Consisting of 108 pages of hand-painted illustrations, Red is a groundbreaking mix of Haida imagery and Japanese manga. Now available in paperback, the hardcover edition was nominated for the B.C. Bookseller’s Choice Award, a Doug Wright Award for Best Book and a 2010 Joe Shuster Award for Outstanding Canadian Cartoonist. It was also an Amazon Top 100 book of 2009.Red is the prideful leader of a small village in the islands off the northwest coast of British Columbia. His sister was abducted years ago by a band of raiders. When news comes that she has been spotted in a nearby village, Red sets out to rescue his sister and exact revenge on her captors. Tragic and time- less, it is reminiscent of such classic stories as Oedipus Rex and Macbeth. Red is an action-packed and dazzling graphic novel that is also a cautionary tale about the devastating effects of rage and retribution.

    Seeing her history and her most intimate self in this library, she embarks on a search for the bookmobile. Over time, her search turns into an obsession as she longs to be reunited with her own collection and her memories.

    She's been called an inimitable and masterful stylist, a kind of Edward Gorey who draws out the whimsical side of body-horror, and indeed, the spirit of Gorey's grotesques breathes through French's creations. In H Day, her first graphic novel in four years, French explores, through metaphor and in pictures, her struggles with migraine headaches, marshaling troops of insects, beasts and humanoids to envision the processes that result in such hideous sensations. A sweeping, often tense narrative of invasion, repulsion and liberation, H Day can be read both as an oblique autobiography and as a suspenseful fantasy story. This volume makes clear the qualities that led Myla Goldberg, author of Bee Season, to call Renee French "that rare gift among artists--one whose work finds its way into the most guarded corners of our psyches and allows us to revel in all that is awkward, embarrassing or sticky about being alive."

    After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straightlaced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Café, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced artistic ambitions, sexual confusion, dependencies, and addictions.   Over Easy is equal parts time capsule of late 1970s life in California—with its deadheads, punks, disco rollers, casual sex, and drug use—and bildungsroman of a young woman who grows from a naïve, sexually inexperienced art-school dropout into a self-aware, self-confident artist. Mimi Pond’s chatty, slyly observant anecdotes create a compelling portrait of a distinct moment in time. Over Easy is an immediate, limber, and precise semi-memoir narrated with an eye for the humor in every situation.

    After the release of three startling, award-winning movies that have played around the world and been added to the permanent collection of the Museum of Modern Art, S. Craig Zahler wanted to return to his first artistic passion―illustration.With tools that he had developed as a director, screenwriter, cinematographer, novelist, and songwriter, he committed himself to writing, drawing, inking, and lettering his graphic novel debut, a full-length work of noir horror entitled, Forbidden Surgeries of the Hideous Dr. Divinus.Here’s the setup…Homeless people are disappearing in New Bastion, and occasionally, a dismantled corpse turns up in a dumpster. These crimes are left alone, until the day a comatose woman named Lillian Driscoll is kidnapped from the hospital. Her brothers―a grumpy detective named Leo and a slick mobster named Tommy―seek answers that lead them to darkness, arcane medicine, and pain.Fans of Bone Tomahawk (recently named best film of the decade by Conan O’Brien) will enjoy Zahler’s return to the supernatural, and the idiosyncratic, tough guy dialogue found in his crime pictures Dragged Across Concrete and Brawl in Cell Block 99 (both of which premiered at the Venice Film Festival) is also present in this starkly rendered, black-and-white graphic novel, a stylistic confluence of pre-code horror, vintage comic strip, and modern indie art styles.

    Operating from a secret headquarters under the boards of the Empire Theater, the Escapist and his crack team of associates roam the globe performing amazing feats of magic and coming to the aid of all those who languish in the chains of oppression. The history of the Escapist's creators Joe Kavalier and Sam Clay was recently chronicled in Michael Chabon's Pulitzer Prize-winning novel The Amazing Adventures of Kavalier & Clay. Now the best of the Escapist's adventures are collected into one volume for all to enjoy.

    In the time of Lewis Carroll it was the greatest shipbuilding port in the world. To this city that gave the world the electric light bulb, the stars and stripes, the millennium, the Liberty Ships and the greatest British dragon legend came Carroll in the years preceding his most famous book, Alice in Wonderland, and here are buried the roots of his surreal masterpiece. Enter the famous Edwardian palace of varieties, The Sunderland Empire, for a unique experience: an entertaining and epic meditation on myth, history and storytelling and decide for yourself - does Sunderland really exist?

    The You you know may shift and take form as a beautiful horse, a sunset, or something so special, so huge that you could never describe it.Disa Wallander’s Becoming Horses is a mix of delicate cartooning and brash collage—watercolor and photography. Her colorful flowing drawings and watercolors are experimental yet accessible, as her characters mull big questions about life and art, philosophizing in a thoroughly modern voice. Bright dialogue and pleading silences create a beautiful journey that is, in fact, “the destination.”

    The next morning, he said goodbye to his 7½-months-pregnant wife, Alissa, and headed out the door.In an instant, Alissa's world was thrown into chaos. Forced to deal with unimaginable challenges, Alissa suddenly found herself cast into the role of 9/11 widow, tossed into a storm of bureaucracy, politics, patriotism, mourning, consolation, and, soon enough, motherhood.Beautifully and thoughtfully illustrated, American Widow is the affecting account of one woman's journey through shock, pain, birth, and rebirth in the aftermath of a great tragedy. It is also the story of a young couple's love affair: how a Colombian immigrant and a strong-minded New Yorker met, fell in love, and struggled to fulfill their dreams. Above all, American Widow is a tribute to the resilience of the human heart and the very personal story of how one woman endured a very public tragedy.

    Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation.What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations—from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo’s disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago’s College of Complexes to San Francisco’s famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats’ most recognizable faces. What emerges is a brilliant collage of—and tribute to—a generation, in a form and style that is as original as its subject.

    Girard delves into the emotional repercussions of this life-changing trauma, from his memories as a nine-year-old struggling to understand up until the present day, twenty-five years after the shattering loss. At the heart of Nicolas lies the question shared by most undergoing bereavement: Why? This confusion multiplies for a young boy with few answers to his questions, lacking even a basic explanation of the cause of his brother's departure. As sorrow and guilt are muffled by time and the flurry of even the most typical childhood and adolescence, this is a story of grief not grieved, and a glimpse into the ongoing process of reckoning. Pascal struggles to reconcile the magnitude of this tragedy with the minutiae of his daily experience of loss. Nicolas is a delicate, minimalist portrait of the many faces of mourning, identified with surprising humor and pathos by an artist who knows them intimately.Originally published in a micro-run ten years ago, Girard creates new comics and an introduction that contemplate the larger effect of Nicolas's death on his current behaviors and habits. With masterful visual restraint, Girard pens a work of great honesty and integrity: Nicolas resonates long after the book is closed, the weight of the story echoing closely the heft of the personal loss.

    Crossing genres as it crosses the country, LOCAL examines Megan McKeenan, a young woman who sets off from Portland, OR with nothing but a backpack and a bad case of wanderlust. Each emotional vignette is a self-contained story that represents one year in the life of this young vagabond as she struggles to find a place to call home, both physically and spiritually.

    The Balkan conflict is the starting point for this dream-like journey into war-torn Europe and the psyches of its authors, two of Sweden's most internationally renownded cartoonists.

    Parrish’s emotionally loaded, painted graphic novel is is a visual tour de force, always in the service of the author’s themes: navigating queer desire, masculinity, fear, and the ever-in-flux state of friendships.