Enter a universe of wonder where trans femmes are powerful heroines, sorceresses, and warriors fighting against dark forces in vivid magical worlds.With celebrated trans femme writers like Kai Cheng Thom, Casey Plett, and Gwen Benaway, and featuring art by Alex Morris, this anthology will transform the landscape of fantasy fiction and offer radical portals into excitement, danger, and transformation.

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    In actuality, it depends. And I'm not sure what people are threatened by more-that I don't always love it, or that I don't always hate it.'Nothing But My Body is an eight-day journey through the mind of a young woman, a queer sex worker in Australia, as she navigates breakups and infatuation across just over a year.The unnamed narrator's voice is both fierce and vulnerable, defiant and tender, as she explores the interplay between her external and internal world, and the fluctuations of her emotions as love affairs intensify and wane. Her loneliness is assuaged by her beloved chosen family-her friends-and by the beauty of the natural world.Set during the cataclysmic bushfire season of 2019 and into the coronavirus pandemic and lockdown, sex work is the constant backdrop of the story as it moves between Sydney, Berlin, Orange and Bellingen. The beauty of the writing and the moving and deeply engaging sense of compassion that threads through this remarkable novel give true meaning to the concepts of inclusivity and community in surprising and original ways.This stunning, unflinching and lyrical debut is both a rejection of romantic love, a euphoric celebration of the queer community and a reckoning with the body as both abject and joyous.

    For his daughter Rivkele, however, Jack aspires for something more—respectability through her marriage to a religious scholar. But Rivkele’s tender love affair with Manke, one of Jack’s prostitutes, threatens to destroy the upcoming marriage, and with it, Jack’s dream of redemption. Pulitzer Prize-winning author Donald Margulies transforms Sholom Asch’s classic mortality tale into a work of spellbinding power.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    He’s never seen this man in his life, and he’s not prepared when he finds out what they have in common—their boyfriend, Jake. Make that ex-boyfriend. With the jerk out of the picture, Zach hurries after the stranger to apologize… which quickly leads to some sizzling hot revenge sex.Despite starting on the wrong foot, Nathan Forrester can’t get enough of the sexy movie theater owner. Still, he’s jaded and distrustful—especially when Jake keeps materializing in Zach’s presence despite Zach insisting that relationship is over.With a devious ex-boyfriend trying to sabotage their fledgling relationship, Zach and Nathan need to learn to trust each other, or they’ll both wind up with nothing.This 61,000 word novel was previously published, and has been revised to include an extended ending.

     After Maeve finds a pack of tarot cards while cleaning out a closet during her in-school suspension, she quickly becomes the most sought-after diviner at St. Bernadette’s Catholic school. But when Maeve’s ex–best friend, Lily, draws an unsettling card called The Housekeeper that Maeve has never seen before, the session devolves into a heated argument that ends with Maeve wishing aloud that Lily would disappear. When Lily isn’t at school the next Monday, Maeve learns her ex-friend has vanished without a trace.Shunned by her classmates and struggling to preserve a fledgling romance with Lily’s gender-fluid sibling, Roe, Maeve must dig deep into her connection with the cards to search for clues the police cannot find—even if they lead to the terrifying Housekeeper herself. Set in an Irish town where the church’s tight hold has loosened and new freedoms are trying to take root, this sharply contemporary story is witty, gripping, and tinged with mysticism.

    Right is much easier said than done. While surrounding himself with his close group of girlfriends it comes to pass that the only thing harder than looking for love is supporting the loved ones around you. From the critically acclaimed writer who brought you Bad Jews.

    It contains three main chapters, centred around answers to three main questions one would ask during different stages of a relationship. The questions are:What are we?Where are we going?How are we getting there?The poems, juxtaposed together with short stories take readers on a deeply reflective journey within themselves as they contemplate the deepest thoughts, doubts and hopes they carry for their past and present relationships.

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    But the threesome faces their first separation when Nina goes away the summer before their senior year. And in ten short weeks, everything changes.Nina returns home bursting with stories about Steve, the quirky yet adorable eco-warrior she fell for hard while away. But when she asks her best friends about their summer romances, an awkward silence follows.Nina soon learns the shocking truth when she sees Mel and Avery...kissing. Their friendship is rocked by what feels like the ultimate challenge. But it's only the beginning of a sometimes painful, sometimes funny, always gripping journey as three girls discover who they are and what they really want.

    Using an ancient myth reset in the queer community in Buffalo, New York, it explores gender fluidity, sexual diversity, and the deeper questions of love and identity.

    Brand new storylines, that do not and will not feature in the series, or the upcoming film in 2010. Effy, Freddie, JJ, Cook, Naomi, Pandora, Thomas and Katie are all dealing with the aftermath of the events at the end of series 3. Effy has fled to Italy with her mum, where she tries to put her feelings for Freddie, and the guilt she feels for stealing him from Katie out of her mind. The perfect distraction come in the form of sophisticated older man, Aldo...Naomi and Emily are struggling with spending time apart when Em goes to France with her parents and battles with her stubborn twin sister, Katie, Back in Bristol, Naomi pines for Emily while wondering about her future education, Thomas and Pandora are sweetly in love, and finding it difficult to consummate their feelings for each other. Freddy and Cook are engaged in a vigorous game of sexual one-upmanship with a frustrated JJ as referee...By the end of the summer, the gang will have resolved some issues and brought up some more, but always in the raw, uncompromising, contradictory and authentic narrative style that makes the series so popular and compelling. Language and sexual references are graphic.

    Like anyone else, all she wants is to make friends and fit in. But Amanda is keeping a secret, and she's determined not to get too close to anyone. But when she meets sweet, easygoing Grant, Amanda can't help but start to let him into her life. As they spend more time together, she realizes just how much she is losing by guarding her heart. She finds herself yearning to share with Grant everything about herself, including her past. But Amanda's terrified that once she tells him the truth, he won't be able to see past it. Because the secret that Amanda's been keeping? It's that at her old school, she used to be Andrew. Will the truth cost Amanda her new life, and her new love? Meredith Russo's If I Was Your Girl is a universal story about feeling different and a love story that everyone will root for.

    Reading them is a sensual delight." -- May Swenson