This sequel to Faulkner's SANCTUARY written 20 years later, takes up the story of Temple Drake eight years after the events related in SANCTUARY.

    A national best-seller in both hardcover and paperback, it introduces the engrossing saga of a Muslim family in Cairo during Egypt's occupation by British forces in the early 1900s.

    Full of wit and disdain, he records the mounting tensions on the ancient, stinking warship where officers, sailors, soldiers and emigrants jostle in the cramped spaces below decks. Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of degradation', where shame is a force deadlier than the sea itself.

    It is the story of an ignorant Castillian peasant and multiple murderer, and it tells of the savage impulses behind his crimes and his redeeming characteristics.

    John Galsworthy, a Nobel Prize-winning author, chronicles the ebbing social power of the commercial upper-middle-class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s.

    First published in 1930, Hesse's novel remains a moving and pointed exploration of the conflict between the life of the spirit and the life of the flesh. It is a theme that transcends all time.

    The first takes place in the desert between 1909 and 1912 and evokes the migration of a young adolescent boy, Nour, and his people, the Blue Men, notorious warriors of the desert. Driven from their lands by French colonial soldiers, Nour's tribe has come to the valley of the Saguiet El Hamra to seek the aid of the great spiritual leader known as Water of the Eyes. The religious chief sends them out from the holy city of Smara into the desert to travel still further. Spurred on by thirst, hunger, and suffering, Nour's tribe and others flee northward in the hopes of finding a land that can harbor them at last.The second narrative relates the contemporary story of Lalla, a descendant of the Blue Men. Though she is an orphan living in a shantytown known as the Project near a coastal city in Morocco, the blood of her proud, obstinate tribe runs in her veins. All too soon, Lalla must flee to escape a forced marriage with an older, wealthy man. She travels to France, undergoing many trials there, from working in a brothel to success as a highly paid fashion model, but she never betrays the blood of her ancestors.

    The story follows Kwei-lan as she begins to accept different points of view from the western world, and re-discovers her sense of self through this coming-of-age narrative.

    The six-day excursion becomes a journey into the past of Stevens and England, a past that takes in fascism, two world wars, and an unrealised love between the butler and his housekeeper.

    With Ethan no longer a member of Long Island’s aristocratic class, his wife is restless, and his teenage children are hungry for the tantalizing material comforts he cannot provide. Then one day, in a moment of moral crisis, Ethan decides to take a holiday from his own scrupulous standards.Set in Steinbeck’s contemporary 1960 America, the novel explores the tenuous line between private and public honesty that today ranks it alongside his most acclaimed works of penetrating insight into the American condition. This edition features an introduction and notes by Steinbeck scholar Susan Shillinglaw.

    I hate money--the word and the thing itself. If I am not rich, I am yet rich enough to give to my friend, and it is my joy to give all I can for him. Would not you do the same? And if I needed it, would you not be the first to give me all your fortune? But that shall never be! I have sound fists and a sound head, and I shall always be able to earn the bread that I eat. Till Sunday!

    Rich with the uncanny sense of life and action characteristic of his writing — from his earliest stories (In Our Time) to his last novella (The Old Man and the Sea) — this compelling novel contains both the warmth of recollection that inspired A Moveable Feast and a rare glimpse of Hemingway's rich and relaxed sense of humor, which enlivens scene after scene. Beginning in the 1930s, Islands in the Stream follows the fortunes of Thomas Hudson from his experiences as a painter on the Gulf Stream island of Bimini, where his loneliness is broken by the vacation visit of his three young sons, to his antisubmarine activities off the coast of Cuba during World War II. The greater part of the story takes place in a Havana bar, where a wildly diverse cast of characters — including an aging prostitute who stands out as one of Hemingway's most vivid creations — engages in incomparably rich dialogue. A brilliant portrait of the inner life of a complex and endlessly intriguing man, Islands in the Stream is Hemingway at his mature best.

    For Dr. Courrèges, Maria Cross is an opportunity to escape the mundane and experience a life of passion; for his son Raymond, possessing Maria is the final stage of his rite of passage into manhood. Maria herself is one of Mauriac’s most mesmerizing protagonists—mistress to an influential Bordeaux businessman, a mother grieving the death of her only son, and a woman of immense passion and power. Through these three characters, Mauriac crafts a captivating account of human desire, crowned with a subtly brilliant conclusion. In 1926, The Desert of Love was named winner of the Grand Prix du roman de l’Académie française.

    Jean Barois looks back at the “liberated” figures of bygone France and tries to find his own freedom, but when he chooses to give up his ideals for comfort, it results in his dramatic fall from grace.

    She gives herself to him fully and without remorse, despite knowing that their passion cannot last and that the affair can have only one outcome. In chronicling the course of this doomed romance, Kawabata has created a story for the ages, a stunning novel dense in implication and exalting in its sadness.