But her ex-husbands linger in the background while her four children spin away to their own separate futures, each carrying the baggage of a complex family history. Matt serves as caretaker to the ailing father who abandoned him as a child, while his wild teenage sister, Karen, hides herself in marriage to a born-again salesman. Joe, a perpetual outsider, struggles with a private sibling rivalry that nearly derails him. And then there’s the youngest, Frankie, an endearing, eccentric sci-fi freak who’s been searching since childhood for intelligent life in the universe–and finds it.Written with wry affection, and with compassion for every character in its pages, Send Me is a wholly original, haunting evocation of family love, loss, and, ultimately, forgiveness.From the Hardcover edition.

    The self-absorbed, narcissistic young man feels he has been exceptional from the moment of his birth by Caesarian section; he was thus unmarked and more perfect than other babies. "There is no such thing as more perfect," corrects his mother. "Of course there is," says Nicholas. To avoid unsightly lines, he never smiles when photographed; to avoid even a trace of fat, he eats little: the obi of the kimono in which he often poses winds twice around his waist. The men he fancies bestow upon him rare enamels, ivory carvings, jewels because, he explains with apparent guilelessness to his older brother, who narrates the novel, it pleases them to do so. But ointments and finery are helpless against the years. At 30 Nicholas the odalisque begins to resemble a tart; at 37 he is dead. His brother, summoned by Nicholas's landlady to collect the lapsed body and now-scarred valuables, looks back fondly, objectively and suggestively upon a life no longer valid once physical beauty is flawed. Sensual, mocking and deadly serious, this first novel casts a long shadow.

    Their encounter will go on to alter all of their lives.Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in the present-day U.S., until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only surviving copy of Williams's final play.What keeps two people together and what breaks them apart? Can we save someone else if we can't save ourselves? Like The Master and The Hours, Leading Men seamlessly weaves fact and fiction to navigate the tensions between public figures and their private lives. In an ultimately heartbreaking story about the burdens of fame and the complex negotiations of life in the shadows of greatness, Castellani creates an unforgettable leading lady in Anja Bloom and reveals the hidden machinery of one of the great literary love stories of the twentieth-century.

    Burned by her traumatic past, Angel is new to the drag world, new to ball culture, and has a yearning inside of her to help create family for those without. When she falls in love with Hector, a beautiful young man who dreams of becoming a professional dancer, the two decide to form the House of Xtravaganza, the first-ever all-Latino house in the Harlem ball circuit. But when Hector dies of AIDS-related complications, Angel must bear the responsibility of tending to their house alone.As the mother of the house, Angel recruits Venus, a whip-fast trans girl who dreams of finding a rich man to take care of her; Juanito, a quiet boy who loves fabrics and design; and Daniel, a butch queen who accidentally saves Venus’s life. The Xtravaganzas must learn to navigate sex work, addiction, and persistent abuse, leaning on each other as bulwarks against a world that resists them. All are ambitious, resilient, and determined to control their own fates, even as they hurtle toward devastating consequences. Told in a voice that brims with wit, rage, tenderness, and fierce yearning, The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit.

    Here are accounts of revealing one's sexual identity to parents, siblings, friends, co-workers and, in one notable instance, to a stockbroker. Men tell of their first sexual encounters from their preteens to their thirties, with childhood friends who rejected or tenderly embraced them, with professors, with neighbors, with a Broadway star. These are poignant, sometimes unexpectedly funny tales of romance and heartbreak, repression and liberation, rape and first love defining moments that shaped their authors' lives. Arranged chronologically from Manhattan in the Forties to San Francisco in the Nineties, these essays ultimately form a documentary of changing social and sexual mores in the United States--a literary, biographical, sociological and historical tour de force.

    Ramy is a young gay Iraqi struggling to find a balance between his sexuality, religion, and culture. Ammar is a sheikh whose guidance Ramy seeks, and whose tolerance is tested by his belief in the teachings of the Qur'an. Full of quiet moments of beauty and raw depictions of violence, God in Pink poignantly captures the anguish and the fortitude of Islamic life in Iraq.Hasan Namir was born in Iraq in 1987. God in Pink is his first novel.

    In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

    Sébastien is fifteen years old and already versed in the medicinal properties of plants and herbs when he meets the young nobleman Balthazar de Créon, whose life he saves after the latter is thrown from a horse. De Créon, struck by the boy’s beauty as much by his talents as a healer, orders Sébastien to his manor some months later so he can instruct him in the ways of the court, hoping thus to install him as Louis XV’s surgeon. His motives, however, are clouded by his lust for Sébastien, and after a brief period of restraint Balthazar and Sébastien abandon themselves to their passions and imaginations. But it is 1749 and their affair scandalizes the French court, bringing the king’s wrath down upon them. Balthazar is eventually presented with an ultimatum: repudiate Sébastien and live, or do not, and die. Daniel Arsand’s slim, sublime Lovers is many things: a song of love and an ode to sensual abandon; a richly imagined, atmospheric evocation of the French court; a fable about freedom and the heart’s indifference to social and class barriers; a heartfelt cry against those who, poor of soul, refute the legitimacy of unconventional love. Above all, with its delectable prose, Lovers is itself a delight for the senses.

    Into this fevered city steps Timothy Laughlin, a recent Fordham graduate and devout Catholic eager to join the crusade against Communism. A chance encounter with a handsome, profligate State Department official, Hawkins Fuller, leads to Tim’s first job in D.C. and–after Fuller’s advances–his first love affair. Now, as McCarthy mounts an increasingly desperate bid for power and internal investigations focus on “sexual subversives” in the government, Tim and Fuller find it ever more dangerous to navigate their double lives. Drawn into a maelstrom of deceit and intrigue, and clinging to the friendship of a beautiful young woman named Mary Johnson, Tim struggles to reconcile his political convictions, his love for God, and his love for Fuller–an entanglement that will end in a stunning act of betrayal.Moving between the Senate Office Building and the Washington Evening Star, the diplomatic world of Foggy Bottom and NATO’s front line in Europe, Fellow Travelers is energized by high political drama, unexpected humor, and genuine heartbreak. It is Thomas Mallon’s most accomplished and daring novel to date.

    At crucial moments in their personal histories their lives intersect, and each discovers his own unique - and uniquely gay- identity. Through the lends of their complex, tumultuous, yet enduring relationship - and their involvement with the handsome model, poet and decorated Vietnam vet Matt Loguidice, whom they both love - Felice Picano chronicles and celebrates gay life and subculture over the last half of the twentieth century. From Malibu Beach in its palmist surfer days to the legendary parties at Fire Island Pines in the 1970s, from San Francisco during its gayest era to AIDS activism in Greenwich Village in the 1990s, Like People in History presents 'the heroic and funny saga of the last three decades by someone who saw everything and forgot nothing' (Edmund White).

    A man finds God and finally wants to father a child-only his wife is now forty-two years old. A coach's son discovers his sexuality on the football field. A roommate's bizarre secret liberates a repressed young woman. From the unforeseen consequences of a polite social lie to the turmoil caused by the hair on a woman's chin, Donoghue dramatizes the seemingly small acts upon which our lives often turn. Many of these stories involve animals and what they mean to us, or babies and whether to have them; some replay biblical plots in modern contexts. With characters old, young, straight, gay, and simply confused, Donoghue dazzles with her range and her ability to touch lightly but delve deeply into the human condition.

    Through the story of a lonely boy, The Far Euphrates questions how we can find meaning in a post-Holocaust world; how we define the notions of home and family; where the boundaries lie between sanity, madness, and transcendence; and what our responsibilities are to ourselves and to one another. Infused with a rich mystical and scientific understanding, it poignantly addresses the insatiable human longing to know and reclaim our origins, the mythic far Euphrates of Eden, to which we can never return.

    Malloy assigned us the "What I Want To Be When I Grow Up" paper earlier that year in her 1st hour English, my mind had been made up. . . I, Bradley James Dayton, will be a famous actor someday! Meet Bradley Dayton--a wickedly funny high school senior whose woefully uncool life always seems to be full of drama, even in the sorry little suburb of Hazel Park, Michigan. It's 1987, the era of big hair, designer jeans, and Dirty Dancing. George Michael has "Faith" and Michael Jackson still has a nose. Brad, on the other hand, has a thing for acting, and while his friends are trying to get laid, Brad's trying to land the lead in Okla-homo! and practicing the Jane Seymour monologue from "Somewhere in Time. " Sure, he'd like to get laid too, but while Brad has known he was gay forever, the rest of "Hillbilly High" is not so forthcoming. Brad's already lost one best friend, Jack, who dropped out of marching band to step into the closet. But lately, things are looking up. Not only has Brad made Homecoming Top Five, but Richie, a new, totally cute member of drama club, definitely seems to be sending signals--and he's not the only one. Before senior year ends, Brad will know more about love, lust, and friendship than he ever thought possible. Because if all the world's a stage, he's ready to be in the spotlight. . .

    Keith Hartman's "Sex, Guns and Baptists" gives a disturbing view of how the world could become if the Christian fundamentalists continue gaining political ground; Ralph Sperry's delightful aliens in "On Vacation" are refreshingly similar to us: shy workaholics, exasperated lovers, good with machines; Ellen Klages takes a '90s dyke back forty years to 1950s San Francisco where she discovers her modern sensibilities are utterly alien to the lesbians of the time. These stories explore physical, emotional, and moral landscapes vastly different from the familiar -- where nothing is as it seems.This group of talented newcomers and award-winning genre veterans includes Jim Grimsley, Mark W. Tiedemann, Charles Sheffield, Carrie Richerson, Keith Hartman, Nancy Kress, Richard Bamburg, L. Timmel Duchamp, Charles Sheffield, Don Bassingthwaite, and many others.

    Written with unsparing honesty, these stories vividly illustrate love's complexities, the intricacies of family relationships, struggles with sexual identity, and the specter of AIDS. Whether chronicling a dying man's acts of vandalism, a divorcée under house arrest, a Mormon couple's potluck dinner for their few homosexual acquaintances, or a young Los Angeles boy's sexual awakening, the stories in Guess Again are full of wit, subtlety, and emotional generosity.