But Wanda's life changes radically on a routine trip to the grocery store when a gunman enters the supermarket and opens fire. The Greatest Hits of Wanda Jaynes is the highly anticipated debut novel by Bridget Canning, one of the most promising new writers from Newfoundland, and is an energetic page-turner about the power of selflessness in a contemporary culture of fear and suspicion.

    She is the beautiful daughter of an affluent estate manager, he the rebellious son of dispossessed peasants. With her father’s men in pursuit and a sizable price on Jim’s head, they board a ship set for Canada to start a new life and put the troubles of the old country behind them.Thousands of miles away in rural Ontario, they find the feuds and vendettas of Ireland are very much alive. Jim must make a place for his young family not just with his back, but with his fists.Fifteen years later, the Donnelly family have become one of the most powerful in Lucan Township, loved by some and hated by others. Jim and Johannah’s sons are notorious as both fighters and lovers and torment the townspeople, swinging shillelaghs, burning barns and seducing daughters.But certain citizens of Lucan have had enough. At midnight on February 3, 1880, a mob of thirty armed men in women’s clothing and carnival masks ride out for the Donnelly farm. Sustained by whisky and the blessings of the local priest, their goal is to wipe the Donnelly family from the face of the earth. Yet there is an eye witness and during the trial that follows, it becomes clear that in small town Ontario of the late 1800s, order is valued above truth.Eventful and conveyed with cinematic detail, Cursed! Blood of the Donnellys is an engaging and historically enlightening read.

    His success and good fortune at such a young age was a remarkable accomplishment for someone from a small Central California farm town. Everything was coming together for Axel until a devastating tragedy beset his hometown. Axel’s perfect life was thrown into turmoil, exposing the moral compromises that he had made to achieve success. In his struggle to put the pieces of his life back together, he discovered his true purpose. From the depths of tragedy, Axel embarked on a quest to revitalize his people and restore the American Nation.

    The sun is drawing the damp from earth still heavy with the end of a long Quebec winter, the budding branches of the trees along rue Fabre and in Parc Lafontaine of the Plateau Mont Royal ache to release their leaves into the warm, clear air heralding the approach of summer.Seven women in this raucous Francophone working-class Montreal neighbourhood are pregnant—only one of them, “the fat woman,” is bearing a child of true love and affection. Next door to the home that is by times refuge, asylum, circus-arena, confessional and battleground to her extended family, with ancient roots in both rural Quebec and the primordial land of the Saskatchewan Cree, stands an immaculately kept but seemingly empty house where the fates, Rose, Mauve, Violet and their mother Florence, only ever fleetingly and uncertainly glimpsed by those in a state of emotional extremis, are knitting the booties of what will become the children of a whole new nation.In this first of six novels that became his Chronicles of the Plateau Mont Royal, Tremblay allows his imagination free reign, fictionalizing the lives of his beloved characters, dramatized so brilliantly in his plays and remembered so poignantly in his memoirs.“The fat woman” both is and is not Michel Tremblay’s mother—her extended family and neighbours more than a symbol of a colonized people: abandoned and mocked by France; conquered and exploited by England; abused and terrorized by the Church; and forced into a war by Canada supporting the very powers that have crushed their spirit and twisted their souls since time immemorial. This is a “divine comedy” of the extraordinary triumphs and tragedies of ordinary people caught up by circumstances that span the range of the ridiculous to the sublime.

    Although they were published separately, these two books, along with Skin Divers, a collection of Michaels's newest work, were written as companion volumes.Poems brings all three books together for the first time, creating for American readers a wonderful introduction to Anne Michaels's poetry. Meditative and insightful, powerful and heart-moving, these are poems that, as Michael Ondaatje has written, "go way beyond games or fashion or politics . . . They represent the human being entire."

    She was smart, attractive and well educated. After losing the love of her life she decided she had to get away from it all. Ravenna did what everyone would love to do…, she left and never looked back. She made a comfortable life on a small Greek island paradise nestled in the southern blue Aegean sea. It was filled with friendly people, beautiful beaches and warm sunny days. The strong willed woman thought she had left her life behind her… but she was wrong. Now, torn between memories and guilt, she must decide- but will she get…a second chance?

    Her father, Trevor, adores her but she is neglected by her feckless mother, Grace. When war comes Trevor Molloy is called up. He fears for Winnie and persuades Sandy Coulson to wheel her to school each day in a converted pram. Two years older than her, Sandy sticks up for Winnie and promises to be her lifelong friend. But Grace is drinking very heavily and loses one job after another. To pay the rent on the one squalid room they are now living in she takes Winnie in the pram out begging until she is given a warning by the police. When Trevor is reported 'Missing Presumed Dead' Grace goes on a drinking spree, meets with an accident and dies. And Winnie is left loveless and alone...

    For fans of Bernard Cornwell and Michael Jecks.' Richard Foreman 1330. Edward III of England calls on Lancastrian baron and longbow archer Sir Thomas Holland to capture Roger Mortimer, the regent who usurped the young king’s throne and murdered his father. Holland and his bowmen next help butcher the Scots at Dupplin Moor and destroy the French fleet at Sluys. Yet the archer's greatest challenge is still to come. The Black Prince and Holland lead a great raid across Normandy. But not all goes according to plan. Two French armies pin the heavily-outnumbered English between the Seine and Somme. Their one hope of escape is to cross a dangerous ford. Thomas personally leads the vanguard and although he engineers the defeat of a waiting enemy force, there is still blood to be spilled. The archer and the Prince must still face a desperate battle against the might of France - at a village called Crecy. Recommended for fans of Bernard Cornwell, Michael Jecks and Robyn Young. The archer and the Prince must still face a desperate battle against the might of France - at a village called Crecy. Paul Bannister is a journalist and author. He has written for national newspapers in Britain and America, covering assignments in about 40 countries. His is also the author of the Forgotten Emperor and Crusader series.

    "An unflaggingly witty and often moving slice of life . . . Poor Super Man explodes on to the stage like a bold comic strip, complete with snappy captions and hard, bright, witty dialogue," writes the Edmonton Journal.

    Fiercely proud of his Chinese heritage, he is quick to spot the business opportunities rife in a divided country, though he also harbors a weakness for gambling haunts and the women who frequent them. He devotedly ignores all news of the fighting that swirls around him, but when his only son gets in trouble with the Vietnamese authorities, Percival faces the limits of his connections and wealth and is forced to send him away. In the loneliness that follows, Percival finds solace in Jacqueline, a beautiful woman of mixed French and Vietnamese heritage whom he is able to confide in. But Percival's new-found happiness is precarious, and as the complexities of war encroach further into his world, he must confront the tragedy of all he has refused to see. Graced with intriguingly flawed but wonderfully human characters moving through a richly drawn historical landscape, The Headmaster's Wager is an unforgettable story of love, betrayal and sacrifice.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    He was thinking about the lynx. The way it had looked at him, acknowledging his existence, then passing out of his life like smoke. . . It was the first thing—the only thing—that had managed, if only for a moment, to displace from his mind the image of the child. He had carried that image with him for a year now, and it had been a weight so great that sometimes he could hardly stand. Mary Lawson’s beloved novels, Crow Lake and The Other Side of the Bridge, have delighted legions of readers around the world. The fictional, northern Ontario town of Struan, buried in the winter snows, is the vivid backdrop to her breathtaking new novel.  Roads End brings us a family unravelling in the aftermath of tragedy: Edward Cartwright, struggling to escape the legacy of a violent past; Emily, his wife, cloistered in her room with yet another new baby, increasingly unaware of events outside the bedroom door; Tom, their eldest son, twenty-five years old but home again, unable to come to terms with the death of a friend; and capable, formidable Megan, the sole daughter in a household of eight sons, who for years held the family together but has finally broken free and gone to England, to try to make a life of her own.  Roads End is Mary Lawson at her best. In this masterful, enthralling, tender novel, which ranges from the Ontario silver rush of the early 1900s to swinging London in the 1960s, she gently reveals the intricacies and anguish of family life, the push and pull of responsibility and individual desire, the way we can face tragedy, and in time, hope to start again.

    Her attempt to live out her life as Lily Azerov shatters as she disappears, leaving a new husband and baby daughter, and a host of unanswered questions. Who is she really and what happened to the young woman whose identity she has stolen? Why has she left and where did she go? It is left to the daughter she abandoned to find the answers to these questions as she searches for the mother she may never find or really know.

    Cassie Johns is a young, lovely writer on the threshold of success after a less-than-silver-spooned girlhood. Driving through the glorious countryside to a fancy-dress party in the Vale of Boland, she gives a lift to a mysteriously attractive young man wearing the uniform of an RAF pilot: ready for the party Cassie assumes. But in the evening there is no sign of the airman.Cassie – hitherto rational, sceptical, a woman of her times – becomes obsessed by Jack Hunter, a pilot whose plane crashed in 1944, but whose long-ago love for a girl at Deer’s Leap makes him unable to rest in peace. Cassie’s love for the dead hero takes her into an unknown war-torn past, where old passion burns and becomes entwined with new.

    Unable to commit suicide, she hires a professional killer and contracts him to kill her, by her choice and on her terms. In an effort to dissuade her from death, her killer elicits from her stories about her travels. In this reversal of Sheherazade, who saves her life through a continuous story, Restlessness becomes a story about how to avoid story, a travel book about how to evade travel, a manual for how to stay put.