war(Bagge is vociferously against it), so-called art and so-called entertainment, the homeless, the mall-ification of America, politicians both in general and in particular (including the 2008 presidential race and a revelatory one-on-one with Republican not-so-hopeful Ron Paul that soured Bagge on the candidate forever), the conservative/religious war on sex and drugs, and whether citizens should be allowed to own bazookas. Each piece features the voluble Bagge himself front and center as the puzzled, indignant, or deeply conflicted everyman-on-the-street trying to make sense of this 21st Century.And of course, every panel is delineated in Bagge's glorious, laugh-out-loud stretchy 4-color cartoon style, making even his disquisitions on some very serious topics go down as smoothly as Buddy Bradley's latest escapade. Nominated for a 2010 Will Eisner Comic Industry Award (Best Humor Publication).

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    Pill-fueled Twilight Zone marathons. Fan interventions. Here is the ultimate word on the fugly side of fandom, collecting every Eltingville story from the Dork, House of Fun, and The Eltingville Club #1-2, comics three of which won the Eisner Award for Best Short Story. Also features the Northwest Comix Collective alt-comics smackdown and an afterword about the 2002 Adult Swim animated pilot. Definitive, complete and unashamed, this is fandom at it's fan-dumbest, in the mighty Eltingville manner!

    --ART SPIEGELMAN, PULITZER PRIZE-WINNING AUTHOR OF MAUS ON DR. SEUSS GOES TO WAR Hailed by Entertainment Weekly as "a provocative history of wartime politics," Dr. Seuss Goes to War, published nearly a decade ago, sold over one hundred thousand copies and introduced readers to the World War II-era political cartoons of Theodore Seuss Geisel, better known to the world as Dr. Seuss. Published to great acclaim, the collection included over two hundred cartoons from Geisel's years working for the New York daily newspaper PM. Now Dr. Seuss & Co. Go to War presents a new trove of close to four hundred discoveries from the PM World War II archives, including over one hundred cartoons by Seuss, fifty cartoons by the New Yorker's Saul Steinberg, and works by the leading cartoonists of the time, such as Al Hirschfeld, caricaturist for the New York Times; Polish-born American artist Arthur Szyk; and future New Yorker cartoonists Carl Rose and Mischa Richter. The cartoons and commentary in this handsome volume (to be published in the same format as the original Dr. Seuss Goes to War) cover the five years of the war, illustrating changing attitudes and providing a complex picture of the issues that concerned Americans.

    Comic strips show the daily trials and pleasures of family life for Elly, her husband John, a dentist, and their children Michael and Elizabeth.

    Shining a light on humanity's ancient customs and institutions in a funny origin story of human civilization, Mark Russell (PREZ) blends modern interpretations with Hanna-Barbera's classic character's, bringing a breath of fresh stone-age air. Hanna-Barbera has created some of the most recognizable animated characters of all time. As part of DC Comics' re-imagination of cartoons like Scooby-Doo, The Flintsones, Johnny Quest, Space Ghost, and Wacky Racers, these new series will be infused with modern and contemporary concepts while keeping the heart and soul of the classic animation. Collects THE FLINTSTONES #1-6.

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    With no shortage of sprawling high-concept, spine-chilling thrills, and inspired art, the Clive Barker Omnibus is a great launching point into his dark universe.

    Humor writer and artist Jimmy Craig offers 100 colorful comics, including the inner thoughts of creatures from across the animal kingdom--from misunderstood sharks and trouble making bears to the often complicated relationship between you and your pet cat. Get dating advice from raccoons, and learn what roosters think when the sun rises and why cats are always knocking things off of shelves. They Can Talk is the perfect quirky gift for any lover of animals, or for anyone who just loves to laugh.

    Crazed childhood rivals, art world hipsters, Eve’s meddlesome mom, and boyfriends past and present crowd their odd yet ordinary lives.In the twilight zone between college and the adult world lies the sardonic, witty, maddening, and sometimes melancholy terrain that Meredith Gran’s addictive comic Octopus Pie maps with devastating, drop-dead-funny accuracy. This book collects the first two years of strips, plus bonus material.

    are you the type of person who:- thinks books are quite good- has never held a book before and would like to try holding one for a day- is completely normal and just wants to look at something- is fed up- would rather be dead- is frightened of what tomorrow may bring- is curious- needs a bit of motivation- wants to feel more positive about your lifethen this is the book for youbecause the words and pictures inside of this book will instantly make you feel more positive about yourself even after just having a look at them for about a second or 3 secondswhat happens to your body when you have no motivation:when you have no motivation it is like a wall of sadness has been built up inside of yourself and it is this wall that stops all of the happy things in the world from getting inside of your body so take my book and use it to break down the wall of sadness brick by brick so that happiness can climb back inside of your body and live there for the rest of your dayslove from your friend Chris (Simpsons artist) xox