The house hasn’t been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It’s idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.One hundred and fifty years earlier, a huge oak tree was felled in front of the cottage during a raging storm. Beneath it lies a young man with a shock of red hair, presumed dead—surely no one could survive such an accident. But the red-haired man is alive, and after a brief convalescence is taken in by the family living in the cottage and put to work in the fields. The children all love him, but the eldest daughter, Eliza, has her reservations. There’s something about the red-haired man that sits ill with her. A presence. An evil.Back in the present, weeks after moving to the cottage and still drowning beneath the weight of insurmountable grief, Mary Coles starts to sense there’s something in the house. Children’s whispers, footsteps from above, half-caught glimpses of figures in the garden. A young man with a shock of red hair wandering through the orchard.Has Mary’s grief turned to madness? Or have the events that took place so long ago finally come back to haunt her…?

    So when she takes a new room at the right price, she believes her luck has finally turned. But 82 Edgware Road is not what it appears to be. It's not only the eerie atmosphere of the vast, neglected house, or the disturbing attitude of her new landlord, Knacker McGuire, that makes her uneasy - it's the whispers behind the fireplace, the scratching beneath floors, the footsteps in the dark, and the young women weeping in neighbouring rooms. And when Knacker's cousin Fergal arrives, the danger goes vertical. But this is merely a beginning, a gateway to horrors beyond Stephanie's worst nightmares. And in a house where no one listens to the screams, will she ever get out alive?

    But with the master storyteller Josh Malerman as your tour guide, you'll discover the secrets that hide behind its closed doors. These six novellas tell the story of a place where the rain is always falling, nighttime is always near, and your darkest fears and desires await. Welcome to Goblin. . . .A Man in Slices: A man proves his "legendary love" to his girlfriend with a sacrifice even more daring than Vincent van Gogh's--and sends her more than his heart.Kamp: Walter Kamp is afraid of everything, but most afraid of being scared to death. As he sets traps around his home to catch the ghosts that haunt him, he learns that nothing is more terrifying than fear itself.Happy Birthday, Hunter!: A famed big-game hunter is determined to capture--and kill--the ultimate prey: the mythic Great Owl who lives in Goblin's dark forests. But this mysterious creature is not the only secret the woods are keeping.Presto: All Peter wants is to be like his hero, Roman Emperor, the greatest magician in the world. When the famous magician comes to Goblin, Peter discovers that not all magic is just an illusion.A Mix-Up at the Zoo: The new zookeeper feels a mysterious kinship with the animals in his care . . . and finds that his work is freeing dark forces inside him.The Hedges: When his wife dies, a man builds a hedge maze so elaborate no one ever solves it--until a little girl resolves to be the first to find the mysteries that wait at its heart.

    This diary became the secret place where Ellen could confess her fears of the new marriage, her confusion over her emerging sexuality, and the nightmare that her life would become. The diary not only follows the development of a girl into womanhood, it follows the construction of the Rimbauer mansion—called Rose Red—an enormous home that would be the site of so many horrific and inexplicable tragedies in the years ahead.The Diary of Ellen Rimbauer: My Life at Rose Red is a rare document, one that gives us an unusual view of daily life among the aristocracy in the early 1900s, a window into one woman's hidden emotional torment, and a record of the mysterious events at Rose Red that scandalized Seattle society at the time—events that can only be fully understood now that the diary has come to light. Edited by Joyce Reardon, Ph.D. as part of her research, the diary is being published as preparations are being made by Dr. Reardon to enter Rose Red and fully investigate its disturbing history. (back cover)

    Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…

    Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

    a midnight caller keeping his promise ... forests where Nature is deliberate and malefic ... enchanted houses ... these are the beings and ideas that flood through this collection of ghost stories by Algernon Blackwood (1869-1951). Altogether 13 stories, gathered from the entire corpus of Blackwood's work, are included; stories of such sheer power and imagination that it is easy to see why he has been considered the foremost British supernaturalist of the twentieth century.Blackwood's ability to create an atmosphere of unrelieved horror and sustain it to the end of the story is almost unsurpassed. “The Willows” — which has been called by H.P. Lovecraft the finest supernatural story — is a typical example of Blackwood's art: slowly and surely Blackwood draws the reader into a world of shadows, nuances and unearthly terror.Blackwood was also a master at evoking feelings of mysticism and cosmic experience; dealing with such ideas as interpenetrating levels of existence and pantheistic elemental powers, he expanded the content of supernatural literature enormously. But even the more traditional elements of horror stories such as ghosts and haunted houses are handled with such energy and feeling that they rise far above their predecessors.Drawing on serious Oriental thought, modern psychology and philosophy, Algernon Blackwood introduced a sophistication to the horror story that — with a few exceptions — it was devoid of before. The results are stories that are not only guaranteed to chill, but stories that have something to say to the intelligent reader.Contents:- The Willows (1907)- Secret Worship (1908)- Ancient Sorceries (1908)- The Glamour of the Snow (1911)- The Wendigo (1910)- The Other Wing (1915)- The Transfer (1911)- Ancient Lights (1914)- The Listener (1907)- The Empty House (1906)- Accessory before the Fact (1914)- Keeping His Promise (1906)- Max Hensig (1945)

    At its heart was a beautiful, enigmatic woman called Pandora Gibson-Hoare, a photographer of genius whose only legacy is a handful of photographs and the clues to a mystery.Just weeks after four students cross the threshold of the derelict Fischer House, one of them has committed suicide and the other three are descending into madness.Nick Mason's sister is one of them. To save her, Nick must join ranks with Paul Seaton--the only person to have visited the house and survive. But Paul is a troubled man, haunted by otherworldly visions that even now threaten his sanity.Desperate, Nick forces Paul to go back into the past, to the secret journal of beautiful photographer Pandora Gibson-Hoare and a debauched gathering in the 1920s, and to the dark legacy of Klaus Fischer--master of the unspeakable crime and demonic proceedings that have haunted the mansion for decades.Because now, the Fischer House is beckoning, and some old friends have gathered to welcome Paul back. . . .

    Some of the celebrated tales contained in this unique volume include the world's first detective stories -- "The Murders in the Rue Morgue" and "The Purloined Letter", and three stories sure to make a reader's hair stand on end -- "The Cask of Amontillado", "The Tell-Tale Heart", and "The Masque of the Red Death".The work includes a new introduction by Stephen Marlowe, author of "The Memoirs of Christopher Columbus" and "The Lighthouse at the End of the World."Besides the five stories already mentioned, it also contains: "The Balloon-Hoax", "Ms. Found in a Bottle", "A Descent into a Maelstrom", "The Black Cat", "The Pit and the Pendulum", The Assignation", "Diddling", "The Man That Was Used Up", and the novel, "Narrative of A. Gordon Pym". These may vary with different editions.The Signet Classic Edition of "The Fall of the House of Usher and Other Tales" has over 250,000 copies in print!Librarian's note: this is a collection by the author of short stories, and one novel, Entries for each of them on their own can be found elsewhere on Goodreads, including the specific entry for the story, "The Fall of the House of Usher".

    She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

    Seventeen all-new stories illuminate the steampunk world of fog and fear!Modern masters of the supernatural weave their magic to revitalize the chilling Victorian and Edwardian ghostly tale: here are haunted houses, arcane inventions, spirits reaching across the centuries, ghosts in the machine, fateful revelations, gaslit streets scarcely keeping the dark at bay, and other twisted variations on the immortal classics that frighten us still.

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

    As the First World War enters its most brutal phase, back home in England, everyone is seeking answers to the darkness that has seeped into their lives. At Blackwater Abbey, on an island off the Devon coast, Lord Highmount has arranged a spiritualist gathering to contact his two sons who were lost in the conflict. But as his guests begin to arrive, it gradually becomes clear that each has something they would rather keep hidden. Then, when a storm descends on the island, the guests will find themselves trapped. Soon one of their number will die. For Blackwater Abbey is haunted in more ways than one...

    She dares to fall in love.And only then do they discover the true horror of the Vallarca curse.

    But as the stories unfold, a newer and more surprising narrative emerges, one that is perhaps the most frightening of all.