Part chronicle of an extraordinary life and part spiritual and philosophical discourse, The Tao of Wu is a nonfiction Siddhartha for the hip-hop generation-an engaging, seeking book that will enlighten, entertain, and inspire.The legions of Wu-Tang fans are accustomed to this heady mix-their obsession with the band's puzzlelike lyrics and elaborate mythology has propelled the group through fifteen years of dazzling, multiplatform success. In his 2005 bestseller The Wu-Tang Manual, the RZA provided the barest glimpse of how that mythology worked. In The Tao of Wu, he takes us deep inside the complex sense of wisdom and spirituality that has been at the core of his commercial and creative success.The book is built around major moments in the RZA's life when he was faced with a dramatic turning point, either bad (a potential prison sentence) or good (a record deal that could pull his family out of poverty), and the lessons he took from each experience. His points of view are always surprising and provocative, and reveal a profound, genuine, and abiding wisdom-consistently tempered with humor and peppered with unique, colloquial phraseology. It is a spiritual memoir as the world has never seen before, and will never see again.

    Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field’s history and major terms to theories, interpretive approaches, and fieldwork.Many teachers of undergraduates find the available folklore textbooks too complex or unwieldy for an introductory level course. It is precisely this criticism that Living Folklore addresses; while comprehensive and rigorous, the book is specifically intended to meet the needs of those students who are just beginning their study of the discipline. Its real strength lies in how it combines carefully articulated foundational concepts with relevant examples and a student-oriented teaching philosophy.

    Yu's four-volume translation of Hsi-yu Chi, one of the most beloved classics of Chinese literature. The fantastic tale recounts the sixteen-year pilgrimage of the monk Hsüan-tsang (596-664), one of China's most illustrious religious heroes, who journeyed to India with four animal disciples in quest of Buddhist scriptures. For nearly a thousand years, his exploits were celebrated and embellished in various accounts, culminating in the hundred-chapter Journey to the West, which combines religious allegory with romance, fantasy, humor, and satire.

    Most of us would like to know the Greek myths better than we do, and books like Seamus Heaney's Beowulf have demonstrated the power of ancient texts to enchant and enthrall us. And yet the modern translations of the Greek myths have sought to instruct, to edify, or to impart a personal philosophy. "Songs on Bronze "is different. With this book, Nigel Spivey--a young Cambridge classicist and rising star as a documentary host--gives us the Greek myths as the spellbinding stories they are. In bold, sensuous prose, he tells of Demeter and Persephone, of Jason and the Argonauts, of the wrath of Achilles and the travels of Odysseus, of Oedipus's crime and Orpheus's excursion into the underworld. In his hands, these stories are revealed anew as outsize tales of love and strife, of secret compacts and open rivalries, of lust and desire. "Songs on Bronze" is a fresh revision of the classics that is likely to become a classic in its own right.

    . .''Teach me my God and King . . .'George Herbert wrote, but never published, some of the very greatest English poetry, recording in an astonishing variety of forms his inner experiences of grief, recovery, hope, despair, anger, fulfilment and - above all else - love.He was born in 1593 and died at the age of 39 in 1633, before the clouds of civil war gathered, his family aristocratic and his upbringing privileged. He showed worldly ambition and seemed sure of high public office and a career at court, but then for a time 'lost himself in a humble way', devoting himself to the restoration of the church at Leighton Bromswold in Buckinghamshire and then to his parish of Bemerton, three miles from Salisbury, whose cathedral music he called 'my heaven on earth'. When in the year of his death his friend Nicholas Ferrar, leader of the quasi-monastic community at Little Gidding, published Herbert's poems under the title The Temple, his fame was quickly established.Because he published no English poems during his lifetime, and dating most of them exactly is impossible, writing Herbert's biography is an unusual challenge. In this book John Drury sets the poetry in the whole context of the poet's life and times, so that the reader can understand the frame of mind and kind of society which produced it, and depth can be added to the narrative of Herbert's life. (T.S. Eliot: 'What we can confidently believe is that every poem in the book [The Temple] is in tune to the poet's experience.') His Herbert is not the saintly figure who has come down to us from John Aubrey, but a man torn for much of his life between worldly ambition and the spiritual life shown to us so clearly through his writings. The result is the most satisfying biography of this exceptional English poet yet written.

    Initiated by him in the 1950s and for a time High Priestess of his coven, Doreen helped him rewrite his seminal Book of Shadows and establish witchcraft's international reputation. In this intriguing exposé, Doreen provides an insider’s account of the birth and evolution of the contemporary Wicca movement. She recalls her spat with Gardner that eventually split his coven, the controversy surrounding Alex Sanders, "King of the Witches," and many other witches whom she has known, including “Dafo,” Robert Cochrane, Leslie Roberts, and Sybil Leek. She also describes the clairvoyant communications she received purporting to come from John Brakespeare, an 18th-century witch.

    Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

    Only 18 years old she left everything she had and knew to dedicate her life to her music and art. A vague dream about reaching out turned out to be a fight for freedom, real art and belonging. A journey about self-discovery, learning solitude, the difference between having a home and feeling at home and finally, slowly, finding a home in oneself. In music, in words, in moments. Charlotte spent a year homeless on the road, sleeping at friends’ and fans’ floors, learning and searching. Aiming to inspire others to create their own lives and showing that you can become exactly who you want to become, if you just want it bad enough. ”I wanted to turn my life into art. My very existence into a poem. This is my story. It’s been a beautiful adventure. It always will be.”*************************"Instant coffee and a tip from the sound-guy. I'm learning sounds, laying wide awake on different sofas every night. I know the difference between a well built wall and broken strength. I'm learning mindfulness, reading about gurus and poets every day on different trains to nowhere. I don't know what I'm learning but I hope I will understand one day. I'm selling my heart with each album and a silent prayer that they’ll be gentle with it, gentle with me. And then the concerned looks they throw when I point at my worn out bag and broken guitar case as the answer to where I live. Sure I could spend a year or two selling my days and time for money, and I could buy all these things people want to have without never really needing it. It's just that when I'm on that stage every night, it all just seems so stupid. My guitar, my voice, my words, my story. That's all I want, that's what makes my heart beat. What am I supposed to do with belongings and material stuff when all I want is this. The open road and a new beginning every day. I don't have a lot and I gave away the things you're supposed to have to be able to live. I don't own any keys and I threw my phone in the river. My family will always remember me as the confused one who left and never came back. I'm searching. I will be forever wandering. I don't know what I'm looking for, but I will spend the rest of my life trying to find it.""I want my life to be the greatest story. My very existence will be the greatest poem.Watch me burn."Reviews of Empty Roads & Broken Bottles; in search for The Great Perhaps:"This book is a beautiful journey. Charlotte's words are like magic and you just can't stop reading. This book gave me answers to life that I didn't know I was looking for!" - Hanna Olofsson This book was such an emotional and beautiful experience that really consumed my soul while reading it I felt like I was there in person with her on her amazing journey every step of the way, This book made me cry it made me smile and it made me realise facts about myself it is a truly emotional and inspiring reading experience. I would recommend this book to anyone who can appreciate the genius and brilliance of an artist or someone who wants to discover themsselves." - Mattias Bergstöm

    It includes a dozen rare images, most never before seen.

    They could own and trade in property, work outside the home, marry foreigners and live alone without the protection of a male guardian. Some of them even rose to rule Egypt as ‘female kings’. Joyce Tyldesley’s vivid history of how women lived in ancient Egypt weaves a fascinating picture of daily life – marriage and the home, work and play, grooming and religion – viewed from a female perspective, in a work that is engaging, original and constantly surprising.