Through her music and performing, this beloved Australian artist has touched hundreds of thousands of lives. But what of the stories she used to tell herself? That 'real life' only begins once you're thin or beautiful, that good things only happen to other people.YOUR OWN KIND OF GIRL reveals a childhood punctuated by grief, anxiety and compulsion, and tells how these forces shaped Clare's life for better and for worse. This is a heartbreaking, wise and at times playful memoir. Clare's own story told raw and as it happened. A reminder that even on the darkest of nights, victory is closer than it seems.With startling candour, Clare lays bare her truth in the hope that doing so will inspire anyone who's ever done battle with their inner critic. This is the work of a woman who has found her true power - and wants to pass it on. Happiness, we discover, is only possible when we take charge of the stories we tell ourselves.

    call is the first time Lexie Vidler has heard her sister’s voice in years. Annie is a drug addict, a thief, a liar—and in trouble, again. Lexie has always bailed Annie out, given her money, a place to sleep, sent her to every kind of rehab. But this time, she’s not just strung out—she’s pregnant and in premature labor. If she goes to the hospital, she’ll lose custody of her baby—maybe even go to prison. But the alternative is unthinkable.As weeks unfold, Lexie finds herself caring for her fragile newborn niece while her carefully ordered life is collapsing around her. She’s in danger of losing her job, and her fiancé only has so much patience for Annie’s drama. In court-ordered rehab, Annie attempts to halt her downward spiral by confronting long-buried secrets from the sisters’ childhood, ghosts that Lexie doesn’t want to face. But will the journey heal Annie, or lead her down a darker path?Both candid and compassionate, Before I Let You Go explores a hotly divisive topic and asks how far the ties of family love can be stretched before they finally break.

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

    Not for him the stereotype of the greedy lawyer. He'd be the defender of the abused, the voice of the poor, the champion of the oppressed. And he was for a time...until Rottman Maughan and Nash dangled the office with the harbour view in front of him.Now he's turning blind eye to suspect time sheets, championing the powerful against the powerless, and not being entirely honest with his girlfriend.Is there a way back?

    But one particular string of bad news stories – and a terrifying brush with her own mortality – sent her looking for answers about how vulnerable each of us is to a life-changing event. What are our chances of actually experiencing one? What do we fear most and why? And when the worst does happen, what comes next?In this wise and layered book, Leigh talks intimately with people who’ve faced the unimaginable, from terrorism to natural disaster to simply being in the wrong place at the wrong time. Expecting broken lives, she instead finds strength, hope, even humour. Leigh brilliantly condenses the cutting-edge research on the way the human brain processes fear and grief, and poses the questions we too often ignore out of awkwardness. Along the way, she offers an unguarded account of her own challenges and what she’s learned about coping with life’s unexpected blows.Warm, candid and empathetic, this book is about what happens when ordinary people, on ordinary days, are forced to suddenly find the resilience most of us don’t know we have.

    As she tries to navigate her new body through the world, she develops a deep fascination with the local octopuses, and in doing so finds herself drawn towards the friendship of an old woman and her son. As the story unfolds, the octopuses come to shape Lucy's body and her sense of self in ways even she can't quite understand.The Octopus and I is a stunning debut novel that explores the wild, beating heart at the intersection of human and animal, love and loss, fear and hope.

    By the river. On her own.After finishing her six-year long affair with her boss, Rosa is desperate to avoid him in the workplace and determined to forge a new life for herself.Harry Kennedy has sailed away from a messy Sydney divorce and is resolute in kick-starting a new life on Queensland’s Sunshine Coast.Thrown together at work, Rosa and Harry discover a secret. One that their employer is desperate to keep hidden. To reveal it they must work together, but first they must learn to trust not only each other but their own rising attraction.Are these two damaged people willing to risk their hard won independence for the promise of love again?

    So Karuna returns the favour. Eventually, Karuna can’t ignore the reality: she is pregnant. Incensed, her mother, already over-protective, confines her to their fourteenth-storey housing-commission flat for one hundred days, to protect her from the outside world – and make sure she can’t get into any more trouble. Stuck inside for endless hours, Karuna battles her mother and herself for a sense of power in her own life, as a new life forms and grows within her. One Hundred Days is a fractured fairytale exploring the fault lines between love and control. At times tense and claustrophobic, it also brims with humour, warmth and character. It is a magnificent new work from one of Australia’s most celebrated writers.

    A missing manuscript. An undying love.Thisbe Chisholm wants to be a writer. It's 2007, a time of digital revolution and skyrocketing property prices, but she's an old-fashioned girl. She doesn't even own a mobile phone. She has no stars-in-her-eyes desire for fame, to see her name on the cover of a book, either. She longs only to tell of the stories written on her heart.While her best friends, Penny and Jane, and her darling boyfriend, John, seem set for stellar careers in their chosen fields, Thisbe works nights as a hostess at a glitzy harbourside Sydney club - a job she despises but it's paid the rent for the last three years since university graduation.Just as she completes her novel, though, she is brutally killed at the end of John's street.Who murdered Thisbe? What will become of her novel?From the gritty glamour of Bondi Beach to the cold streets of London, here is a tale of tragedy and literary betrayal, of a publishing industry grappling with change and a great love drowning in guilt-wracked grief. Haunting, whimsical and sharply observed, Her Last Words lays bare the truth that, while some crimes might go unpunished among the privileged, words themselves have a way of enduring - and exacting a justice all their own.Praise for Kim Kelly'deeply moving...alive, full-hearted and shimmering with hope' - Belinda Castles, Bluebottle'Kelly is a masterful creator of character and voice.' - Julian Leatherdale, Palace of Tears'history that makes you think as well as feel' - Wendy James, The Golden Child'an author who writes with such a striking sense of atmosphere and sublime instinct' - Theresa Smith Writes'storytelling is clearly encoded in her DNA' - Writerful Books'It is uplifting to know that there are people who can write like this, with clarity, a bit of devilment and a hint of a smile.' Canberra Times'marvellous depth and authenticity based on some impressive research, and her characters, plot and fluid prose draw the reader into this world' - Daily Telegraph'colourful, evocative and energetic' - Sydney Morning Herald'storytelling that breaks the rules so beautifully' - Jenn J McLeod, A Place to Remember'Kim Kelly's writing is magnificent' - With Love for Books'told with wit, warmth and courage' - Kylie Mason, The Newtown Review of Books'vivid and enthralling' - Lisa Walker, The Girl with the Gold Bikini'simply superb' - Karen Brooks, The Darkest Shore

    this Is Why. Why you are Australian is an examination of our country thirty years ago and today: all the glory of its sun and water - and all the darkness of tall poppies and Cronulla. How does our land look from way over there, and from right up close? A treatise about what it means to be Australian right now. Honest, moving, provocative, uplifting - an exile's story, a mother's story, an Australian's story. Why you are Australian for anyone who needs reminding. 'Achingly I want you to know what it is to be Aussie kids. Where playing barefoot is a signifier of freedom not impoverishment. Where a backyard's a given not a luxury. Where sunshine and fresh food grow children tall. Where you know what a rash shirt is and a nipper, a Paddle Pop and a Boogie Board.'

    . . veteran of the Iraq conflict who has suffered such extensive bodily trauma that he can only really survive by means of a mechanical skeleton.Marianna's has been ruined by men . . . A woman who has had to flee the country after her husband lied to the wrong people.John Philip's by too much money . . . Until he receives a surprise inheritance in the evening of his own life.Rodney Hall, two-times winner of the Miles Franklin Literary Award, presents the story of three people experiencing a period of life they never thought possible, and, perhaps, should never have been granted at all...PRAISE FOR RODNEY HALL"Reminiscent of both Joyce and Garcia Marquez" Washington Post"Magnificent. So good that you wish you had written it yourself" Salman Rushdie"A wondrous blend of the fabulous and the surreal" The Australian"Brilliant" David Mitchell

    Why worry that he didn't want children or a 9 to 5 job? Nothing and no one would come between them.But with the birth of their high-needs son, Eli, their extraordinary love is shackled into an ordinary life, their passion blunted by responsibility.Until Ryan can't take it anymore.Then, following a mysterious phone call late one night, Aisha leaves four-year-old Eli in the care of her elderly father Patrick - and doesn't come back.As Patrick struggles with the grandson he barely knows or understands, his frustration with his missing daughter and absent son-in-law quickly turns to fear.Particularly when blood is found in Aisha's abandoned car . . .

    Gorgeous and charismatic, Edward is enough to make any girl give up her flat and job in Adelaide and move to the country.So it’s something of a shock that when she gets there, Edward is nowhere to be seen. Not wanting to admit she may have made a mistake and return home in disgrace, Taylor accepts the job that Edward’s younger brother Pete offers her and throws herself into her work, keen to learn as much as she can about the wine trade.Taylor is thrilled when Ed returns, but she quickly discovers he may not be the man she thought he was.  Her growing friendship with Pete causes tension between the brothers who have fallen out over a woman in the past.  That’s not the only source of conflict: Pete has a dream to save the family vines, Edward’s dreams lie elsewhere.As the lies and deceit grow, matters come to a head in the vibrant and demanding vintage season. Will Taylor’s dream of a new life and love between the vines come true? Or is there only heartbreak ahead? Set in the beautiful Coonawarra vineyards, a wonderful feel-good rural romance from best-selling Australian author, Tricia Stringer

    International bestselling writer Karen Viggers returns to remote Tasmania, the setting of her most popular novel The Lightkeeper's Wife.Sixteen-year-old Mikaela has grown up isolated and home-schooled on an apple orchard in southeastern Tasmania, until an unexpected event shatters her family. Eighteen months later, she and her older brother Kurt are running a small business in a timber town. Miki longs to make connections and spend more time in her beloved forest, but she is kept a virtual prisoner by Kurt, who leads a secret life of his own.When Miki meets Leon, another outsider, things slowly begin to change. But the power to stand up for yourself must come from within. And Miki has to fight to uncover the truth of her past and discover her strength and spirit.Set in the old-growth eucalypt forests and vast rugged mountains of southern Tasmania, The Orchardist's Daughter is an uplifting story about friendship, resilience and finding the courage to break free.